Der Hund von Baskerville (1937)

User Rating:

4.3/10   

Director:

Carl Lamac

Writers:

Arthur Conan Doyle (novel)
Carla von Stackelberg (screenplay)

Release Date:

12 January 1937 (Germany)

Genre:

Crime | Horror | Mystery

Plot Keywords:

Animal In Title | Foreign Language Adaptation | Place Name In Title | Based On Novel

Cast

Peter Voß	...	Lord Henry Baskerville
Friedrich Kayßler	...	Lord Charles Baskerville
Alice Brandt	...	Beryl Vendeleure
Bruno Güttner	...	Sherlock Holmes
Fritz Odemar	...	Dr. Watson
Fritz Rasp	...	Barrymore
Lili Schoenborn-Anspach	...	Mrs. Barrymore (as Lilli Schönborn)
Erich Ponto	...	Stapleton
Ernst Rotmund	...	Dr. Mortimer
Gertrud Wolle	...	Mrs. Hudson
Klaus Pohl	...	Notar
Ilka Thimm	...	Telefonistin
Ernst Albert Schaach	...	Hoteldirektor (as Ernst A. Schaah)
Hanna Waag	...	Lady Baskerville
Artur Malkowsky	...	Lord Hugo Baskerville

Also Known As:

The Hound of the Baskervilles (USA)

Country:

Germany

Language:

German

Color:

Black and White

Sound Mix:

Mono (Tobis-Klangfilm)

Company:

Ondra-Lamac-Film

Trivia:

One of two films found in Adolf Hitler's bunker by the Allies in 1945. The other film was Der Mann, der Sherlock Holmes war (1937).

Movie Connections:

Version of The Hound of the Baskervilles (1983) (TV)

A less self-important Holmes

A most pleasingly atmospheric rendition of the tale, noirishly photographed and moodily set, this is the version which probably would have delighted Conan Doyle the most. There is one important plot change which enables the beautiful Alice Brandt to enjoy both a larger role and a more intriguing part in the proceedings. This change also builds up the parts of Dr Mortimer and Lord Charles, yet at the same time provides a nice introduction to the is-he-sinister or is-he-a-good-guy Barrymore, deftly played here by Fritz Rasp.

Despite the sting of its well-developed story, the spellbindingly atmospheric direction and the engrossing performances delivered by the entire cast, many fans may find this version somewhat disappointing. For at least three reasons: As in the novel, the part played in the narrative by Sherlock Holmes, though vital, is minimal. And in this version, not only has no attempt been made to enlarge his role, if anything both writer and director do their best to minimize it. Holmes does not even make his entrance for half-an-hour, and when he does finally appear, he has his back to the camera. It is Fritz Odemar, as Dr Watson, who receives the more favorable camera angles. And there is a purpose in this. It is Watson, not Holmes, who figures as the main protagonist of The Hound of the Baskervilles. For the bulk of the narrative, Holmes disappears. It is Watson and Lord Henry (Peter Voss) who take up the running. The movie is almost over, before Holmes closes in on the villain. And even so, this is not the obsessed, self-important Holmes we are accustomed to see taking charge. Another problem is that the title hound itself does not figure a great deal in the action, a downgrading which will undoubtedly rate as another major disappointment for fans. And finally, it could be argued that the script gives too much attention to Conan Doyle's red herring, the escaped convict, and not enough to the real villain.

This said, it must surely be admitted by all, that Odemar's interpretation of Watson—intelligent, charming, level-headed, courageous and resourceful—is much closer to Conan Doyle's conception than either the bungling, inveterately stupid Nigel Bruce or the self-effacing Ian Fleming.

One other player deserves special mention: Erich Ponto (Dr Winkel in The Third Man) who seems exactly right for Stapleton. A difficult part, superbly played.