| Photos (see all 20 | slideshow) |
| Marlene Dietrich | ... | Domini Enfilden | |
| Charles Boyer | ... | Boris Androvsky | |
| Basil Rathbone | ... | Count Ferdinand Anteoni | |
| C. Aubrey Smith | ... | Father J. Roubier | |
| Joseph Schildkraut | ... | Batouch | |
| John Carradine | ... | Sand diviner | |
| Alan Marshal | ... | Capt. De Trevignac | |
| Lucile Watson | ... | Mother Superior Josephine | |
| Henry Brandon | ... | Hadj | |
| Tilly Losch | ... | Irena | |
| rest of cast listed alphabetically: | |||
| Eric Alden | ... | Anteoni's lieutenant (uncredited) | |
| Louis Aldez | ... | Blind singer (uncredited) | |
| Harlan Briggs | ... | American tourist in hotel (uncredited) | |
| John Bryan | ... | Brother Gregory (uncredited) | |
| Ann Bupp | ... | Girl (uncredited) | |
| Pedro de Cordoba | ... | Gardener (uncredited) | |
| Corky | ... | Bous-Bous, the Dog (uncredited) | |
| Nigel De Brulier | ... | Lector at monastery (uncredited) | |
| Marcel De la Brosse | ... | Member of De Trevignac's patrol (uncredited) | |
| Barry Downing | ... | Little Boris (uncredited) | |
| Helen Jerome Eddy | ... | Nun (uncredited) | |
| Irene Franklin | ... | American tourist's wife (uncredited) | |
| Robert Frazer | ... | Smain (uncredited) | |
| John George | ... | Waiter (uncredited) | |
| Ann Gillis | ... | Convent girl #2 (uncredited) | |
| Ferdinand Gottschalk | ... | Hotel clerk (uncredited) | |
| Betty Jane Graham | ... | Convent girl (uncredited) | |
| Bonita Granville | ... | Convent girl (uncredited) | |
| Edna Mae Harris | ... | Oasis girl (uncredited) | |
| Marcia Mae Jones | ... | Convent girl #1 (uncredited) | |
| Jane Kerr | ... | Ouled nails madam (uncredited) | |
| Leonid Kinskey | ... | Voluble Arab (uncredited) | |
| Michael Mark | ... | Coachman (uncredited) | |
| Andrew McKenna | ... | Mueddin (uncredited) | |
| Louis Mercier | ... | Member of De Trevignac's patrol (uncredited) | |
| Russ Powell | ... | Proprietor (uncredited) | |
| Frank Puglia | ... | Man (uncredited) | |
| Maria Riva | ... | Young girl sewing in the first scene at the Convent (uncredited) | |
| Adrian Rosley | ... | Mustapha (uncredited) | |
| Marion Sayers | ... | Oasis girl (uncredited) | |
| David Scott | ... | Larby (uncredited) | |
| Robert R. Stephenson | ... | Member of De Trevignac's patrol (uncredited) | |
| Frances Turham | ... | Oasis girl (uncredited) | |
| Betty Van Auken | ... | Oasis girl (uncredited) | |
| Charles Waldron | ... | Abbe of monastery (uncredited) | |
Directed by | |||
| Richard Boleslawski | |||
Writing credits | ||
| Robert Hichens | (novel) | |
| W.P. Lipscomb | (screenplay) and | |
| Lynn Riggs | (screenplay) | |
| Willis Goldbeck | (contributor to treatment) uncredited | |
Produced by | |||
| David O. Selznick | .... | producer | |
Original Music by | |||
| Max Steiner | |||
Cinematography by | |||
| Virgil Miller | (director of photography) (uncredited) | ||
Film Editing by | |||
| Hal C. Kern | |||
| Anson Stevenson | (uncredited) | ||
Set Decoration by | |||
| Sturges Carne | (settings) | ||
| Lyle R. Wheeler | (settings) (as Lyle Wheeler) | ||
| Edward G. Boyle | (settings) (uncredited) | ||
Costume Design by | |||
| Ernest Dryden | |||
Makeup Department | |||
| Sam Kaufman | .... | makeup artist (uncredited) | |
Second Unit Director or Assistant Director | |||
| Eric Stacey | .... | assistant director | |
| Otto Brower | .... | second unit director (uncredited) | |
| Chauncy Pyle | .... | assistant director (uncredited) | |
Art Department | |||
| Lansing C. Holden | .... | color designer | |
| Irving W. Sindler | .... | props (uncredited) | |
Sound Department | |||
| Earl A. Wolcott | .... | sound recordist (as Earl Wolcott) | |
| T.A. Carman | .... | boom operator (uncredited) | |
Special Effects by | |||
| Jack Cosgrove | .... | special effects | |
Visual Effects by | |||
| Clarence Slifer | .... | special effects cinematographer (uncredited) | |
Camera and Electrical Department | |||
| W. Howard Greene | .... | photographer | |
| Robert Carney | .... | associate photographer (uncredited) | |
| Wilfred M. Cline | .... | associate photographer (uncredited) | |
| Nelson Cordes | .... | assistant camera (uncredited) | |
| Don Dickey | .... | grip (uncredited) | |
| Frank Leavitt | .... | grip (uncredited) | |
| Oran McPherson | .... | electrician (uncredited) | |
| Morris Rosen | .... | electrician (uncredited) | |
Costume and Wardrobe Department | |||
| Bill Bowman | .... | wardrobe (uncredited) | |
| Jeannette Couget | .... | costume maker (uncredited) | |
Music Department | |||
| R.H. Bassett | .... | orchestrator (uncredited) | |
| Hugo Friedhofer | .... | orchestrator (uncredited) | |
| Bernhard Kaun | .... | orchestrator (uncredited) | |
| George Parrish | .... | orchestrator (uncredited) | |
| Edward B. Powell | .... | orchestrator (uncredited) | |
Other crew | |||
| Willis Goldbeck | .... | assistant to producer | |
| Natalie Kalmus | .... | technicolor color supervisor | |
| Harold Rosson | .... | photographic advisor | |
| Joshua Logan | .... | dialogue director (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb USA section | Add this title to MyMovies |
North Africa in the 1930's. To a small Arab town on the edge of the Sahara comes a beautiful woman looking for meaning to her life & a handsome Trappist monk fleeing from his crisis of faith. They will meet and passions will be stirred, but not even the Sand Diviner knows if they will find happiness or sorrow, here, in THE GARDEN OF ALLAH.
The plot is pure hokum, but the film is still great fun & beautiful to look at. Marlene Dietrich & Charles Boyer are a superb screen couple. She is, to put it simply, gorgeous, and Boyer gives a most effective, understated performance, letting his sensitive face do much of the acting for him. (Dietrich had wanted her lover, John Gilbert, to have the leading male role, and he had gone so far as to have color tests made, but he died unexpectedly before shooting could begin.)
The supporting cast is excellent: Basil Rathbone, in a sympathetic role as a Count who loves the desert; Joseph Schildkraut as a friendly, talkative guide (all the "Arabic" he & others speak in the film is pure gibberish); Lucile Watson as a gentle Mother Superior; Alan Marshal as an honorable young French officer; Tilly Losch as a dangerous dancer; Henry Brandon as a comic porter; John Carradine as the mysterious Sand Diviner; and magnificent Sir C. Aubrey Smith as a wise old priest.
Movie mavens will recognize Helen Jerome Eddy as a nun; Marcia Mae Jones & Bonita Granville (peeking over the nun's shoulder) as convent girls; gaunt Nigel De Brulier as a monastery lector; and Ferdinand Gottschalk as a hotel clerk, all uncredited.
Color films of the 1930's are both rare & lovely to look at, and this movie is no exception - the cinematography is as colorful as the desert itself. THE GARDEN OF ALLAH was the first Technicolor film to be shot on location. Yuma, Arizona gave the film makers all the sand dunes they could desire, but contaminated drinking water & 135 degree heat soon had the company in revolt. When the daily rushes showed Boyer's face had burned a bright tomato red, producer David O. Selznick finally gave in. The remainder of the film was shot on a Hollywood sound stage.