The Charge of the Light Brigade (1936)

Director:

Michael Curtiz

Writers:

Alfred Lord Tennyson (poem)
Michael Jacoby (story)

Release Date:

20 October 1936 (USA)

Genre:

Action | Adventure | Romance | War

Tagline:

The reckless lancers sweep on and on - so that a woman's heart might not be broken! You're not fighting a single legion - you're fighting the entire British army, Surat Khan!

Plot:

A major countermands orders and attacks to revenge a previous massacre of men, women and children.

Plot Keywords:

Massacre | Attack | India | Lancer | Sepoy

Awards:

Won Oscar. Another 2 nominations

Cast

Errol Flynn	...	Major Geoffrey Vickers
Olivia de Havilland	...	Elsa Campbell (as Olivia De Havilland)
Patric Knowles	...	Captain Perry Vickers
Henry Stephenson	...	Sir Charles Macefield
Nigel Bruce	...	Sir Benjamin Warrenton
Donald Crisp	...	Colonel Campbell
David Niven	...	Captain James Randall
C. Henry Gordon	...	Surat Khan
G.P. Huntley	...	Major Jowett (as G.P. Huntley Jr.)
Robert Barrat	...	Count Igor Volonoff
Spring Byington	...	Lady Octavia Warrenton
E.E. Clive	...	Sir Humphrey Harcourt
J. Carrol Naish	...	Subahdar-Major Puran Singh (as J. Carroll Naish)
Walter Holbrook	...	Cornet Charles Barclay
Princess Baba	...	Prema's Mother (as Princess Baigum)

Runtime:

115 min

Country:

USA

Language:

English

Color:

Black and White

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono

Certification:

USA:Approved (certificate #2156) | Australia:G | USA:TV-G (TV rating) | Finland:K-16 | Portugal:M/12 | UK:U

Filming Locations:

Agoura Hills, California, USA

Company:

Warner Bros. Pictures

Trivia:

It was during a "Parkinson" (1971) interview that his good friend David Niven revealed that during the filming of The Charge of the Light Brigade (1936), Errol Flynn was busy on a horse during a break applying makeup with one hand whilst holding a mirror in the other. An extra decided to "pock" the horse up the behind with his lance - the horse bucked, throwing Flynn to the ground. He got to his feet and asked who had done that, the extra volunteered, thinking that this would only add to his embarrassment. However, Flynn dragged him from the horse and gave him a sound beating. They were the best of friends after that.

Goofs:

Revealing mistakes: When Randall is preparing to go over the wall to Lahara, a lighting effect is used to suggest clouds passing in front of the moon, so the amount of light varies. However, the effect is interrupted as Randall puts on his hat.

Quotes:

[first lines]
Sir Humphrey Harcourt: How do you fellows manage to look so comfortably, Vickers?
Maj. Geoffrey Vickers: We may look it Sir, but we're not. They say the first 40 years are about the hottest up here on the frontier, after that you get used to it.
Sir Humphrey Harcourt: Really?

Movie Connections:

Referenced in Hollywoodism: Jews, Movies and the American Dream (1998) (TV)

Soundtrack:

God Save the Tsar

Entertaining, but Hell on the horses

Warner Bros. and Michael Curtiz faced a real challenge with their 1936 epic The Charge of the Light Brigade: how to solve the problem of turning the biggest fiasco in British military history into a heroic adventure? Why, ignore history entirely and make it all up instead, of course! Unfortunately, it doesn't quite pull it off, because no matter how entertaining the first hundred minutes are, there's no getting around the stupidity of Donald Crisp's commanding officer or the criminal irresponsibility of Errol Flynn's actions in the last reel, no matter how 'noble' his intentions. Nor is it easy to accept the truly vicious horse falls in the final charge, no matter how spectacular the sequence, although at least the huge number of horses killed in the sequences (along with one stuntman) led to laws being passed to protect animals in films.

Despite the title, the film takes its lead from the previous year's The Lives of a Bengal Lancer and is more interested in revolting natives on the Indian frontier than it is in the Crimean War, with Flynn's dashing cavalry officer surprisingly losing Olivia De Havilland's hand to his brother Patric Knowles while failing to avert a massacre masterminded by C. Henry Gordon's treacherous Surat Khan. The Charge itself is here an act of revenge rather than a ghastly blunder, and is portrayed as the turning point in the war rather than a wasted heroic gesture. But then, when Tony Richardson offered a more historically accurate version in 1968, audiences stayed at home in droves, so the studio clearly knew what they were doing by going for romantic hokum, and darn entertaining hokum at that.