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Amazon.com video review: One of Humphrey Bogart's earliest starring vehicles, this 1936 melodrama typifies the Warner Bros. touch in its modest but potent production values and Depression-era social acumen. Prompted by contemporary news reports of new neofascist groups targeting political and religious minorities, the script conjures up a shadowy, Klan-like organization preying on factory workers to set them against blue-collar immigrants. Bogart is Frank Taylor, a hard-working drill-press operator hoping for a promotion that can help him better provide for his adoring wife and cherubic young son. Frank's coworkers reassure him he'll snag the foreman's post, but when a studious young Polish American gets the nod, Frank's bitter disappointment sets the stage for the tragedy that follows.

What proceeds in this 83-minute feature is a pointed morality play about tolerance and democracy. The legion's rank and file invoke a "free, white, and 100 percent American" future in justifying their scare tactics, which hound Frank's rival out of town, briefly gaining him the coveted job. But his deepening involvement in the mob soon drives wife and son away, costs him his job, and ultimately spurs him to murder his best friend, Ed (Dick Foran). Indicted for the murder, Frank is nearly acquitted by a crooked defense team funded by the corrupt businessmen who are bankrolling the legion (more to profit off the sale of robes and revolvers than to incite any real political change), but his climactic, cathartic pang of conscience brings the tale to its moralistic end.

Bogart, who dutifully marched through dozens of features before graduating to true stardom, gives the simplistic story its modest power through a credible performance that traces Frank's descent from streetwise but principled worker to angry, disillusioned thug. The supporting cast also includes Ann Sheridan, likewise fine in an otherwise two-dimensional role as Foran's wife. --Sam Sutherland