Top Hat (1935)

User Rating:

7.7/10   

Director:

Mark Sandrich

Writers:

Allan Scott (writer)
Dwight Taylor (screenplay)

Release Date:

6 September 1935 (USA)

Genre:

Comedy | Musical | Romance

Tagline:

They're Dancing Cheek-To-Cheek Again!

Plot:

Showman Jerry Travers is working for producer Horace Hardwick in London. Jerry demonstrates his new dance steps late one night in Horace's hotel...

Plot Keywords:

Dance | Face Slap | Reference To Gertrude Stein | Misandry | Man's Hat

Awards:

Nominated for 4 Oscars. Another 1 win & 1 nomination

Cast

Fred Astaire	...	Jerry Travers
Ginger Rogers	...	Dale Tremont
Edward Everett Horton	...	Horace Hardwick
Erik Rhodes	...	Alberto Beddini
Eric Blore	...	Bates
Helen Broderick	...	Madge Hardwick

Runtime:

101 min | USA:81 min (re-release) (re-edited version)

Country:

USA

Language:

English | Italian

Color:

Black and White

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono (RCA Victor System)

Certification:

Portugal:M/6 | South Korea:All | Argentina:Atp | Germany:12 | Sweden:Btl | UK:U | USA:Approved

Company:

RKO Radio Pictures

Trivia:

Erik Rhodes' Italian characterization so offended the Italian government - and dictator Benito Mussolini in particular - that the film was banned in Italy. The same fate befell The Gay Divorcee (1934) the year before.

Goofs:

Continuity: When Horace and Bates are speaking to the hotel manager, the hook of the coat hanger that Bates is holding changes orientation between shots.

Quotes:

Alberto Beddini: Never again will I allow WOMEN to wear my dresses!

Movie Connections:

Featured in Wrestling Ernest Hemingway (1993)

Soundtrack:

Cheek to Cheek

"Simply Reeks With Class"

The stage star, Jerry Travers, disturbs a young woman's sleep by tap-dancing on the floor of a hotel room directly above hers. The young woman is Dale Tremont, a beautiful fashion model. In the course of the movie plot, by way of London, Venice and the usual snags of mistaken identity, the two youngsters flirt, dance and fall in love.

Fred Astaire was a huge Broadway star and social lion long before he ever saw the inside of a film studio. A lucky pairing with Ginger Rogers (a film star in her own right) in "Flying Down To Rio" (1933) led on to a series of smash hits throughout the 1930's. "Top Hat" was the third film the couple made together, and for this one RKO Radio started getting serious, bringing in the legendary Irving Berlin to write the sparkling songs.

This picture was preceded a year earlier by "The Gay Divorcee", and is a repeat prescription of that successful formula - wealthy, elegant characters, frivolous lifestyles, light-hearted love and sumptuous dance numbers. It is not merely the storyline of 'Divorcee' that is repeated here - alongside Fred and Ginger, several of the cast members reappear. Edward Everett Horton was the lawyer Egbert in the earlier film, and here he is Horace the impresario, but is still Fred's bumbling buddy. Eric Blore was the wisecracking waiter, now he is the sarcastic valet: Erik Rhodes plays Italian buffoons in both films - Tonetti in 'Divorcee', Beddini here. Watch out for the girl florist ... it's Lucille Ball, two years into a very long and busy showbiz career.

The film's first number is "Fancy Free", an amiable little ditty which sets the prevailing tone of easy gaiety. Fred leads into it very nicely, his speech becoming more and more rhythmic until he lifts off into song.

"It's A Lovely Day" has a great tune, witty choreography, a thunderstorm and a superb bandstand set. Yet the song everyone associates with this movie is "Top Hat, White Tie And Tails": it doesn't involve Ginger at all, but Fred makes up for that by being in breathtaking form, his performance exuding athleticism, grace, poise and assurance.

Ginger gets her turn to sing with "The Piccolino", a song designed to accord with the plot's Venetian setting. It is the weakest number in the movie, and Ginger sings it without conviction.

In order for the plot knots to unravel, it is necessary for Horace to be kept apart from his wife Madge for 24 hours, even though they haven't met for weeks and they are staying in the same hotel. This is highly artificial, but such flaws are rendered negligible by the sweeping climax of "Cheek To Cheek", the splendid finale in which Fred and Ginger get to dance as lovers.

Verdict - Immortal stylish music and dance.