| Photos (see all 11 | slideshow) |
| Irene Dunne | ... | Stephanie | |
| Fred Astaire | ... | Huckleberry Haines | |
| Ginger Rogers | ... | Comtesse Scharwenka | |
| Randolph Scott | ... | John Kent | |
| Helen Westley | ... | Roberta / Aunt Minnie | |
| Claire Dodd | ... | Sophie Teale | |
| Victor Varconi | ... | Prince Ladislaw | |
| Luis Alberni | ... | Alexander Petrovitch Moskovich Voyda | |
| Ferdinand Munier | ... | Lord Henry Delves | |
| Torben Meyer | ... | Albert | |
| Adrian Rosley | ... | Professor | |
| Bodil Rosing | ... | Fernande (maid) | |
| rest of cast listed alphabetically: | |||
| Lucille Ball | ... | Fashion model (uncredited) | |
| Hal Borne | ... | Wabash Indianian (uncredited) | |
| Halbert Brown | ... | Wabash Indianian (uncredited) | |
| Candy Candido | ... | Trick-voiced Wabash Indianian (uncredited) | |
| William Carey | ... | Wabash Indianian (uncredited) | |
| Virginia Carroll | ... | Fashion model (uncredited) | |
| Lynne Carver | ... | Fashion model (uncredited) | |
| Diane Cook | ... | Fashion model (uncredited) | |
| Phil Cuthbert | ... | Wabash Indianian (uncredited) | |
| William B. Davidson | ... | Ship's officer (uncredited) | |
| Delmon Davis | ... | Wabash Indianian (uncredited) | |
| Lorraine DeSart | ... | Fashion model (uncredited) | |
| Ivan Dow | ... | Wabash Indianian (uncredited) | |
| Betty Dumbries | ... | Fashion model (uncredited) | |
| William R. Dunn | ... | Wabash Indianian (uncredited) | |
| Mary Forbes | ... | Mrs. Teale (uncredited) | |
| William Frawley | ... | Bartender (uncredited) | |
| Rita Gould | ... | Woman (uncredited) | |
| Jane Hamilton | ... | Liane, a fashion model (uncredited) | |
| Grace Hayle | ... | Newspaper reporter (uncredited) | |
| Maxine Jennings | ... | Fashion model (uncredited) | |
| Howard Lally | ... | Wabash Indianian (uncredited) | |
| Mike Lally | ... | Bar customer (uncredited) | |
| Lorna Low | ... | Fashion model (uncredited) | |
| Muzzy Marcellino | ... | Wabash Indianian (uncredited) | |
| Margaret McChrystal | ... | Fashion model (uncredited) | |
| Paul McLarind | ... | Wabash Indianian (uncredited) | |
| Marie Osborne | ... | Fashion model (uncredited) | |
| Wanda Perry | ... | Fashion model (uncredited) | |
| Donna Mae Roberts | ... | Fashion model (uncredited) | |
| Zena Savine | ... | Woman (uncredited) | |
| Sam Savitsky | ... | Cossack (uncredited) | |
| Charles Sharpe | ... | Wabash Indianian (uncredited) | |
| Gene Sheldon | ... | Banjo-playing Wabash Indianian (uncredited) | |
| Kay Sutton | ... | Fashion model (uncredited) | |
| Mike Tellegen | ... | Cossack (uncredited) | |
| Dale Van Sickel | ... | Cossack (uncredited) | |
| Michael Visaroff | ... | Waiter (uncredited) | |
| Judith Vosselli | ... | Woman (uncredited) | |
Directed by | |||
| William A. Seiter | |||
Writing credits | ||
| Jerome Kern | (play "Roberta") and | |
| Otto A. Harbach | (play "Roberta") | |
| Jane Murfin | (screenplay) and | |
| Sam Mintz | (screenplay) and | |
| Allan Scott | (screenplay) | |
| Glenn Tryon | (additional dialogue) | |
| Alice Duer Miller | novel "Gowns by Roberta" | |
| Dorothy Yost | uncredited (treatment) | |
Produced by | |||
| Pandro S. Berman | .... | producer | |
Cinematography by | |||
| Edward Cronjager | (photographed by) | ||
Film Editing by | |||
| William Hamilton | |||
Art Direction by | |||
| Van Nest Polglase | |||
Costume Design by | |||
| Bernard Newman | (gowns) | ||
Makeup Department | |||
| Mel Berns | .... | makeup artist (uncredited) | |
Second Unit Director or Assistant Director | |||
| Kenneth Holmes | .... | assistant director (uncredited) | |
| Edward Killy | .... | assistant director (uncredited) | |
| Argyle Nelson | .... | second assistant director (uncredited) | |
| C.C. Thompson | .... | assistant director (uncredited) | |
| Sam White | .... | assistant director (uncredited) | |
Art Department | |||
| Carroll Clark | .... | associate art director | |
| Thomas Little | .... | set dresser (as Thomas K. Little) | |
Sound Department | |||
| George Marsh | .... | sound editor | |
| John E. Tribby | .... | sound recordist (as John Tribby) | |
Special Effects by | |||
| Harry Redmond Sr. | .... | special effects supervisor (uncredited) | |
Camera and Electrical Department | |||
| Robert De Grasse | .... | camera operator (uncredited) | |
Music Department | |||
| Philip Faulkner Jr. | .... | music recordist (as P.J. Faulkner Jr.) | |
| Max Steiner | .... | musical director | |
| Wayne Allen | .... | music arranger (uncredited) | |
| Gene Rose | .... | music arranger (uncredited) | |
| Max Steiner | .... | composer: incidental music (uncredited) | |
Other crew | |||
| Fred Astaire | .... | dance arranger | |
| Zion Myers | .... | production associate | |
| Hermes Pan | .... | assistant dance director | |
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| Swing Time | Follow the Fleet | Shall We Dance | Colleen | The Devil Wears Prada |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb USA section | Add this title to MyMovies |
I have been lucky enough to have this fashion parade comedy musical film in my life since the mid 70s when New Zealand TV stations sent all their old 16mm prints to Australia for junking. Instead, most of these 500 prints were found be in mint full length condition. As a result they were hired out, and I operated a cinema and ran dozens and dozens of them.
Among this incredible library was ROBERTA which seemed to always be programmed every other month or two. So my first viewing was in a lovely old cinema with a perfect print and a big audience. I have never recovered and never want to. Every time I see ROBERTA I swoon from the sheer beauty of every part of this gorgeous film. 30 years later I can watch it on tape on TV and still get the same overwhelming emotional bliss knowing what it is doing to me. I admire the fashionable production and the team so much because they knew what they were doing to the audience too: presenting a sublime musical confection that is exquisite enough to make the viewer pass out from aching satisfaction. Find it, see it, love it. Have this film in your life and just absorb every second of its absolute perfection.