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Mutiny on the Bounty
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Amazon.com reviews for
Mutiny on the Bounty (1935) More at IMDbPro »

Mutiny on the Bounty (vhs):

Amazon.com video review: The highlight of Mutiny on the Bounty is undoubtedly Charles Laughton's bracingly evil performance as Captain Bligh, a man so mean that he insists on having a dead sailor flogged. Bligh pushes his men beyond physical endurance, slashes their rations for his own profit, and drastically cuts down their frolicking time with scantily clad Tahitians. Finally, the moment everyone has been waiting for arrives: first mate Fletcher Christian (Clark Gable) hits his limit and all hell breaks loose. Gable holds doggedly onto his American accent through the entire movie, but in a way it makes Christian come off as a Regular Guy in opposition to Bligh's institutionalized cruelty. Once you get past the hurdle of his diphthongs, Gable makes an excellent Fletcher Christian--strong, fair, and noble, and he effectively conveys the struggle of a man who loathes the idea of mutiny but can't stand see his men mistreated. And Charles Laughton is just superb. His Bligh is thoroughly appalling, yes, but it's far from a one-note performance--when he is cast adrift on the open sea in a lifeboat and tries to make an impossible journey to land, you can't help but root for him. Mutiny on the Bounty won the 1935 Academy Award for Best Picture and picked up a Leading Actor nomination for each of its male leads. Check it out or be tied to the mizzenmast. --Ali Davis

Mutiny on the Bounty (1935) (vhs):

Amazon.com Essentials: Frank Lloyd's 1935 version of the famous story is broadly superior to later attempts. Charles Laughton is brilliant as the harsh captain of the 18th-century British naval vessel Bounty, and Clark Gable gives an intelligent performance as Fletcher Christian, the first mate burdened with leading a mutiny in the South Seas. This is one of those archetypal stories that seems to invite a variety of creative and moral interpretations (see both the 1962 and 1984 versions, the latter called The Bounty), but this first shot across the bow still seems truest and least massaged for hidden meaning. --Tom Keogh