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Directed by | |||
| William Dieterle | |||
| Max Reinhardt | |||
Writing credits | ||
| William Shakespeare | (play) | |
| Charles Kenyon | (arranged for the screen by) & | |
| Mary C. McCall Jr. | (arranged for the screen by) | |
Produced by | |||
| Henry Blanke | .... | producer (uncredited) | |
| Hal B. Wallis | .... | executive producer (uncredited) | |
| Jack L. Warner | .... | executive producer (uncredited) | |
Cinematography by | |||
| Hal Mohr | (photography by) | ||
Film Editing by | |||
| Ralph Dawson | |||
Art Direction by | |||
| Anton Grot | |||
Set Decoration by | |||
| Ben Bone | (uncredited) | ||
Costume Design by | |||
| Max Rée | (as Max Ree) | ||
| Milo Anderson | (uncredited) | ||
Makeup Department | |||
| Perc Westmore | .... | cosmetician | |
| Faye Hanlin | .... | hair stylist (uncredited) | |
Production Management | |||
| Al Alleborn | .... | unit manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| Russell Saunders | .... | assistant director (uncredited) | |
| Sherry Shourds | .... | assistant director (uncredited) | |
Art Department | |||
| Emmett Emerson | .... | props (uncredited) | |
| Harper Goff | .... | set designer (uncredited) | |
| John More | .... | props (uncredited) | |
Sound Department | |||
| Charles David Forrest | .... | sound (uncredited) | |
| Nathan Levinson | .... | sound recordist (uncredited) | |
Special Effects by | |||
| Byron Haskin | .... | special photographic effects | |
| Fred Jackman | .... | special photographic effects | |
| Hans F. Koenekamp | .... | special photographic effects (as Hans Koenekamp) | |
Camera and Electrical Department | |||
| Thomas Brannigan | .... | camera operator (uncredited) | |
| William Classen | .... | grip (uncredited) | |
| Stanley Cortez | .... | camera operator (uncredited) | |
| L. De Angelis | .... | assistant camera (uncredited) | |
| Hans F. Koenekamp | .... | assistant camera (uncredited) | |
| Mickey Marigold | .... | still photographer (uncredited) | |
| Robert Surtees | .... | camera operator (uncredited) | |
Editorial Department | |||
| Warren Low | .... | assistant editor (uncredited) | |
Music Department | |||
| Leo F. Forbstein | .... | conductor | |
| Erich Wolfgang Korngold | .... | music arranger | |
| Erich Wolfgang Korngold | .... | composer: additional music (uncredited) | |
Other crew | |||
| Stanley Logan | .... | dialogue director | |
| Bronislava Njinska | .... | choreographer: ballets by (as Bronislawa Nijinska) | |
| Fred Applegate | .... | continuity (uncredited) | |
| Henry Blanke | .... | supervisor (uncredited) | |
| George P. Breakston | .... | double: Mickey Rooney (uncredited) | |
| Jane Downey | .... | stand-in (uncredited) | |
| S. Charles Einfeld | .... | press agent (uncredited) | |
| Jack A. Goodrich | .... | stand-in (uncredited) | |
| Jack Grey | .... | stand-in (uncredited) | |
| Betty Hobday | .... | stand-in (uncredited) | |
| Percy Kennedy | .... | stand-in (uncredited) | |
| Pat O'Shea | .... | stand-in (uncredited) | |
| Gladys Rehfeld | .... | stand-in (uncredited) | |
| George Slight | .... | stand-in (uncredited) | |
| Nini Theilade | .... | dance ensembles (uncredited) | |
| Charles Veneman | .... | stand-in (uncredited) | |
| Arthur J. Zellner | .... | publicist (uncredited) | |
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| A Midsummer Night's Dream | A Midsummer Night's Dream | Enchanted | Shakespeare in Love | A Midsummer Night's Dream |
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Max Reinhardt's theatre production, together with William Dieterle's directorial flair, brings Shakespeare to Hollywood. The ideas and effects within this vision are brilliant, although the detail has undoubtedly diminished with the wear and tear of several decades.
Best in the actors are Mickey Rooney as Puck, and Joe E Brown as Flute. James Cagney is Bottom, Anita Louise is Titania, Victor Jory is Oberon, Olivia de Havilland and Dick Powell are amongst the lovers. All are ok but nothing special. The little changeling is Kenneth Anger, who would later be vitriolic in his book 'Hollywood Babylon'.
Perhaps the best thing about this film is how it looks. It truly is magical, and you get the sense of fairies and sprites causing mischief and confusion deep in the woods. I have the feeling it would look superb in colour.