| Videos |
| Victor McLaglen | ... | Gypo Nolan | |
| Heather Angel | ... | Mary McPhillip | |
| Preston Foster | ... | Dan Gallagher | |
| Margot Grahame | ... | Katie Madden | |
| Wallace Ford | ... | Frankie McPhillip | |
| Una O'Connor | ... | Mrs. McPhillip | |
| J.M. Kerrigan | ... | Terry | |
| Joe Sawyer | ... | Bartly Mulholland (as Joseph Sauers) | |
| Neil Fitzgerald | ... | Tommy Connor | |
| Donald Meek | ... | Peter Mulligan | |
| D'Arcy Corrigan | ... | The Blind Man | |
| Leo McCabe | ... | Donahue | |
| Steve Pendleton | ... | Dennis Daly (as Gaylord Pendleton) | |
| Francis Ford | ... | "Judge" Flynn | |
| May Boley | ... | Madame Betty | |
| Grizelda Harvey | ... | English Girl | |
| Denis O'Dea | ... | Street Singer (as Dennis O'Dea) | |
| rest of cast listed alphabetically: | |||
| Barlowe Borland | ... | Man (uncredited) | |
| Eddy Chandler | ... | House Patron (uncredited) | |
| Clyde Cook | ... | Flash patron (uncredited) | |
| Earle Foxe | ... | British Officer (uncredited) | |
| Frank Hagney | ... | Policeman (uncredited) | |
| Sam Harris | ... | British Officer (uncredited) | |
| Robert Homans | ... | Detractor (uncredited) | |
| Cornelius Keefe | ... | House Patron (uncredited) | |
| Frank Marlowe | ... | Admirer (uncredited) | |
| Arthur McLaglen | ... | Man (uncredited) | |
| Frank Moran | ... | McCabe (Bouncer) (uncredited) | |
| Pat Moriarity | ... | Admirer (uncredited) | |
| Jack Mulhall | ... | Man at Wake (uncredited) | |
| James Murray | ... | Bit (uncredited) | |
| Anne O'Neal | ... | Singer (uncredited) | |
| Robert Parrish | ... | Young soldier (uncredited) | |
| Bob Perry | ... | Bartender (uncredited) | |
| Pat Somerset | ... | British Officer (uncredited) | |
| Harry Tenbrook | ... | Admirer (uncredited) | |
Directed by | |||
| John Ford | |||
Writing credits | ||
| Dudley Nichols | (screenplay) | |
| Liam O'Flaherty | (story) | |
Produced by | |||
| John Ford | .... | producer | |
| Cliff Reid | .... | associate producer | |
Original Music by | |||
| Max Steiner | |||
Cinematography by | |||
| Joseph H. August | |||
Film Editing by | |||
| George Hively | |||
Art Direction by | |||
| Van Nest Polglase | |||
Set Decoration by | |||
| Julia Heron | (uncredited) | ||
Costume Design by | |||
| Walter Plunkett | |||
Makeup Department | |||
| Robert J. Schiffer | .... | makeup artist (uncredited) | |
Art Department | |||
| Charles M. Kirk | .... | associate art director (as Charles Kirk) | |
Sound Department | |||
| Hugh McDowell Jr. | .... | sound recordist | |
| Robert Wise | .... | sound effects editor (uncredited) | |
Special Effects by | |||
| Harry Redmond Jr. | .... | special effects (uncredited) | |
| Harry Redmond Sr. | .... | special effects supervisor (uncredited) | |
Stunts | |||
| Gil Perkins | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Burnett Guffey | .... | camera operator (uncredited) | |
Music Department | |||
| Maurice De Packh | .... | orchestrator (uncredited) | |
| Bernhard Kaun | .... | orchestrator (uncredited) | |
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| Bloom | Odd Man Out | Breakfast on Pluto | The Lonely Passion of Judith Hearne | Gone with the Wind |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb USA section | Add this title to MyMovies |
To watch this film from start to finish without bursting into laughter at some point requires almost an act of faith, as one has to keep saying to oneself, "it's old", "it's a classic", "be kind", not because the movie is so bad, but because at its best it's so good. This is one dated movie. It's also a classic, if a tarnished one. I'm not inclined to laugh at people anyway, on principle, and I get more than a little irritated when others do so. To make fun of The Informer to my mind is a little like giggling at an idiot savant when he dribbles his orange juice all over the tablecloth. Yes, one says to oneself, he is an idiot, and yet when he's on top of his game he is also a true savant. The same is true for The Informer, which is on occasion very dreadful indeed, and yet it boasts splendid photography, some fine acting, a wonderful score and a good, decent simple story. In the end, which I won't give away, politics, religion and psychology come together, in a church, in such a way as to make the scene seem corny and over the top, and yet so is life sometimes. Uneducated people of simple faith behave differently from us (presumably brilliant) modern folks, and the scene isn't so much unbelievable (I buy it, but I know the Irish) as embarrassing. Yet people do behave that way, they do say things like that. Not everyone is hip, and it may not even be desirable for everyone to be hip. Are people today so much superior to those of seventy or eighty years ago? And in what way? I don't think so. We're just different. Now go watch the movie.