| Videos |
| Errol Flynn | ... | Peter Blood | |
| Olivia de Havilland | ... | Arabella Bishop | |
| Lionel Atwill | ... | Col. Bishop | |
| Basil Rathbone | ... | Levasseur | |
| Ross Alexander | ... | Jeremy Pitt | |
| Guy Kibbee | ... | Hagthorpe | |
| Henry Stephenson | ... | Lord Willoughby | |
| Robert Barrat | ... | Wolverstone | |
| Hobart Cavanaugh | ... | Dr. Bronson | |
| Donald Meek | ... | Dr. Whacker | |
| Jessie Ralph | ... | Mrs. Barlow | |
| Forrester Harvey | ... | Honesty Nuttall | |
| Frank McGlynn Sr. | ... | Rev. Ogle | |
| Holmes Herbert | ... | Capt. Gardner | |
| David Torrence | ... | Andrew Baynes | |
| J. Carrol Naish | ... | Cahusac (as J. Carroll Naish) | |
| Pedro de Cordoba | ... | Don Diego | |
| George Hassell | ... | Governor Steed | |
| Harry Cording | ... | Kent | |
| Leonard Mudie | ... | Baron Jeffreys | |
| Ivan F. Simpson | ... | Prosecutor (as Ivan Simpson) | |
| Stuart Casey | ... | Capt. Hobart | |
| David Cavendish | ... | Lord Gildoy (as Dennis D. Auburn) | |
| Mary Forbes | ... | Mrs. Steed | |
| E.E. Clive | ... | Clerk of the Court | |
| Colin Kenny | ... | Lord Chester Dyke | |
| Maude Leslie | ... | Mrs. Baynes | |
| Gardner James | ... | Slave | |
| Vernon Steele | ... | King James | |
| rest of cast listed alphabetically: | |||
| Gene Alsace | ... | Oliver Clark - Pirate (uncredited) | |
| Sam Appel | ... | Gunner (uncredited) | |
| Reginald Barlow | ... | Dixon (uncredited) | |
| Matthew 'Stymie' Beard | ... | Governor's Attendant (uncredited) | |
| Wayne Castle | ... | One-Legged Pirate (uncredited) | |
| Yola d'Avril | ... | Girl in Tavern (uncredited) | |
| Florence Fair | ... | Woman with Baby (uncredited) | |
| Halliwell Hobbes | ... | Lord Sunderland (uncredited) | |
| Murray Kinnell | ... | Court Clerk (uncredited) | |
| Alphonse Martell | ... | French Officer (uncredited) | |
| Chris-Pin Martin | ... | Sentry (uncredited) | |
| Jim Mason | ... | Pirate (uncredited) | |
| Tina Menard | ... | Girl in Tavern (uncredited) | |
| Louis Mercier | ... | Pirate (uncredited) | |
| Kansas Moehring | ... | Pirate (uncredited) | |
| John Northpole | ... | Pirate (uncredited) | |
| Artie Ortego | ... | Pirate (uncredited) | |
| Henry Otho | ... | David Sampson - Pirate (uncredited) | |
| Paul Panzer | ... | Pirate (uncredited) | |
| Frank Puglia | ... | French Officer (uncredited) | |
| Georges Renavent | ... | French Captain (uncredited) | |
| Buddy Roosevelt | ... | Pirate (uncredited) | |
| Cliff Saum | ... | Pirate (uncredited) | |
| Tom Steele | ... | Pirate (uncredited) | |
| Jim Thorpe | ... | Pirate (uncredited) | |
| David Thursby | ... | Lookout on English Ship (uncredited) | |
| Renee Torres | ... | Girl in Tavern (uncredited) | |
| Blackie Whiteford | ... | Pirate (uncredited) | |
| Tom Wilson | ... | Pirate (uncredited) | |
| William Yetter Sr. | ... | Pirate (uncredited) | |
Directed by | |||
| Michael Curtiz | |||
Writing credits | ||
| Rafael Sabatini | (novel "Captain Blood") | |
| Casey Robinson | (screenplay) | |
Produced by | |||
| Harry Joe Brown | .... | producer (uncredited) | |
| Gordon Hollingshead | .... | producer (uncredited) | |
| Hal B. Wallis | .... | executive producer (uncredited) | |
| Jack L. Warner | .... | executive producer (uncredited) | |
Original Music by | |||
| Erich Wolfgang Korngold | (uncredited) | ||
Cinematography by | |||
| Ernest Haller | (photographed by) | ||
| Hal Mohr | (photographed by) | ||
Film Editing by | |||
| George Amy | |||
Art Direction by | |||
| Anton Grot | |||
Costume Design by | |||
| Milo Anderson | (gowns) | ||
Second Unit Director or Assistant Director | |||
| Arthur Lueker | .... | second assistant director (uncredited) | |
| Sherry Shourds | .... | assistant director (uncredited) | |
Art Department | |||
| Robey Cooper | .... | props (uncredited) | |
| Harper Goff | .... | set designer (uncredited) | |
| John More | .... | props (uncredited) | |
Sound Department | |||
| Nathan Levinson | .... | sound director (uncredited) | |
| C.A. Riggs | .... | sound (uncredited) | |
Special Effects by | |||
| Fred Jackman | .... | special photographic effects | |
Stunts | |||
| Iron Eyes Cody | .... | stunts (uncredited) | |
| Tom Steele | .... | stunts (uncredited) | |
| Buster Wiles | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| William Classen | .... | grip (uncredited) | |
| Bob Davis | .... | assistant camera (uncredited) | |
| L. De Angelis | .... | assistant camera (uncredited) | |
| Alan Ladd | .... | grip (uncredited) | |
| Mickey Marigold | .... | still photographer (uncredited) | |
| Robert Surtees | .... | second camera operator (uncredited) | |
Music Department | |||
| Leo F. Forbstein | .... | musical director | |
| Erich Wolfgang Korngold | .... | music arranger | |
| Hugo Friedhofer | .... | orchestrator (uncredited) | |
| Ray Heindorf | .... | orchestrator (uncredited) | |
| Milan Roder | .... | composer: additional music (uncredited) | |
| Milan Roder | .... | orchestrator (uncredited) | |
| Heinz Roemheld | .... | orchestrator (uncredited) | |
Other crew | |||
| Stanley Logan | .... | dialogue director | |
| Fred Applegate | .... | continuity (uncredited) | |
| Len Boyd | .... | publicist (uncredited) | |
| Fred Cavens | .... | fencing master (uncredited) | |
| Hertzel Effensachs | .... | marine director (uncredited) | |
| Hertzel Effensachs | .... | water safety (uncredited) | |
| Charles Farmer | .... | stand-in (uncredited) | |
| Ralph Faulkner | .... | fight choreographer (uncredited) | |
| Robert Lord | .... | supervisor (uncredited) | |
| Ann Robinson | .... | stand-in (uncredited) | |
| Jean Sepulveda | .... | stand-in (uncredited) | |
| Bob Splane | .... | stand-in (uncredited) | |
| Clarence Wertz | .... | stand-in (uncredited) | |
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CAPTAIN BLOOD, Warners' 1935 remake of a popular 1924 silent film, is best remembered today as Errol Flynn's springboard to stardom, and the first of a series of classic swashbucklers from the studio. Yet the film was nearly shelved, and it's story is as entertaining as the film.
Intended to attract the same audience that had made MUTINY ON THE BOUNTY and TREASURE ISLAND box office hits, the film boasted great production values, a talented director (Michael Curtiz), a musical score from Hollywood's greatest composer (Erich Wolfgang Korngold, although time limitations forced him to borrow heavily from Franz Liszt), the captivating beauty of young Olivia de Havilland (in only her fourth film), and, originally, the respected British actor (and future Oscar winner) Robert Donat as physician-turned-pirate Peter Blood. Donat, however, had chronic health problems (which would, sadly, eventually curtail his film career), and Warners faced a major production starting date with no leading man.
Legend has it that Jack Warner's wife recommended young Errol Flynn (just 26 at the time) for the role; she had described him as the most "gorgeous" man she'd ever seen, and helped convince the studio to bring him from England, where he was doing repertory theater, after several years of hell-raising around the world. His largest American role, to date, had been as a corpse in a Perry Mason B-movie, but his sexual conquests and social life were already becoming legendary, and he and new wife, actress Lili Damita, were constantly promoting the young actor around town. The studio finally decided to take a chance on the untested actor in the lead (budget-wise, picking a low-paid contract player was a smart financial move)...but it initially appeared to be a MAJOR blunder, as Flynn looked tense and amateurish in the dailies. Director Curtiz was unfazed, however, and worked with him, and gradually the actor developed confidence. Word spread around the studio that a charismatic new star was emerging, and the first few days' scenes were scrapped and re-shot. By the end of the hugely favorable test screenings, Warners knew it had finally had a bona-fide sex symbol of their own, who could compete for female audiences against Gable, Cooper, and Cary Grant. Errol Flynn had inherited Douglas Fairbanks' title of premier swashbuckler, and had done it with only one film!
CAPTAIN BLOOD may lack the opulence of THE ADVENTURES OF ROBIN HOOD and THE CHARGE OF THE LIGHT BRIGADE, and the pure adventure value of THE SEA HAWK, but without this pirate saga, and the dynamic star it introduced, the 'Golden Age' of Hollywood may never have seen these subsequent classics reach the screen. CAPTAIN BLOOD has earned a place in film history that cannot be underrated.