IMDb > The Man Who Knew Too Much (1934)
The Man Who Knew Too Much
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The Man Who Knew Too Much (1934) More at IMDbPro »

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The Man Who Knew Too Much (1934) -- A man and his wife receive a clue to an imminent assassination attempt, only to learn that their daughter has been kidnapped to keep them quiet.

Overview

User Rating:
6.9/10   5,261 votes
MOVIEmeter: ?
Up 11% in popularity this week. See why on IMDbPro.
Director:
Alfred Hitchcock
Writers:
Charles Bennett (by) and
D.B. Wyndham-Lewis (by) ...
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Contact:
View company contact information for The Man Who Knew Too Much on IMDbPro.
Release Date:
15 April 1935 (USA) more
Genre:
Mystery | Thriller more
Tagline:
Public Enemy No. 1 of all the world... more
Plot:
A man and his wife receive a clue to an imminent assassination attempt, only to learn that their daughter has been kidnapped to keep them quiet. full summary | full synopsis
User Comments:
Flashes of brilliance, otherwise a potboiler more (73 total)

Cast

  (Complete credited cast)
Leslie Banks ... Bob Lawrence
Edna Best ... Jill Lawrence

Peter Lorre ... Abbott
Frank Vosper ... Ramon
Hugh Wakefield ... Clive
Nova Pilbeam ... Betty Lawrence
Pierre Fresnay ... Louis Bernard
Cicely Oates ... Nurse Agnes
D.A. Clarke-Smith ... Police Inspector Binstead (as D.A.Clarke Smith)
George Curzon ... Gibson
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Additional Details

Runtime:
75 min
Country:
UK
Aspect Ratio:
1.37 : 1 more
Sound Mix:
Mono (British Acoustic Film Full Range Recording System)
Certification:
Australia:PG | Finland:(Banned) (1935) | Finland:K-16 (1995) | Canada:PG (Ontario) | USA:Approved (PCA #620) | USA:TV-PG (TV rating) | Argentina:13 | Germany:12 | Sweden:(Banned) | UK:A (original rating) | UK:U (video rating) (1998)

Fun Stuff

Trivia:
The logo for Gaumont British Pictures is located on a scarf worn by Leslie Banks during the opening scene. more
Goofs:
Revealing mistakes: In the scene where the man is shot through the window, near the beginning of the film, just before he is shot, he turns to face another man. At that time, you can see the beginnings of a blood stain on his shirt next to his lapel...before he’s shot! more
Quotes:
Abbott: You know, to a man with a heart as soft as mine, there's nothing sweeter than a touching scene.
Bob Lawrence: Such as?
Abbott: Such as a father saying goodbye to his child. Yeah, goodbye for the last time. What could be more touching than that?
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Movie Connections:
Referenced in Ti piace Hitchcock? (2005) (TV) more
Soundtrack:
Storm Clouds more

FAQ

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8 out of 12 people found the following comment useful.
Flashes of brilliance, otherwise a potboiler, 16 September 1999
4/10
Author: Jim Cross (iamacamera@hotmail.com) from Bradford, Yorkshire, England

All through his career Hitchcock did great films; this was not one of them.

A man knows too much, his daughter is kidnapped to secure his silence, and in the denouement all is resolved to the accompaniment of gunfire and rooftop drama.

Anyone who has seen 1930s Fritz Lang films- 'M' comes to mind- will know how far this urban narrative of crime and conscience falls short of what had already been done in that genre at that time. There is an altogether amateurish air about much of the staging and acting which subverts any sense of menace, darkness, and depravity that Hitchcock might have been seeking to instil.

What it is worth watching out for, however, is the sequence associated with the shooting at the Albert Hall. Once that kicks off it is as if the film has been given a blood transfusion. The camerawork is lively, the cuts are interesting, and the way that everything combines to a climax is masterly. Here you can see the future master: Hitchcock effortlessly orchestrate all the resources to impressive and memorable effect: when the scream comes you really feel as well as hear it.

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I hate those 'doesn't he look like' posts but.... ghbbrown-1
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Peter Lorre's Hair areo_b
Why this is the better version benzin
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Quick question: Who is the guy on the roof? CindyH
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