IMDb >
The Man Who Knew Too Much (1934)
Watch It
Discuss in Boards More at IMDb Pro Add to My Movies Update Data
at Internet Archive

BETA
Discuss in Boards More at IMDb Pro Add to My Movies Update Data
Quicklinks
Top Links
trailers and videosfull cast and crewtriviaofficial sitesmemorable quotesOverview
main detailscombined detailsfull cast and crewcompany creditstv scheduleAwards & Reviews
user commentsexternal reviewsnewsgroup reviewsawardsuser ratingsparents guiderecommendationsmessage boardPlot & Quotes
plot summarysynopsisplot keywordsAmazon.com summarymemorable quotesFun Stuff
triviagoofssoundtrack listingcrazy creditsalternate versionsmovie connectionsFAQOther Info
merchandising linksbox office/businessrelease datesfilming locationstechnical specslaserdisc detailsDVD detailsliterature listingsNewsDeskPromotional
taglines trailers and videos posters photo galleryExternal Links
showtimesofficial sitesmiscellaneousphotographssound clipsvideo clipsThe Man Who Knew Too Much (1934) More at IMDbPro »
| Videos |
Overview
User Rating:
Release Date:
15 April 1935 (USA) moreTagline:
Public Enemy No. 1 of all the world... morePlot:
A man and his wife receive a clue to an imminent assassination attempt, only to learn that their daughter has been kidnapped to keep them quiet. full summary | full synopsisUser Comments:
Flashes of brilliance, otherwise a potboiler more (73 total)Cast
(Complete credited cast)| Leslie Banks | ... | Bob Lawrence | |
| Edna Best | ... | Jill Lawrence | |
| Peter Lorre | ... | Abbott | |
| Frank Vosper | ... | Ramon | |
| Hugh Wakefield | ... | Clive | |
| Nova Pilbeam | ... | Betty Lawrence | |
| Pierre Fresnay | ... | Louis Bernard | |
| Cicely Oates | ... | Nurse Agnes | |
| D.A. Clarke-Smith | ... | Police Inspector Binstead (as D.A.Clarke Smith) | |
| George Curzon | ... | Gibson |
Additional Details
Parents Guide:
Add content advisory for parentsRuntime:
75 minCountry:
UKColor:
Black and WhiteAspect Ratio:
1.37 : 1 moreSound Mix:
Mono (British Acoustic Film Full Range Recording System)Certification:
Australia:PG | Finland:(Banned) (1935) | Finland:K-16 (1995) | Canada:PG (Ontario) | USA:Approved (PCA #620) | USA:TV-PG (TV rating) | Argentina:13 | Germany:12 | Sweden:(Banned) | UK:A (original rating) | UK:U (video rating) (1998)Fun Stuff
Trivia:
The logo for Gaumont British Pictures is located on a scarf worn by Leslie Banks during the opening scene. moreGoofs:
Revealing mistakes: In the scene where the man is shot through the window, near the beginning of the film, just before he is shot, he turns to face another man. At that time, you can see the beginnings of a blood stain on his shirt next to his lapel...before he’s shot! moreQuotes:
Abbott: You know, to a man with a heart as soft as mine, there's nothing sweeter than a touching scene.Bob Lawrence: Such as?
Abbott: Such as a father saying goodbye to his child. Yeah, goodbye for the last time. What could be more touching than that?
more
Soundtrack:
Storm Clouds moreFAQ
This FAQ is empty. Add the first question.more (73 total)
Message Boards
Discuss this movie with other users on IMDb message board for The Man Who Knew Too Much (1934) moreRecommendations
If you enjoyed this title, our database also recommends:
Show more recommendations
|
|
|
|
|
| Marie Galante | Don't Look Now | The Man Who Knew Too Much | Babel | Suspicion |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
Related Links
| Full cast and crew | Company credits | External reviews |
| IMDb Mystery section | IMDb UK section | Add this title to MyMovies |


All through his career Hitchcock did great films; this was not one of them.
A man knows too much, his daughter is kidnapped to secure his silence, and in the denouement all is resolved to the accompaniment of gunfire and rooftop drama.
Anyone who has seen 1930s Fritz Lang films- 'M' comes to mind- will know how far this urban narrative of crime and conscience falls short of what had already been done in that genre at that time. There is an altogether amateurish air about much of the staging and acting which subverts any sense of menace, darkness, and depravity that Hitchcock might have been seeking to instil.
What it is worth watching out for, however, is the sequence associated with the shooting at the Albert Hall. Once that kicks off it is as if the film has been given a blood transfusion. The camerawork is lively, the cuts are interesting, and the way that everything combines to a climax is masterly. Here you can see the future master: Hitchcock effortlessly orchestrate all the resources to impressive and memorable effect: when the scream comes you really feel as well as hear it.