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IMDb > Chu-Chin-Chow (1934)

Chu-Chin-Chow (1934) More at IMDbPro »

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Overview

User Rating:
5.8/10   59 votes
MOVIEmeter: ?
Up 37% in popularity this week. See rank & trends on IMDbPro.
Director:
Walter Forde
Writers:
Oscar Asche (play)
Edward Knoblock (screenplay) ...
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Contact:
View company contact information for Chu-Chin-Chow on IMDbPro.
Release Date:
21 September 1934 (USA) more
Tagline:
See Ali Baba and His Forthy Thieves Plunder for Gold and Women! (USA re-release poster) more
Plot:
Musical retelling of the "Ali Baba and the 40 Thieves" Arabian Nights tale. full summary | add synopsis
User Comments:
Britfilm with GUTS!! more

Cast

  (Complete credited cast)
George Robey ... Ali Baba
Fritz Kortner ... Abu Hasan
Anna May Wong ... Zahrat
John Garrick ... Nur-al-din Baba
Pearl Argyle ... Marjanah, servant girl
Malcolm 'Mr. Jetsam' McEachern ... Abdullah, Kassim's major-domo (as Jetsam)
Dennis Hoey ... Rakham, chief henchman
Sydney Fairbrother ... Mahbubah Baba, Ali's wife
Laurence Hanray ... Kasim Baba
Frank Cochrane ... Mustafa
Thelma Tuson ... Alcolom Baba, Kassim's wife
Francis L. Sullivan ... The Caliph (as Francis Sullivan)
Gibb McLaughlin ... The Caliph's Vizier
Kiyoshi Takase ... Entertainer at Feast (as Kyoshi Takase)
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Additional Details

Also Known As:
Ali Baba Nights (USA) (reissue title)
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Runtime:
UK:103 min | USA:76 min (re-edited version) (reissue) | USA:95 min
Country:
UK
Language:
English
Aspect Ratio:
1.37 : 1 more
Sound Mix:
Mono
Certification:
USA:Approved (re-release) | USA:Passed (National Board of Review) | UK:U

Fun Stuff

Movie Connections:
Referenced in The Manchurian Candidate (1962) more

FAQ

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4 out of 4 people found the following comment useful:-
Britfilm with GUTS!!, 6 July 2004
10/10
Author: lambchopnixon from amsterdam via uk

Think of Michael Powell/the Korda brothers' Thief of Bagdad but better, even! An Arabian nights adventure but no stops for spectacle, rather a seamless story and an unrestrained telling almost unprecedented in British film. The sets are wonderful, there are songs popping up in the least expected places, the direction has a verve rarely seen elsewhere in British film and the story is adapted with guts and no fear that restraint (any) must be employed, as it usually is, it seems neccesarily, in British film. It's a film which goes all the way in all departments, astonishing for any age let alone for 1934, just a year after Korda's Private Lives of Henry VIII had opened things up a bit for Britfilm.

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