Chu-Chin-Chow (1934)

User Rating:

5.8/10   

Director:

Walter Forde

Writers:

Oscar Asche (play)
Edward Knoblock (screenplay) ...

Release Date:

21 September 1934 (USA)

Genre:

Action | Adventure | Comedy | Fantasy | Musical | Romance

Tagline:

See Ali Baba and His Forthy Thieves Plunder for Gold and Women! (USA re-release poster)

Plot:

Musical retelling of the "Ali Baba and the 40 Thieves" Arabian Nights tale.

Plot Keywords:

Cave | Brother | Secret Message | Slave | Arabian Nights

Cast

George Robey	...	Ali Baba
Fritz Kortner	...	Abu Hasan
Anna May Wong	...	Zahrat
John Garrick	...	Nur-al-din Baba
Pearl Argyle	...	Marjanah, servant girl
Malcolm 'Mr. Jetsam' McEachern	...	Abdullah, Kassim's major-domo (as Jetsam)
Dennis Hoey	...	Rakham, chief henchman
Sydney Fairbrother	...	Mahbubah Baba, Ali's wife
Laurence Hanray	...	Kasim Baba
Frank Cochrane	...	Mustafa
Thelma Tuson	...	Alcolom Baba, Kassim's wife
Francis L. Sullivan	...	The Caliph (as Francis Sullivan)
Gibb McLaughlin	...	The Caliph's Vizier
Kiyoshi Takase	...	Entertainer at Feast (as Kyoshi Takase)

Also Known As:

Ali Baba Nights (USA) (reissue title)

Runtime:

UK:103 min | USA:76 min (re-edited version) (reissue) | USA:95 min

Country:

UK

Language:

English

Color:

Black and White

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono

Certification:

USA:Approved (re-release) | USA:Passed (National Board of Review) | UK:U

Company:

Gainsborough Pictures

Movie Connections:

Referenced in The Manchurian Candidate (1962)

Musical Version Of Ali Baba & The Forty Thieves

CHU CHIN CHOW (1934) is one of the best films from Anna May Wong's British period. Disappointed that her career had been stuck in a succession of oriental vamp roles, she went to Europe and accepted an invitation from E. A. Dupont (director of VARIETY with Emil Jannings) to do PICCADILLY.

First filmed in 1925 with Betty Blythe, CHU CHIN CHOW is the Arabian Nights story of Ali Baba And The Forty Thieves, with musical numbers as you might expect to see them in a British music hall of the era---------including some pre-Busby Berkeley choreography. It was London's longest running musical and is given an elaborate screen adaptation. The production boasts sumptuous sets and lush cinematography, meant to suggest the Western view of the mysterious orient, and has a lavishness usually missing from the films of depression era Britain. The choreography, while interesting as a record of the time period, gave Busby Berkeley few sleepless nights.

An international cast, with wildly varying accents, lent CHU CHIN CHOW an odd otherworldly flavor, which fit nicely with the Arabian Nights fantasy. Besides the very beautiful and American Anna May Wong, the role of Ali Baba is played by comedian George Robey, known in Great Britain as "the Prime Minister of Mirth."

Austrian born Fritz Kortner brought a malicious enthusiasm to the role of Abu Hassan, the bandit chief. Kortner plays the part with his usual over-the-top expressionist style-------almost as if he were a very wicked little boy----------cruel and murderous one moment, cuddly and boyish the next. It was only in his American films that he approached a role with anything like restraint. He had been something of a popular curiosity in Europe for staging "eccentric" versions of Shakespeare. His right hand man in the film is Dennis Hoey, best known to American audiences as the baffled and long-suffering Inspector Lestrade opposite Basil Rathbone's Sherlock Holmes.

Pearl Argyle, one of the most beautiful leading ladies in British films, has the romantic lead of Marjanah, but is best known for her appearance as Katherine Cabal opposite Raymond Massey in THINGS TO COME. The part of Abdullah, the singer with the very low voice, is the famous Mr. Jetsam (Malcolm McEachern), the deeper half of the popular singing duo of Flotsam and Jetsam.

Most amusing of all, though, is Francis L. Sullivan, who specialized in comically pompous and officious types, playing the Caliph toward the end of the film. The famous story told about him is from the early days when British television was still live. He was reputedly playing a passenger on a plane in flight, but had evidently forgotten his lines. On camera, he blithely ad-libbed to the passenger next to him, "Excuse me, this is my stop" and left the set. But whatever his eccentricities, he and his broad girth gave an immensely enjoyable performance in one of the most fondly remembered British films of the 30's.

Jay F.