By Your Leave (1934)

Director:

Lloyd Corrigan

Writers:

Gladys Hurlbut (play) and
Emma B.C. Wells (play) ...

Release Date:

9 November 1934 (USA)

Genre:

Comedy

Plot:

In the midst of a mid-life crisis, Henry Smith convinces his wife, Ellen, that they should take separate one-week vacations...

Plot Keywords:

Bar | Housewife | Hotel | Drunkenness | Businessman

Cast

Frank Morgan	...	Henry Smith
Genevieve Tobin	...	Ellen Smith
Neil Hamilton	...	David Mackenzie
Marian Nixon	...	Andree
Glenn Anders	...	Freddie Wilkins
Gene Lockhart	...	Skeets
Margaret Hamilton	...	Whiffen
Betty Grable	...	Frances Gretchell
Charles Ray	...	Leonard Purcell
Lona Andre	...	Florence Purcell

Runtime:

82 min

Country:

USA

Language:

English

Color:

Black and White

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono (RCA Victor System)

Certification:

USA:Approved (PCA #292) | USA:TV-G

Company:

RKO Radio Pictures

Trivia:

Three cast members listed in contemporary news items did not appear or were not identifiable in the movie. These were: Erik Rhodes, Hilda Vaughn and Sheila Terry.

Goofs:

Continuity: Glenn Anders' onscreen credits lists his character name as Freddie Wilkins, but he's called Freddie Clark throughout the movie.

Soundtrack:

Far Above Cayuga's Waters

Frank Morgan in innocuous RKO programmer...

One of the pleasures of my movie-going life is to watch FRANK MORGAN in just about anything. His well established mannerisms gave many an MGM film a lift, particularly in the '30s and '40s, but here he's doing a job for RKO under Pandro S. Berman's auspices and his lovable presence is somewhat ill served by a less than original script.

But even a mild programmer like this has some compensations. MARGARET HAMILTON plays a nosy maid influenced by astrology and a platinum-haired BETTY GRABLE makes a brief appearance in one of her early starlet roles. But the story revolves around the "seven year itch" aspect of Frank Morgan's marriage and his own inability to accept the fact that he's middle-aged. GENEVIEVE TOBIN makes no particular impression as his understanding wife who reluctantly accepts the idea that they take a vacation from marriage. NEIL HAMILTON has virtually little to do as her romantic interest.

It's Morgan's restless, blustery performance that carries the film, but there's not much plot to carry. Based on a play, it's a theme better handled years later in THE SEVEN YEAR ITCH.