| Janet Gaynor | ... | Margy Frake | |
| Will Rogers | ... | Abel Frake | |
| Lew Ayres | ... | Pat Gilbert | |
| Sally Eilers | ... | Emily Joyce | |
| Norman Foster | ... | Wayne Frake | |
| Louise Dresser | ... | Melissa Frake | |
| Frank Craven | ... | Storekeeper | |
| Victor Jory | ... | Hoop Toss Barker | |
| Frank Melton | ... | Harry Ware | |
| rest of cast listed alphabetically: | |||
| Erville Alderson | ... | Martin - Hog Breeder (uncredited) | |
| Bell Boy | ... | A Hog (uncredited) | |
| Joe Caits | ... | Baker A. Noblemable - Judges' Secretary (uncredited) | |
| Hobart Cavanaugh | ... | Professor Fred Coin - Hog Judge (uncredited) | |
| Judge Dike | ... | Undetermined Role (uncredited) | |
| Harry Holman | ... | Professor Tyler Cramp - Hog Judge (uncredited) | |
| Doro Merande | ... | Mrs. Metcalfe's Acquaintance at Food Contest (uncredited) | |
| Dike of Rosedale | ... | Blue Boy - a Hog (uncredited) | |
| John Sheehan | ... | Barker at Aerial Act (uncredited) | |
| Lucille Ward | ... | Woman in Cranapple Contest (uncredited) | |
| Ruth Warren | ... | Mrs. Edwin Metcalfe (uncredited) | |
Directed by | |||
| Henry King | |||
Writing credits | ||
| Philip Stong | (novel) | |
| Sonya Levien | (screenplay) and | |
| Paul Green | (screenplay) | |
| Frank Craven | contributing writer (uncredited) | |
| Julien Josephson | contributing writer (uncredited) | |
| Philip Stong | contributing writer (uncredited) | |
| Henry Wales | contributing writer (uncredited) | |
Produced by | |||
| Winfield R. Sheehan | .... | producer (uncredited) | |
Original Music by | |||
| Louis De Francesco | (uncredited) | ||
Cinematography by | |||
| Hal Mohr | (photographed by) | ||
Film Editing by | |||
| Robert Bischoff | (uncredited) | ||
Set Decoration by | |||
| Duncan Cramer | (settings) | ||
Production Management | |||
| Edward Butcher | .... | production manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| Ray Flynn | .... | assistant director (uncredited) | |
Sound Department | |||
| Arthur von Kirbach | .... | sound recordist (as A.L. Von Kirbach) | |
Camera and Electrical Department | |||
| Milton Gold | .... | assistant camera (uncredited) | |
| Edwin Hammeras | .... | photographer: Des Moines (uncredited) | |
| Clifton Maupin | .... | still photographer (uncredited) | |
| Irving Rosenberg | .... | camera operator (uncredited) | |
| William V. Skall | .... | camera operator (uncredited) | |
| Robert Surtees | .... | assistant camera (uncredited) | |
| Joseph A. Valentine | .... | photographer: Des Moines (uncredited) | |
Costume and Wardrobe Department | |||
| Rita Kaufman | .... | wardrobe | |
| Sam Benson | .... | wardrobe (uncredited) | |
Music Department | |||
| Louis De Francesco | .... | musical director | |
| Peter Brunelli | .... | orchestrator (uncredited) | |
| Arthur Lange | .... | orchestrator (uncredited) | |
Other crew | |||
| Charles E. McCarthy | .... | publicist (uncredited) | |
| Bernard McEveety | .... | business manager (uncredited) | |
| R.C. Moore | .... | location manager (uncredited) | |
| Edgar Vess | .... | supplier: Loop-the-Loop aerial equipment (uncredited) | |
|
|
|
|
|
| Deadly Is the Female | State Fair | Millie | Romance of the Limberlost | The Gay Sisters |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb USA section | Add this title to MyMovies |
State Fair is actually a pretty good movie that's mostly just a vehicle for Janet Gaynor. But it ends up being more than that with the help of Will Rogers and Lew Ayres.
The story revolves around a farming family who enters a prize pig in the State Fair. The two children of the family go off on their own separate adventures while the two parents stay with the pig.
Gaynor is one of the children and she meets and falls in love with Ayres. Their chemistry together is a very intriguing one. Will Rogers is the father who is mostly the comic relief.
You'll most likely like the film and it deserves to be liked. Its a great gem from the early '30s that isn't seen much anymore.
I was able to finally watch the film when it was on The Fox Movie Channel last year. It might be on again soon. I suggest you find out.