| Photos (see all 9 | slideshow) |
| Mae West | ... | Lady Lou | |
| Cary Grant | ... | Captain Cummings | |
| Owen Moore | ... | Chick Clark | |
| Gilbert Roland | ... | Serge Stanieff | |
| Noah Beery | ... | Gus Jordan (as Noah Beery Sr.) | |
| David Landau | ... | Dan Flynn | |
| Rafaela Ottiano | ... | Russian Rita | |
| Dewey Robinson | ... | Spider Kane | |
| Rochelle Hudson | ... | Sally | |
| Tammany Young | ... | Chuck Connors | |
| Fuzzy Knight | ... | Rag Time Kelly | |
| Grace La Rue | ... | Frances | |
| Robert Homans | ... | Doheney (as Robert E. Homans) | |
| Louise Beavers | ... | Pearl | |
| rest of cast listed alphabetically: | |||
| Ernie Adams | ... | Man in Audience (uncredited) | |
| Wade Boteler | ... | Dan's Pal (uncredited) | |
| Jack Carr | ... | Patron Who Hits His Girl (uncredited) | |
| Heinie Conklin | ... | Street Cleaner (uncredited) | |
| Mike Donlin | ... | Tout (uncredited) | |
| James Eagles | ... | Pete (uncredited) | |
| Harold Entwistle | ... | (uncredited) | |
| Mary Gordon | ... | Cleaning Lady (uncredited) | |
| Aggie Herring | ... | Mrs. Flaherty (uncredited) | |
| Al Hill | ... | Barfly (uncredited) | |
| Arthur Housman | ... | Hungry Barfly (uncredited) | |
| Tom Kennedy | ... | Big Bill - Bartender (uncredited) | |
| Lee Kohlmar | ... | Jacobson (uncredited) | |
| Michael Mark | ... | Janitor (uncredited) | |
| Tom McGuire | ... | Mike - Lou's Coachman (uncredited) | |
| Frank Mills | ... | Barfly (uncredited) | |
| Frank Moran | ... | Convict (uncredited) | |
| Lee Phelps | ... | Waiter-Singer (uncredited) | |
| Fred Santley | ... | The Tenor (uncredited) | |
| Harry Wallace | ... | Steak McGarry (uncredited) | |
| Leo White | ... | Pedestrian Tipping Hat to Lou (uncredited) | |
Directed by | |||
| Lowell Sherman | |||
Writing credits | ||
| Mae West | (by) | |
| Harvey F. Thew | (screenplay by) and | |
| John Bright | (screenplay by) | |
Produced by | |||
| William LeBaron | .... | associate producer (uncredited) | |
Original Music by | |||
| John Leipold | (uncredited) | ||
Cinematography by | |||
| Charles Lang | (photographed by) | ||
Film Editing by | |||
| Alexander Hall | (uncredited) | ||
Casting by | |||
| Fred A. Datig | (uncredited) | ||
Art Direction by | |||
| Robert Usher | (uncredited) | ||
Costume Design by | |||
| Edith Head | (uncredited) | ||
Second Unit Director or Assistant Director | |||
| James Dugan | .... | assistant director (uncredited) | |
Sound Department | |||
| Harry Lindgren | .... | sound recording engineer (uncredited) | |
Camera and Electrical Department | |||
| Elwood Bredell | .... | still photographer (uncredited) | |
| Robert Pittack | .... | camera operator (uncredited) | |
| Eugene Richee | .... | still photographer (uncredited) | |
| Cliff Shirpser | .... | assistant camera (uncredited) | |
Music Department | |||
| Ralph Rainger | .... | music and lyrics by | |
| Stephan Pasternacki | .... | composer: stock music (uncredited) | |
Other crew | |||
| Robert M. Gillham | .... | general press agent (uncredited) | |
| Harold Hecht | .... | choreographer (uncredited) | |
| Arthur Lubin | .... | assistant to producer (uncredited) | |
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| Midnight Court | This Marriage Business | Gone with the Wind | Marie Galante | Special Agent K-7 |
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Set mostly in a bawdy saloon/dance hall in NYC during the 1890s, this film is a showcase for the talents of Mae West. She plays Lady Lou, a self-confident, sassy singer with a quick wit, who entertains customers with songs that have a Blues theme and were popular in vaudeville.
In this role, buxom Mae West is at her best. She struts her stuff, she wears tons of diamonds, she smiles in a slightly mischievous way, she rolls her eyes, and she speaks in a voice that is more than a little nasal. Her costumes are glamorous and flamboyant. In short, she presents an on-screen image that is wonderfully ... unique.
The film's story is thin and largely irrelevant. It involves the people around Lady Lou, some of whom are schemers and cheats. Implicit sexual references in the dialogue, and the character of Lady Lou, led the "National Legion of Decency" to push down our throats the Production Code, a wretched policy device that censored cinematic content for some thirty years thereafter.
If I have a complaint with this film it is that the story is too serious. Mae West is placed in scenes that allow her merely to recite dialogue. She is less an actress than a singer and on-stage performer. I would have preferred a more lighthearted musical theme, to play up her musical talents.
And so for me, the best parts of this film are the musical numbers few though they may be. Mae West sings "Frankie And Johnny" and a couple of other songs. One of my favorite sequences occurs about midway through the film. In what appears to be an authentically designed music hall set, an Irish tenor with a big mustache sings "Silver Threads Among The Gold", a musical tearjerker popular with barbershop quartets of that era. The song's sad theme prompts a man in the audience literally to "cry in his beer". Gas lights point upward to the stage. And behind the singing tenor, a curtain sways back and forth, with product signs that read "Old Whiskey", "Dijon Burgundy", among others. It's a sequence that is straight out of vaudeville. Marvelous!
"She Done Him Wrong" is a film whose story almost gets in the way of the main character, played by a legendary talent. The film is worth watching more than once, but only to see marvelous Mae West, and to listen to those wonderful songs from the bygone days of vaudeville.