Mystery of the Wax Museum (1933)

User Rating:

6.9/10   

Director:

Michael Curtiz

Writers:

Charles Belden (play)
Don Mullaly (writer) ...

Release Date:

17 February 1933 (USA)

Genre:

Horror | Mystery | Thriller

Tagline:

IS SHE WOMAN OR WAX??? Solve it -- if you dare!

Plot:

In London, sculptor Ivan Igor struggles in vain to prevent his partner Worth from burning his wax museum...

Plot Keywords:

Corpse | Reporter | Morgue | Wax Museum | Fire

Cast

Lionel Atwill	...	Ivan Igor
Fay Wray	...	Charlotte Duncan
Glenda Farrell	...	Florence Dempsey
Frank McHugh	...	Jim
Allen Vincent	...	Ralph Burton
Gavin Gordon	...	George Winton
Edwin Maxwell	...	Joe Worth
Holmes Herbert	...	Dr. Rasmussen
Claude King	...	Mr. Galatalin
Arthur Edmund Carewe	...	Sparrow (Prof. Darcy)
Thomas E. Jackson	...	Detective (as Thomas Jackson)
DeWitt Jennings	...	Police captain
Matthew Betz	...	Hugo (the deaf-mute)
Monica Bannister	...	Joan Gale

Also Known As:

The Mystery of the Wax Museum (USA) (poster title)
Wax Museum

Runtime:

77 min

Country:

USA

Language:

English

Color:

Color (2-strip Technicolor)

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono (Vitaphone)

Certification:

Australia:PG | UK:PG | USA:Unrated

Company:

Warner Bros. Pictures

Trivia:

This film was produced before the Production Code. When it was re-made only 20 years later, as House of Wax (1953), all references to drug use were removed and a character was changed from a junkie to an alcoholic.

Goofs:

Continuity: Florence is facing the figure of Joan Of Arc when she puts the tag in her pocket, appears to be sitting sideways when we see the hand pull the tag out of her pocket, then appears to be facing the figure again in the shot after.

Quotes:

Ivan Igor: My dear, why are you so pitifully afraid? Immortality has been the dream, the inspiration of mankind through the ages. And I am going to give you immortality!

Movie Connections:

Referenced in Carry on Screaming! (1966)

Soundtrack:

The Prisoner's Song

Poor Glenda Farrell

She has been so sorely maligned. Despite what has been claimed by others here, Glenda Farrell was not a bad actress. A little broad sometimes perhaps, but not bad. She is a dynamo of live energy, which the film badly needs, for the only other energetic character in the film is Atwill, and only Farrell has the force to bring him down(that the script does not let her do so personally betrays the character). It is not Farrell's performance or even her character which is the problem of the film, but the script which makes that character necessary. Chock Full O' undeveloped characters (only Atwill and Farrell qualify as more than ciphers)whose paths cross coincidentally,Farrell's reporter is the one in the middle bringing the disparate elements together. A reporter or policeman had to be the central character, for only one of those two would be privy to all or even enough of the info needed to solve the puzzle, or to even recognize that the puzzle existed. And only a female reporter could be Fay Wray's roommate, as female police detectives or beat cops didn't exist(at least not in Hollywood). And only a fast-talking, wisecracking, brash and fierce female reporter able to beat the stereotypical fast-talking, wisecracking, brash 1930's male reporter at his own game could find the story AND crack the case before the police. Others have objected to the attention given the comic relief, apparently misunderstanding the term. Comic relief characters are supporting characters, and in this film, despite third billing, Glenda Farrell is the female lead. Fay Wray was a freelancer and able to negotiate better billing even though her role doesn't deserve it. Had she not had a real lead in the companion film DR.X, it's unlikely she would have been asked to take such a small part. Charlotte is needed in the story only for a face, and her face and scream are all Wray is allowed to bring to the role. As outstanding as those two attributes are, they don't add up to a real character. And while Farrell cracks wise, she is doing serious work central to the tale. A role with comedic content is not automatically a comic relief part. The script is a mess, letting down the great concept. HOUSE OF WAX is a much tighter script, more linear, combining ingenue and snoop into one role, and beefing up the part of the disfigured sculptor. It drops the very extraneous playboy character and the loose ends which trail in his wake. But most agree that HOUSE is boring compared to MYSTERY, and in addition to the direction and editing, much of MYSTERY's drive comes from the girl reporter and the crack actress who played her. Even if you do find her grating, Glenda Farrell is never boring.