Little Women (1933)

Director:

George Cukor

Writers:

Louisa May Alcott (by)
Sarah Y. Mason (screenplay) ...

Release Date:

24 November 1933 (USA)

Genre:

Drama | Family | Romance

Plot:

Little Women is a "coming of age" drama tracing the lives of four sisters: Meg, Jo, Beth and Amy. During the American Civil War...

Plot Keywords:

American Civil War | Coming Of Age | Love | Proposal | Scarlet Fever

Awards:

Won Oscar. Another 2 wins & 3 nominations

Cast

Katharine Hepburn	...	Jo
Joan Bennett	...	Amy
Paul Lukas	...	Prof. Bhaer
Edna May Oliver	...	Aunt March
Jean Parker	...	Beth
Frances Dee	...	Meg
Henry Stephenson	...	Mr. Laurence
Douglass Montgomery	...	Laurie
John Lodge	...	Brooke (as John Davis Lodge)
Spring Byington	...	Marmee
Samuel S. Hinds	...	Mr. March (as Samuel Hinds)
Mabel Colcord	...	Hannah
Marion Ballou	...	Mrs. Kirke
Nydia Westman	...	Mamie
Harry Beresford	...	Doctor Bangs

Runtime:

115 min

Country:

USA

Language:

English | German

Color:

Black and White

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono (RCA Victor System)

Certification:

UK:U | USA:Approved (PCA #1341-R: 29 August 1935 for re-release) | USA:TV-G (TV rating) | New Zealand:G | Argentina:Atp | Australia:G | Chile:TE | USA:Passed (National Board of Review)

Filming Locations:

Lancaster's Lake, Sunland, Los Angeles, California, USA

Company:

RKO Radio Pictures

Trivia:

Katharine Hepburn asked costume designer Walter Plunkett to copy a dress her maternal grandmother wore in a tintype photograph.

Goofs:

Continuity: Position of Jo's legs after falling while fencing changes.

Quotes:

[first lines]
Marmee March: So you're going to Washington?
Elderly man: Yes, ma'am; my son is sick in the hospital there.
Marmee March: Oh, this will be an anxious Christmas for you.
Marmee March: [finding him a coat] I think this one will do; let's try this. Is it your only son?
Elderly man: No, ma'am. I had four; two were killed, one is a prisoner.
Marmee March: [deeply moved] You've done a great deal for your country, sir.
Elderly man: Oh, not a mite more than I ought, ma'am. I'd go myself if I was any use. Thank you for the overcoat.
Marmee March: Wait a minute...
Marmee March: [giving him some money] I hope you find him better.
[...]

Movie Connections:

Referenced in "Saturday Night Live: Margot Kidder/The Chieftains (#4.15)" (1979)

Soundtrack:

Silent Night, Holy Night

A Timeless Piece Of Americana

From the opening titles displaying a snow covered Curier and Ives - like print underscored by a melody played on a tinkling spinet, this 1933 version of Louisa Alcott's beloved novel holds one in thrall. A Civil War era tale of a New England family's joys and tribulations centers on the March household : mother "Marmee" and her four daughters; Meg, Amy, Beth and Jo. The screenplay centers on each girl's commitment to "showing her father proud", father being a minister gone of f to war to meet the spiritual needs of the Yankee soldiers. Buoyed by their mother [ the ever perfect Spring Byington ] the girls learn the meaning of giving and sacrifice with a jollity that may be off-putting to 21st century viewers; but stick with it, for what this picture offers is nothing less than real life at its most joyful and painful. After a series of seemingly inconsequential events, the girls' placid lives are disrupted when a sibling takes ill. This section of the movie is riveting, due to the superb direction of George Cukor and Katherine Hepburn as the tomboyish Jo. The scene where Jo retreats to the attic, worried sick over the fate of her ill sister, is gut wrenching. Hepburn was just hitting her stride as a movie actress when this film came out. Not the typical glamour girl of the time, her odd beauty and diction translated into a strange alchemy when projected on a movie screen : she is unforgettable. The other actresses acquit themselves beautifully but the picture belongs to Hepburn. Lest you think all is dour and dull, this movie offers so much that is truly entertaining : a heartwarming homecoming scene; the March girls presenting a "play" in their living room to the consternation and delight of invited neighbors and several moments involving a cantankerous but lovable aunt [ the ubiquitous Edna May Oliver ]. The movie is properly accoutered with lovely interiors and authentic production design and costumes [ gabled houses and ivy covered porches; hoop skirts and muffs ]. The entire production is like a gift wrapped edition of the novel turned to celluloid! The icing on the cake, so to speak, is Max Steiner's spare, evocative music score, employing Beth's piano playing for family get togethers, parties etc., and orchestral "commentary" for dramatic, comic and action sequences. Only six years had passed since sound recording had revolutionized the film industry, but this "early talkie" uses the new technology very adeptly; although camera movement is minimal, the editing is very fluid. The sound, courtesy of old Western Electric, is fine, especially on the recent DVD release, where both aural and visual elements have been restored, assuring a great presentation. When a movie has the power to reach out over a span of seven decades and touch jaded hearts in another century, that is a sign of a classic. LITTLE WOMEN is a great American film.