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IMDb > Liebelei (1933)

Liebelei (1933)

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User Rating: 8.0/10 (282 votes)
Photos (see all 5 | slideshow)

Overview

Writers:
more
Release Date:
27 February 1936 (USA) more
Genre:
Drama | Romance more
Plot:
Vienna in the beginning of the twentieth century. Cavalry Lieutenant Fritz Lobheimer is about to end... more | add synopsis
Plot Keywords:
User Comments:
capturing as classic music more

Cast

 (Complete credited cast)
Paul Hörbiger ... Der alte Weyring, Kammermusiker / Old Weiring
Magda Schneider ... Christine Weyring, seine Tochter / His Daughter
Luise Ullrich ... Mizzi Schlager
Gustaf Gründgens ... Baron v. Eggersdorff
Olga Tschechowa ... Baronin v. Eggersdorff (as Olga Tschechorva)
Carl Esmond ... Oberleutnant Theo Kaiser / Lieutenant Theo Kaiser (as Willi Eichberger)
Wolfgang Liebeneiner ... Leutnant Fritz Lobheimer
Paul Otto ... Major v. Eggersdorff
rest of cast listed alphabetically:
Werner Pledath ... Oberst Placzek
Ekkehard von Arendt ... Leutnant von Lensky
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Additional Details

Also Known As:
Flirtation
Light O'Love
Playing at Love
more
Runtime:
88 min
Country:
Germany
Language:
German
Aspect Ratio:
1.37 : 1 more
Sound Mix:
Mono (Tobis-Klangfilm)
Certification:
UK:U (1994 video)
Filming Locations:
Berlin, Germany more
MOVIEmeter: ?
^ 25% since last week why?

Fun Stuff

Movie Connections:
Alternate language version of Une histoire d'amour (1933) more

FAQ

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2 out of 2 people found the following comment useful:-
capturing as classic music, 28 October 2004
Author: TheFerryman

A wonderful picture that shows how early in his career Ophuls mastered melodrama. As melodrama indicates, it's drama with music, and from the start Ophuls sets in motion an operistic, artificial mood. Every performance is self-conscious, aware of being representing; all sets are shown thoroughly, characters leave the scene and the camera remains a few seconds in the empty decor; even the way the snows falls from the sky appears to be fake. Still the film has an admirable freshness and engages the audience in an almost hypnotic trip, to which Ophuls' floating camera and his modern, dramatic use of the score contribute big time. Max Ophuls can be paralleled with Douglas Sirk as a director that purposely breaks up with any trace of reality in order to convey a truth that is purely cinematic.

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Related Links

Full cast and crew Company credits External reviews
IMDb Drama section IMDb Germany section Add this title to MyMovies

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