| Photos (see all 9 | slideshow) |
| Mae West | ... | Tira | |
| Cary Grant | ... | Jack Clayton | |
| Gregory Ratoff | ... | Benny Pinkowitz | |
| Edward Arnold | ... | Big Bill Barton | |
| Ralf Harolde | ... | Slick Wiley | |
| Kent Taylor | ... | Kirk Lawrence | |
| Gertrude Michael | ... | Alicia Hatton | |
| Russell Hopton | ... | 'Flea' Madigan | |
| Dorothy Peterson | ... | Thelma | |
| William B. Davidson | ... | Ernest Brown (as Wm. B. Davidson) | |
| Gertrude Howard | ... | Beulah Thorndyke | |
| Libby Taylor | ... | Libby (Tira's hairdressing maid) | |
| rest of cast listed alphabetically: | |||
| Eddie Borden | ... | Carnival Sideshow Spectator (uncredited) | |
| George Bruggeman | ... | Omnes (uncredited) | |
| Morrie Cohan | ... | Bartons Chauffeur (uncredited) | |
| Monte Collins | ... | Sailor at Circus (uncredited) | |
| Ray Cooke | ... | Sailor at Circus (uncredited) | |
| Nell Craig | ... | Mrs. Bond (uncredited) | |
| Nigel De Brulier | ... | Rajah the Fortune Teller (uncredited) | |
| Edward Hearn | ... | Court Clerk (uncredited) | |
| Lew Kelly | ... | Joe (animal keeper) (uncredited) | |
| Tom London | ... | Sideshow Spectator (uncredited) | |
| Hattie McDaniel | ... | Tira's maid-manicurist (uncredited) | |
| Robert McKenzie | ... | Man at Rooming House (uncredited) | |
| Edmund Mortimer | ... | Man in Courtroom (uncredited) | |
| Dennis O'Keefe | ... | Courtroom Reporter (uncredited) | |
| Nat Pendleton | ... | Harry (acrobat) (uncredited) | |
| Lee Phelps | ... | Sideshow Spectator (uncredited) | |
| Irving Pichel | ... | Bob (Clayton's attorney) (uncredited) | |
| Ronald R. Rondell | ... | Courtroom Extra (uncredited) | |
| Larry Steers | ... | Lawyer at Courtroom Defense Table (uncredited) | |
| Laura Treadwell | ... | Mrs. Fletcher (uncredited) | |
| Walter Walker | ... | Judge (uncredited) | |
| Duke York | ... | Sideshow Spectator (uncredited) | |
Directed by | |||
| Wesley Ruggles | |||
Writing credits | ||
| Mae West | (story) | |
| Mae West | (screenplay) | |
| Mae West | (dialogue) | |
| Lowell Brentano | (suggestions) | |
Produced by | |||
| William LeBaron | .... | producer (uncredited) | |
Original Music by | |||
| Herman Hand | (uncredited) | ||
| Howard Jackson | (uncredited) | ||
| Rudolph G. Kopp | (uncredited) | ||
| John Leipold | (uncredited) | ||
| Heinz Roemheld | (uncredited) | ||
Cinematography by | |||
| Leo Tover | |||
Film Editing by | |||
| Otho Lovering | (uncredited) | ||
Art Direction by | |||
| Hans Dreier | (uncredited) | ||
| Bernard Herzbrun | (uncredited) | ||
Sound Department | |||
| F.E. Dine | .... | sound recording engineer (uncredited) | |
| Philip Wisdom | .... | sound recording engineer (uncredited) | |
Music Department | |||
| Karl Hajos | .... | composer: stock music (uncredited) | |
Other crew | |||
| Harlan Thompson | .... | continuity | |
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The great stars are inimitable. With the very greatest, such as the outrageous one-of-a-kind Mae West, nobody else even mirrors the style. Bogart, Hepburn, Dietrich, Cagney, maybe a few others - all you ask is that the story not smother what they do best. Here is Mae West's finest movie, giving her the opportunities, sometimes denied elsewhere, to strut her stuff - all of it. Suggestive dialog, provocative poses, sashaying hips, and a young Cary Grant who makes her purr: the Production Code would not be far behind.