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The Emperor Jones
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The Emperor Jones (1933) More at IMDbPro »

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Overview

User Rating:
6.5/10   297 votes
MOVIEmeter: ?
Down 15% in popularity this week. See why on IMDbPro.
Director:
Writers:
Eugene O'Neill (play)
DuBose Heyward (screenplay)
(more)
Contact:
View company contact information for The Emperor Jones on IMDbPro.
Release Date:
29 September 1933 (USA) more
Genre:
Plot:
At a Baptist prayer meeting, the preacher leads a prayer for Brutus Jones, who is leaving to become a railway porter... more | add synopsis
Plot Keywords:
Awards:
1 win more
User Reviews:
An Interesting Failure more (10 total)

Cast

  (in credits order) (complete, awaiting verification)
Paul Robeson ... Brutus Jones
Dudley Digges ... Smithers
Frank H. Wilson ... Jeff (as Frank Wilson)
Fredi Washington ... Undine
Ruby Elzy ... Dolly
George Haymid Stamper ... Lem (as George Stamper)
rest of cast listed alphabetically:
Brandon Evans ... Carrington (uncredited)
Taylor Gordon ... Stick-man (uncredited)
Billie Holiday ... Extra in Nightclub Scene (uncredited)
Rex Ingram ... Court Crier (uncredited)
Moms Mabley ... Marcella (uncredited)
Harold Nicholas ... Young Tap Dancer (uncredited)
Blueboy O'Connor ... Treasurer (uncredited)
Fritz Pollard ... Extra in Nightclub Scene (uncredited)
Lorenzo Tucker ... Extra in Nightclub Scene (uncredited)
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Directed by
Dudley Murphy 
 
Writing credits
Eugene O'Neill (play "The Emperor Jones")

DuBose Heyward (screenplay) (as Du-Bose Heyward)

DuBose Heyward  additional scenes (uncredited)

Produced by
Gifford Cochran .... producer (uncredited)
John Krimsky .... producer (uncredited)
 
Original Music by
Frank Tours 
 
Cinematography by
Ernest Haller 
 
Film Editing by
Grant Whytock 
 
Art Direction by
Herman Rosse 
 
Production Management
J. Edward Shugrue .... production manager
George Knafka .... production manager (uncredited)
 
Second Unit Director or Assistant Director
Joseph H. Nadel .... assistant director
 
Sound Department
Joseph I. Kane .... sound engineer (as Joseph Kane)
 
Camera and Electrical Department
Jack Shalitt .... still photographer (uncredited)
 
Casting Department
Fritz Pollard .... casting associate (uncredited)
 
Music Department
Rosamond Johnson .... vocal arranger (as J. Rosamond Johnson)
Max Manne .... music synchronization
Frank Tours .... musical director
 
Other crew
Gifford Cochran .... presenter
William C. de Mille .... supervisor
John Krimsky .... presenter
 
Crew verified as complete


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Additional Details

Runtime:
72 min | 76 min (2003 restored version) | USA:80 min (original version)
Country:
Language:
Aspect Ratio:
1.37 : 1 more
Sound Mix:
Mono (Western Electric Sound System)
Certification:
UK:A | Canada:G (Ontario) | USA:Approved (PCA #1316-R, 29 August 1935 for re-release) | USA:Passed (National Board of Review) | Finland:(Banned) (1934) | Finland:K-16 (1936)

Fun Stuff

Trivia:
Fredi Washington's scenes were reshot using dark pancake makeup because she looked "too white" in the first rushes. It was feared audiences would think Paul Robeson was embracing a white woman. more
Movie Connections:
Soundtrack:
Emperor Jones more

FAQ

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12 out of 16 people found the following review useful.
An Interesting Failure, 12 April 2005
5/10
Author: gftbiloxi (gftbiloxi@yahoo.com) from Biloxi, Mississippi

Playwright Eugene O'Neill's early work often combined memorable characters and stories with social commentary and innovative theatrical concepts--and among his first great successes was THE EMPEROR JONES, which starred perhaps the single finest black actor of the 1920s and 1930s, the legendary Paul Robeson. When United Artists purchased the screen rights, Robeson went with the package, and this 1933 film was the result.

The story concerns a black man of the depression era who lacks the moral stamina to resist the various temptations set before him, and who ultimately finds himself on a remote island where he uses his superior intellect and physically intimidating presence to set himself up as "Emperor." But his own past troubles have hardened him. Instead of ruling in justice, he uses his position to bleed the population--and they revolt against him.

But regretfully, this film isn't half as good as it could have been or a quarter as good as it should have been. On the stage, THE EMPEROR JONES had tremendous irony, for in so crushing his subjects Brutus Jones has essentially recreated the white American society that crushed him. Moreover, the staging was uniquely powerful, with the vast majority of the story played out as Jones runs through the jungle in an effort to escape his revolting subjects, all the while recalling the various events of his life that led him to the present moment. But the film version pretty much throws all of this out the window, preferring to downplay O'Neill's social commentary and reducing Jone's race through the jungle to a few scenes at the film's conclusion.

Robeson is a memorable actor, but he was still very new to the screen when this film was made, and although he is powerful his performance here is rather stagey in comparison with his later screen work. And while the film is occasionally interesting in a visual way, it simply doesn't have the courage to go all the way with O'Neil's original vision. Fans of Robeson, O'Neil, and early 1930s film will find it an interesting failure, but most others should give it a miss.

Gary F. Taylor, aka GFT, Amazon Reviewer

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