Dancing Lady (1933)

Director:

Robert Z. Leonard

Writers:

Allen Rivkin (screenplay) and
P.J. Wolfson (screenplay) ...

Release Date:

24 November 1933 (USA)

Genre:

Musical | Comedy | Romance

Plot:

An attractive dancer is rescued from jail by a rich man, who helps her to have her first big opportunity at a musical play on Broadway.

Plot Keywords:

Dancer | Director | Jail | Burlesque | Producer

Cast

Joan Crawford	...	Janie Barlow
Clark Gable	...	Patch Gallagher
Franchot Tone	...	Tod Newton
May Robson	...	Dolly Todhunter - Tod's Grandmother
Winnie Lightner	...	Rosette LaRue
Fred Astaire	...	Himself
Robert Benchley	...	Ward King
Ted Healy	...	Steve - Patch's Assistant
Arthur Jarrett	...	Art Jarrett - Vocalist (as Art Jarrett)
Grant Mitchell	...	Jasper Bradley, Sr.
Nelson Eddy	...	Specialty Singer
Maynard Holmes	...	Jasper Bradley, Jr.
Sterling Holloway	...	Pinky - the Show's Author
Gloria Foy	...	Vivian Warner
Moe Howard	...	Moe - Stagehand

Runtime:

92 min

Country:

USA

Language:

English

Color:

Black and White

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono (Western Electric Sound System)

Certification:

USA:Approved (PCA #1307-R: 26 August 1935 for re-release) | USA:Passed (National Board of Review) | USA:TV-G (TV rating)

Filming Locations:

Metro-Goldwyn-Mayer Studios - 10202 W. Washington Blvd., Culver City, California, USA

Company:

Metro-Goldwyn-Mayer (MGM)

Trivia:

Fred Astaire's movie debut. Though he was reported to have appeared years earlier in the silent film Fanchon, the Cricket (1915/I), he and his sister Adele only visited the set; they did not appear on camera in that one.

Goofs:

Continuity: While chasing Patch, Janie is splashed by mud from a passing car; when she hops out of a cab minutes later, her shoes and stockings are clean.

Quotes:

[first lines]
Girl with Tod: I don't like the looks of this place Todd.
Tod Newton: Ah, come on. You'll get a lot of laughs.

Movie Connections:

Featured in That's Entertainment! (1974)

Soundtrack:

Alabama Swing

The Film Debuts of Nelson Eddy and Fred Astaire

By definition any film like Dancing Lady that has the debuts of movie icons Fred Astaire and Nelson Eddy is historic. But Dancing Lady is a good, not great film.

It is also one of the few sound films that took advantage of Joan Crawford's dancing talents. Few remember that it was as a dancer that Joan Crawford started in show business. During her silent period Crawford played a few roles as a flapper, but her dramatic talents came to the fore when sound came in. It would be another twenty years before she did a musical role in Torch Song on a return visit to her old studio MGM.

Crawford is an aspiring dancer who's doing some strip teasing at a dive when slumming playboy Franchot Tone spots her. He's interested in her, but she's interested in a career. She auditions for a new Broadway revue that is being directed by Clark Gable.

Despite some misgivings Gable recognizes her talent and is ready to star her. But a few bumps on the road to love and Broadway occur as they do in any musical. It all gets resolved though.

This was one of Franchot Tone's first role in a tuxedo. I guess he looked so good in white tie and tails that Louis B. Mayer starred him in over half his films in a tuxedo. Tone got pretty tired of it and left MGM at the end of decade, but couldn't shake the typecasting for the rest of his life. But he also got Crawford in real life, he became her second husband.

We cannot forget the contributions of that comedic team of Howard, Howard, and Fine who were Ted Healy's three stooges. Dancing Lady is one of the Three Stooges earliest films, Larry in fact had a bit more of a substantial role as a pianist here.

Joan Crawford became the first of a long list of distinguished women of the cinema to dance with Fred Astaire. Though he made his debut here, Louis B. Mayer thought little of him to sign him to a long term contract. Later on he paid dear for Mr. Astaire's services. Fred has a few lines of dialog and two numbers with Crawford.

At least he was smart enough to keep Nelson Eddy, signed fresh from the Metropolitan Opera. After two more bits like this in films, Eddy was co-starred with Jeanette MacDonald in Naughty Marietta and the rest is history. Eddy sings the finale number.

Though Warner Brothers practically had a patent on the backstage musical stuff in the Thirties, Dancing Lady is entertaining enough on its own terms.