Ann Vickers (1933)

User Rating:

6.1/10   

Director:

John Cromwell

Writers:

Sinclair Lewis (novel)
Jane Murfin (screenplay)

Release Date:

6 October 1933 (USA)

Genre:

Drama | Romance

Plot:

Social worker/prison reformer looks for love with men who abuse her, finds herself attracted to a controversial judge.

Plot Keywords:

Divorce | Judge | Pregnant | Prison | Abortion

Cast

Irene Dunne	...	Ann Vickers
Walter Huston	...	Barney Dolphin
Conrad Nagel	...	Lindsay Atwell
Bruce Cabot	...	Captain Lafe Resnick
Edna May Oliver	...	Malvina Wormser
Sam Hardy	...	Russell Spaulding
Mitchell Lewis	...	Captain Waldo
Murray Kinnell	...	Dr. Slenk - Copper Gap Warden
Helen Eby-Rock	...	Kitty Cognac
Gertrude Michael	...	Mona Dolphin
J. Carrol Naish	...	Dr. Sorelle (as J. Carroll Naish)
Sarah Padden	...	Lil, a Black Woman
Reginald Barlow	...	Chaplain
Rafaela Ottiano	...	Mrs. Feldermans (as Rafaella Ottiano)

Runtime:

76 min

Country:

USA

Language:

English

Color:

Black and White

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono (RCA Victor System)

Certification:

USA:Passed (National Board of Review)

Company:

RKO Radio Pictures

Trivia:

Sarah Padden, who is listed as a black woman, supposedly played her role in black-face, since she is not black. She was not seen in the film, but may have been the prisoner executed by hanging. She is seen in long shot and is not recognizable. 'Reginald Barlow' is barely recognizable as the Chaplain following her and reciting a prayer. J. Carrol Naish has a very brief scene lying in bed in an alcoholic stupor. He has no lines. It is a credit to their agents that these three all received on-screen credits.

Goofs:

Anachronisms: Although the first part of the picture takes place in 1918, all of Irene Dunne's hairstyles and clothes are strictly in the 1933 mode.

Movie Connections:

References Joan the Woman (1916)

Soundtrack:

Smiles

A rare mis-step for Miss Dunne

What can have been on Irene Dunne's mind when she accepted the role in this distasteful account of a woman of negotiable morals? Certainly, the Irene Dunne of the 1940's, whose reputation as a faithful Roman Catholic who publicly abhorred smut, and shunned any film scripts or Hollywood society, that might be even be remotely construed as corrupting public morals--would never have become associated with such a dubious project as this.

Perhaps, New York's Cardinal Spellman, in his private audience with her, gave her a good dressing down over this role? That we will likely never know, inasmuch as she never spoke of it in later years, though she did denounce her morally suspect, (though quite successful) 1932 film, "Back Street" as "trash".

Certainly by the time she received the distinguished St. Robert Bellarmine Award in 1965 for exemplary public Catholicism, "Ann Vickers" was no longer recalled by the general public.

Suffice it to say that "Ann Vickers" works neither as entertainment or social commentary.

Miss Dunne's role as an adulterous social worker, who sleeps around, (between reforming prisons and writing a best seller on correctional rehabilitation) doesn't dovetail with her temperament or on screen demeanor, and one keeps suspecting that the whole thing is a kind of tongue in cheek gag, (what else can we think when we witness a montage of Miss Dunne's sympathetic beatific gaze superimposed over a shot of a female prisoner being scourged?) By films end, she has renounced careerism in favor of marriage, (to crusty convict Walter Huston no less--and what kind of lunacy would ever conceive of pairing these two romantically?)

Irene Dunne completists will no doubt wish to see this curiosity, if only for the chance to hear her promise to rehabilitate a cocaine addict under her charge: "I'm going to get you off the snow cold turkey" !!!

Well, if nothing else such sordid goings on, do present her light years from her usual milieu of operatic trills, furbellowed chiffon and strawberry phosphates--cocaine addiction not being the first subject one associates with the irreproachable Miss Dunne.