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| Photos (see all 25 | slideshow) | Videos (see all 3) |
| Bela Lugosi | ... | 'Murder' Legendre | |
| Madge Bellamy | ... | Madeleine Short Parker | |
| Joseph Cawthorn | ... | Dr. Bruner (missionary) | |
| Robert Frazer | ... | Charles Beaumont | |
| John Harron | ... | Neil Parker | |
| Brandon Hurst | ... | Silver (the butler) | |
| George Burr Macannan | ... | Von Gelder (a zombie) (as George Burr MacAnnan) | |
| Frederick Peters | ... | Chauvin (a zombie) | |
| Annette Stone | ... | Maid | |
| John Printz | ... | Ledot (the witch doctor zombie) | |
| Dan Crimmins | ... | Pierre (witch doctor) | |
| Claude Morgan | ... | Zombie | |
| John Fergusson | ... | Zombie | |
| Velma Gresham | ... | Maid | |
| Hans Joby | ... | Chauvin (a zombie) (as John S. Peters) | |
| rest of cast listed alphabetically: | |||
| Clarence Muse | ... | Coach driver (uncredited) | |
Directed by | |||
| Victor Halperin | |||
Writing credits(in alphabetical order) | ||
| Garnett Weston | dialogue | |
| Garnett Weston | story | |
Produced by | |||
| Edward Halperin | .... | producer | |
| Phil Goldstone | .... | producer (uncredited) | |
Original Music by | |||
| Xavier Cugat | (uncredited) | ||
Cinematography by | |||
| Arthur Martinelli | |||
Film Editing by | |||
| Harold McLernon | (as Howard McLernon) | ||
Art Direction by | |||
| Ralph Berger | |||
Makeup Department | |||
| Carl Axzelle | .... | makeup artist (as Carl Axcelle) | |
| Jack P. Pierce | .... | makeup artist (as Jack Pierce) | |
Second Unit Director or Assistant Director | |||
| William Cody | .... | assistant director | |
| Herbert Glazer | .... | assistant director | |
Art Department | |||
| Conrad Tritschler | .... | sets | |
Sound Department | |||
| L.E. Clark | .... | sound engineer | |
Special Effects by | |||
| Howard A. Anderson | .... | special effects (as Harold Anderson) | |
Camera and Electrical Department | |||
| Charles Bohny | .... | assistant camera (uncredited) | |
| Jockey Arthur Feindel | .... | camera operator (uncredited) | |
| Enzo A. Martinelli | .... | assistant camera (uncredited) | |
Music Department | |||
| Guy Bevier | .... | composer: title theme (as Guy Bevier Williams) | |
| Gaston Borch | .... | composer: stock music (uncredited) | |
| Nathaniel Dett | .... | composer: stock music (uncredited) | |
| Hen Herkan | .... | composer: stock music (uncredited) | |
| H. Maurice Jacquet | .... | composer: stock music (uncredited) | |
| Leo Kempinski | .... | composer: stock music (uncredited) | |
| Abe Meyer | .... | music arranger (uncredited) | |
| Hugo Riesenfeld | .... | composer: stock music (uncredited) | |
Other crew | |||
| Herbert Farjeon | .... | dialogue director | |
| Sidney Marcus | .... | assistant to producer | |
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| City of Shoulders and Noses | Psycho | Stardust | The Plague of the Zombies | Gone with the Wind |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb USA section |
| Add this title to MyMovies |
....not exactly a lost masterpiece, but more than worthy of viewing.
I agree w/ some of the others here--it's basically a silent movie w/ added dialogue here and there-check out the wild over-acting on the part of the Zombies(lurch around w/ bug eyes etc), Bela(just a bit) and the two lead guys the lover and the obsessive. They're basically '20's actors held over from what I saw, overly mannered etc.
I enjoyed the china doll look of the blonde, thought that the wipes/dissolves/matte shots were innovative for 1932, and agree that the tone is indeed quite effective and eerie. All those shots of the hillside graveyard w/ the zombies lurching along its top are nicely done.
What was w/ having just the one black actor and then a couple more in blackface? I don't get it. It's not like you can't tell....
Bela is fine here--a few too many 2" closeups but not a bad performance, as always he can project the evil as few ever could. I liked the zombies-as-mill-workers part, that certainly stands out.
Overall, if you are a Bela fan or like '30's horror flix, do check it out. It's slowish and dated as hell, but you won't be let down if you keep it's era/genre in mind as you watch.
*** outta ****