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Das Testament des Dr. Mabuse
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Das Testament des Dr. Mabuse (1933) More at IMDbPro »


Overview

User Rating:
7.8/10   3,792 votes
MOVIEmeter: ?
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Director:
Writers:
Norbert Jacques (characters)
Fritz Lang (writer)
(more)
Contact:
View company contact information for Das Testament des Dr. Mabuse on IMDbPro.
Release Date:
1952 (USA) more
Tagline:
Fritz Lang's Meisterwerk. Der Gewaltigste Film der Gegenwart. (Fritz Lang's masterpiece. The most tremendous film of the present.)
Plot:
Berlin police inspector Lohmann investigates a case, in which all clues lead to a man, who's in a hospital for mental illnesses for since many years... more | add synopsis
User Reviews:
Enthralling picture more (41 total)

Cast

  (in credits order)
Rudolf Klein-Rogge ... Dr. Mabuse
Gustav Diessl ... Thomas Kent
Rudolf Schündler ... Hardy
Oskar Höcker ... Bredow
Theo Lingen ... Karetzky
Camilla Spira ... Juwelen-Anna
Paul Henckels ... Lithograph / Litographer
Otto Wernicke ... Kriminalkomissar Lohmann / Commissioner Lohmann
Theodor Loos ... Dr. Kramm
Hadrian Maria Netto ... Nicolai Griforiew (as Hadrian M. Netto)
Paul Bernd ... Erpresser / Blackmailer
Henry Pleß ... Bulle

Adolf E. Licho ... Dr. Hauser
Oscar Beregi Sr. ... Prof. Dr. Baum (as Oscar Beregi)
Wera Liessem ... Lilli
Karl Meixner ... Hofmeister
Klaus Pohl ... Müller
Gerhard Bienert
Josef Dahmen
Georg John ... Baums Diener / Baum's Servant
Karl Platen
Paul Rehkopf
Franz Stein
Ludwig Stössel ... Arbeiter / Worker
Eduard Wesener
Bruno Ziener
Heinrich Gotho
Michael von Newlinsky
Anna Goltz
Heinrich Gretler
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Directed by
Fritz Lang 
 
Writing credits
(in alphabetical order)
Norbert Jacques  characters
Fritz Lang  writer
Thea von Harbou  writer

Produced by
Fritz Lang .... producer
Seymour Nebenzal .... producer
 
Original Music by
Hans Erdmann 
 
Cinematography by
Karl Vash 
Fritz Arno Wagner 
 
Film Editing by
Conrad von Molo 
Lothar Wolff 
 
Art Direction by
Emil Hasler 
Karl Vollbrecht 
 
Sound Department
James G. Stewart .... dubbing sound (1952)
 
Special Effects by
Ernst Kunstmann .... special effects
 
Editorial Department
Gregg C. Tallas .... additional editor (1952 version)
 

Production CompaniesDistributorsOther Companies
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Additional Details

Also Known As:
Das Tagebuch des Dr. Mabuse
Dr. Mabuses Testament
The Crimes of Dr. Mabuse (USA) (dubbed version)
The Testament of Dr. Mabuse (International: English title) (informal literal title)
more
Runtime:
122 min
Country:
Language:
Aspect Ratio:
1.20 : 1 more
Sound Mix:
Certification:
Filming Locations:
Company:

Fun Stuff

Trivia:
In his autobiography "Timebends," Arthur Miller speculates that his unconscious mind picked the name "Loman" for Willy Loman, the protagonist of his greatest play, "Death of a Salesman (1966) (TV)" (1947), from the name of Kriminalkomissar Lohmann in "Das Testament das Dr. Mabuse." more
Quotes:
Kriminalkomissar Lohmann: [during a shoot-out] I'm getting fed up with this! more
Movie Connections:
Featured in Mabuses Motive (2004) (TV) more
Soundtrack:
Die Walküre (The Valkyries) more

FAQ

This FAQ is empty. Add the first question.
16 out of 21 people found the following review useful.
Enthralling picture, 11 February 2001
9/10
Author: vostf from Paris, Fr

Fritz Lang brings in the visual artistry he developed in his silent movies. The first Dr Mabuse movie (the Gambler) was a series of portrait of that evil genius. He would direct crimes like Fritz Lang directs his movies. He is successful and as we get closer to that astounding character we see him want even more than all the money his crimes can draw. That is love. And that's the hinge factor. With the end of his crime empire the genius has become a lunatic with a fixed stare.

So Dr. Mabuse has been in a lunatic asylum for 10 years and everybody forgot him as they thought there would be nothing to fear any more. It is where The Testament of Dr Mabuse starts. The very beginning is like a silent movie: Lang uses an old factory as the haunt of criminals (the Gambler's haunt was already fantastic). The only sound comes from the oppressing machines. An ambiance you felt with the workers of Metropolis. That is only the beginning of a masterful suspense overture.

Hence Lang goes through different story lines, one too much maybe but everything revolves around the lunatic asylum. On the other hand the story may lack the overwhelming presence of Rudolf Kleine-Rogge in the Gambler. Anyway I think Lang understood he could not rely on the pictures as much as what he did with silent movies. The converging stories reach a fantastic climax and to get there much of the visual quality gets you in the movie, either wanting to know more or fearing what may come out.

Goebbels feared what may come out. The movie about a crime master writing crime recipes in his cell may have been too close to the story of Hitler writing Mein Kampf while in jail. A vision strengthened by the criminal's last words. Called by Goebbels to be explained the reasons why the movie would not be released, Fritz Lang listened the propaganda minister -a great fan of Metropolis- putting his name forward for the head of the Reich cinema department. Lang objected his mother was jewish. "WE will decide who's jewish and who's not!" answered Goebbels. The same evening Lang had gathered all the cash he could and took the train to Paris.

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