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Kid 'in' Africa (1933)
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Overview
User Rating:
Release Date:
6 October 1933 (USA) moreUser Comments:
Shirley Gets Potted moreCast
(in credits order) | Shirley Temple | ... | Madame Cradlebait |
 | Danny Boone Jr. | ... | Diaperzan |
Directed by | |||
| Jack Hays | |||
Writing credits | ||
| Charles Lamont | (writer) | |
Produced by | |||
| Jack Hays | .... | producer | |
Cinematography by | |||
| Dwight Warren | |||
Sound Department | |||
| W.C. Smith | .... | sound director | |
Music Department | |||
| Lee Zahler | .... | musical director | |
Production CompaniesDistributors
- Fox Film Corporation (1933) (USA) (theatrical)
- Grapevine Video (????) (USA) (VHS)
- Passport Video (2007) (USA) (DVD)
Additional Details
Parents Guide:
Add content advisory for parentsRuntime:
USA:10 minCountry:
USALanguage:
EnglishColor:
Black and WhiteAspect Ratio:
1.37 : 1 moreFun Stuff
Trivia:
While filming the scene in which Shirley Temple rides in an ostrich-drawn carriage, the ostrich was startled by the bright lights and bolted forward. Temple was thrown from the carriage, but fortunately, a crew member caught her in midair. moreFAQ
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A BABY BERLESK Short Subject.
Madam Cradlebait, Converter of Cannibals, arrives in the jungle in time to be captured by savages and popped into a big black cooking pot. Can the resident Ape Boy save this KID'IN' AFRICA in time?
Short, mildly amusing and thoroughly racist, this little film (which is a spoof of both TRADER HORN & TARZAN) is notable only as one of the early, pre-celebrity movie appearances by Shirley Temple. As ever, she is abundantly talented & cute as a button. The racism, while rather embarrassing, was not at all unusual in Hollywood films of this period.
Often overlooked or neglected today, the one and two-reel short subjects were useful to the Studios as important training grounds for new or burgeoning talents, both in front & behind the camera. The dynamics for creating a successful short subject was completely different from that of a feature length film, something akin to writing a topnotch short story rather than a novel. Economical to produce in terms of both budget & schedule and capable of portraying a wide range of material, short subjects were the perfect complement to the Studios' feature films.