| Photos (see all 39 | slideshow) |
| Helen Hayes | ... | Catherine Barkley | |
| Gary Cooper | ... | Lieutenant Frederic Henry | |
| Adolphe Menjou | ... | Major Rinaldi | |
| Mary Philips | ... | Helen Ferguson | |
| Jack La Rue | ... | Priest | |
| Blanche Friderici | ... | Head Nurse | |
| Mary Forbes | ... | Miss Van Campen | |
| Gilbert Emery | ... | British Major | |
| rest of cast listed alphabetically: | |||
| Alice Adair | ... | Cafe Girl (uncredited) | |
| Henry Armetta | ... | Bonello - Italian Ambulance Driver (uncredited) | |
| Herman Bing | ... | Swiss Postal Clerk (uncredited) | |
| Agostino Borgato | ... | Giulio - Hospital Porter (uncredited) | |
| Robert Cauterio | ... | Gordini (uncredited) | |
| Marcelle Corday | ... | Swiss Nurse (uncredited) | |
| Gino Corrado | ... | Italian Soldier (uncredited) | |
| Peggy Cunningham | ... | Molly - Disgraced Nurse (uncredited) | |
| George Humbert | ... | Piani - Singer (uncredited) | |
| Doris Lloyd | ... | Nurse (uncredited) | |
| Fred Malatesta | ... | Manera (uncredited) | |
| Paul Porcasi | ... | Harry - Innkeeper (uncredited) | |
Directed by | |||
| Frank Borzage | |||
Writing credits | ||
| Ernest Hemingway | (novel) | |
| Benjamin Glazer | (screenplay) and | |
| Oliver H.P. Garrett | (screenplay) | |
| Laurence Stallings | play (uncredited) | |
Produced by | |||
| Edward A. Blatt | .... | associate producer (uncredited) | |
| Benjamin Glazer | .... | associate producer (uncredited) | |
Original Music by | |||
| Herman Hand | (uncredited) | ||
| W. Franke Harling | (uncredited) | ||
| Bernhard Kaun | (uncredited) | ||
| John Leipold | (uncredited) | ||
| Paul Marquardt | (uncredited) | ||
| Ralph Rainger | (uncredited) | ||
| Milan Roder | (uncredited) | ||
Cinematography by | |||
| Charles Lang | (photographed by) | ||
Film Editing by | |||
| Otho Lovering | (uncredited) | ||
| George Nichols Jr. | (uncredited) | ||
Casting by | |||
| Fred A. Datig | (uncredited) | ||
Art Direction by | |||
| Roland Anderson | (uncredited) | ||
| Hans Dreier | (uncredited) | ||
Costume Design by | |||
| Travis Banton | (uncredited) | ||
Second Unit Director or Assistant Director | |||
| Lew Borzage | .... | assistant director (uncredited) | |
| Charles Griffin | .... | assistant director (uncredited) | |
| Arthur Jacobson | .... | assistant director (uncredited) | |
| Jean Negulesco | .... | second unit director (uncredited) | |
Art Department | |||
| Clem Jones | .... | props (uncredited) | |
| Joe Robbins | .... | props (uncredited) | |
| Joe Thompson | .... | props (uncredited) | |
Sound Department | |||
| Franklin Hansen | .... | sound (uncredited) | |
| Harold Lewis | .... | sound (uncredited) | |
Special Effects by | |||
| Loyal Griggs | .... | special effects assistant (uncredited) | |
Camera and Electrical Department | |||
| Sherman Clark | .... | still photographer (uncredited) | |
| Robert Pittack | .... | camera operator (uncredited) | |
| Cliff Shirpser | .... | assistant camera (uncredited) | |
Costume and Wardrobe Department | |||
| Ed Gross | .... | wardrobe (uncredited) | |
Transportation Department | |||
| Joe Robbins | .... | transportation (uncredited) | |
Other crew | |||
| Grace Dubray | .... | script clerk (uncredited) | |
| Farciot Edouart | .... | transparencies (uncredited) | |
| Robert M. Gillham | .... | general press agent (uncredited) | |
| Charles Griffin | .... | technical advisor: war sequences (uncredited) | |
| Dr. Jardini | .... | technical advisor: hospital sequences (uncredited) | |
| Daniel Keefe | .... | business manager (uncredited) | |
| Jean Negulesco | .... | assistant: Benjamin Glazer (uncredited) | |
| Recent Posts (updated daily) | User |
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| News articles | IMDb Romance section | IMDb USA section |
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The 1932 film version of Ernest Hemmingway's A FAREWELL TO ARMS will never challenge the likes of ALL QUIET ON THE WESTERN FRONT--but while it fails to capture the horrors of World War I it is remarkably effective at capturing the novel's sparse and unyielding prose. A good deal of the credit goes to writers Garrett and Glaizer and director Borzage--but the real interest here is not so much in the cinematic interpretation of the Hemmingway novel as it is in the cast, which is remarkable.
Actress Helen Hayes was already among the leading lights of the New York stage when she was lured to Hollywood for a handful of films in the early 1930s--and it is easy to see what all the fuss was about. Plaintive beauty aside, unlike most stage and screen actors of the era she is completely unaffected in her performance and proves more than powerful enough to overcome the more melodramatic moments of the script. She is costarred with Gary Cooper in one of his earliest leading roles, and while the pairing is unexpected, it is also unexpectedly good: they have tremendous screen chemistry, and in spite of the film's dated approach they easily draw you into this story of an ill-fated wartime romance between a nurse and an ambulance driver.
The film is also well supplied with a solid supporting cast that includes Adolphe Menjou, Jack La Rue, and Mary Philips, and while clearly filmed on a slim budget--something most obvious in the battlefront sequences--the camera work is remarkably good. Unfortunately, all this counts for nothing unless you can find a print of the film that you can stand to watch. It is sad but true: the 1932 A FAREWELL TO ARMS seems to have fallen into public domain, and the result is a host of DVD and VHS releases that range from the merely adequate to the incredibly dire.
Gary F. Taylor, aka GFT, Amazon Reviewer