| Helen Hayes | ... | Catherine Barkley | |
| Gary Cooper | ... | Lieutenant Frederic Henry | |
| Adolphe Menjou | ... | Major Rinaldi | |
| Mary Philips | ... | Helen Ferguson | |
| Jack La Rue | ... | Priest | |
| Blanche Friderici | ... | Head Nurse | |
| Mary Forbes | ... | Miss Van Campen | |
| Gilbert Emery | ... | British Major | |
| rest of cast listed alphabetically: | |||
| Alice Adair | ... | Cafe Girl (uncredited) | |
| Henry Armetta | ... | Bonello - Italian Ambulance Driver (uncredited) | |
| Herman Bing | ... | Swiss Postal Clerk (uncredited) | |
| Agostino Borgato | ... | Giulio - Hospital Porter (uncredited) | |
| Robert Cauterio | ... | Gordini (uncredited) | |
| Marcelle Corday | ... | Swiss Nurse (uncredited) | |
| Gino Corrado | ... | Italian Soldier (uncredited) | |
| Peggy Cunningham | ... | Molly - Disgraced Nurse (uncredited) | |
| George Humbert | ... | Piani - Singer (uncredited) | |
| Doris Lloyd | ... | Nurse (uncredited) | |
| Fred Malatesta | ... | Manera (uncredited) | |
| Paul Porcasi | ... | Harry - Innkeeper (uncredited) | |
Directed by | |||
| Frank Borzage | |||
Writing credits | ||
| Ernest Hemingway | (novel) | |
| Benjamin Glazer | (screenplay) and | |
| Oliver H.P. Garrett | (screenplay) | |
| Laurence Stallings | play (uncredited) | |
Produced by | |||
| Edward A. Blatt | .... | associate producer (uncredited) | |
| Benjamin Glazer | .... | associate producer (uncredited) | |
Original Music by | |||
| Herman Hand | (uncredited) | ||
| W. Franke Harling | (uncredited) | ||
| Bernhard Kaun | (uncredited) | ||
| John Leipold | (uncredited) | ||
| Paul Marquardt | (uncredited) | ||
| Ralph Rainger | (uncredited) | ||
| Milan Roder | (uncredited) | ||
Cinematography by | |||
| Charles Lang | |||
Film Editing by | |||
| Otho Lovering | (uncredited) | ||
| George Nichols Jr. | (uncredited) | ||
Casting by | |||
| Fred A. Datig | (uncredited) | ||
Art Direction by | |||
| Roland Anderson | (uncredited) | ||
| Hans Dreier | (uncredited) | ||
Costume Design by | |||
| Travis Banton | (uncredited) | ||
Second Unit Director or Assistant Director | |||
| Lew Borzage | .... | assistant director (uncredited) | |
| Charles Griffin | .... | assistant director (uncredited) | |
| Arthur Jacobson | .... | assistant director (uncredited) | |
| Jean Negulesco | .... | second unit director (uncredited) | |
Art Department | |||
| Clem Jones | .... | props (uncredited) | |
| Joe Robbins | .... | props (uncredited) | |
| Joe Thompson | .... | props (uncredited) | |
Sound Department | |||
| Franklin Hansen | .... | sound (uncredited) | |
| Harold Lewis | .... | sound (uncredited) | |
Special Effects by | |||
| Loyal Griggs | .... | special effects assistant (uncredited) | |
Visual Effects by | |||
| Farciot Edouart | .... | transparencies (uncredited) | |
Camera and Electrical Department | |||
| Sherman Clark | .... | still photographer (uncredited) | |
| Robert Pittack | .... | camera operator (uncredited) | |
| Cliff Shirpser | .... | assistant camera (uncredited) | |
Costume and Wardrobe Department | |||
| Ed Gross | .... | wardrobe (uncredited) | |
Transportation Department | |||
| Joe Robbins | .... | transportation (uncredited) | |
Other crew | |||
| Grace Dubray | .... | script clerk (uncredited) | |
| Robert M. Gillham | .... | general press agent (uncredited) | |
| Charles Griffin | .... | technical advisor: war sequences (uncredited) | |
| Dr. Jardini | .... | technical advisor: hospital sequences (uncredited) | |
| Daniel Keefe | .... | business manager (uncredited) | |
| Jean Negulesco | .... | assistant: Benjamin Glazer (uncredited) | |
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| Gone with the Wind | All Quiet on the Western Front | The Life and Death of Colonel Blimp | Die Blechtrommel | Capitaine Conan |
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A Farewell to Arms features the expected good performances from Gary Cooper, Helen Hayes, and Adolphe Menjou. For its time, it also features impressive sets. The dialogue also does justice to its source material, the Hemingway novel of the same name. This movie must've been appreciated much more at the time of its release, given the imminence of war sentiment and Hitler's rising power in Germany. All in all, a very good, though not great film, 7/10.