The Animal Kingdom (1932)

Director:

Edward H. Griffith

Writers:

Philip Barry (play)
Horace Jackson (screenplay)

Release Date:

28 December 1932 (USA)

Genre:

Comedy | Drama

Plot:

Tom Collier has had a great relationship with Daisy, but when he decides to marry, it is not Daisy whom he asks...

Plot Keywords:

Butler | Idealism | Infidelity | Love Affair | New York City

Cast

Ann Harding	...	Daisy Sage
Leslie Howard	...	Tom Collier
Myrna Loy	...	Cecilia 'Cee' Henry Collier
William Gargan	...	'Red' Regan, Tom's Butler
Neil Hamilton	...	Owen
Ilka Chase	...	Grace
Henry Stephenson	...	Rufus Collier
Leni Stengel	...	Franc Schmidt
Don Dillaway	...	Joe Fiske
rest of cast listed alphabetically:
Curtis Benton	...	Radio Announcer (voice)

Also Known As:

The Woman in His House (UK)

Runtime:

85 min

Country:

USA

Language:

English

Color:

Black and White

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono (RCA Photophone System)

Certification:

Canada:G (Ontario) | USA:Approved

Company:

RKO Radio Pictures

Trivia:

The film flopped with the Depression-era audience as a whole. The movie ended up $110,000 in the red.

Quotes:

Tom Collier: [Explaining his relationship with Daisy to his fiancée, Cecilia] Cee, we've... Well, we've been everything possible to each other, of course, but...
Cecilia 'Cee' Henry Collier: Yes, Tom.
Tom Collier: ...at the same time free as air. I mean, there has never been a feeling of conventional responsibility towards each other's involvement.
Cecilia 'Cee' Henry Collier: I can understand that.
Tom Collier: Can you, Cee? 'Cause I never could.

Movie Connections:

Featured in David O. Selznick: 'Your New Producer' (1935)

The Privileged Class Enjoying It's Privileges

That was a line from another Philip Barry play which had a bit more screen popularity than The Animal Kingdom. Philip Barry as a playwright was able to find an audience in two distinct eras of American history, the carefree Roaring Twenties and the poorer socially significant Thirties. He did with a clever mixture of social commentary while writing about the privileged classes enjoying their privileges.

The Animal Kingdom had a 183 performance run on Broadway the previous year and its star Leslie Howard was a movie name already on two continents. So Howard, Bill Gargan, and Ilka Chase repeat their Broadway roles here. Good thing for Howard, he got to do this screen version of one of his Broadway triumphs. Probably in a few more years Cary Grant might have gotten the call.

Howard is a rich young man rather bored with his life and living without benefit of clergy with bohemian artist Ann Harding. But family pressures force him to marry society girl Myrna Loy. Guess who in the end he winds up with or watch the film to find out.

A lot of similarities here with Holiday, a Barry play that got a more well known screen adaption. An overbearing parent, snobbish friends/ relatives and two women to choose from, and some down to earth friends for the hero.

The players do well here and a special note should be made of Bill Gargan who plays Howard's butler who is a washed up former prizefighter. The Animal Kingdom was Gargan's feature film debut and I wouldn't be surprised if Leslie Howard did the same service for him as he did for Humphrey Bogart in The Petrified Forest.

The Animal Kingdom despite good notices failed to find an audience in Herbert Hoover America. Howard's problems do seem trivial in the face of what a lot of people were dealing with. Still it's a good and faithful adaption of a good play.