| Photos (see all 2 | slideshow) |
| Barbara Stanwyck | ... | Lora Hart | |
| Ben Lyon | ... | Mortie | |
| Joan Blondell | ... | B. Maloney | |
| Clark Gable | ... | Nick, the Chauffeur | |
| Blanche Friderici | ... | Mrs. Maxwell, the Housekeeper (as Blanche Frederici) | |
| Charlotte Merriam | ... | Mrs. Ritchey | |
| Charles Winninger | ... | Dr. Arthur Bell | |
| Edward J. Nugent | ... | Eagan (as Edward Nugent) | |
| Vera Lewis | ... | Miss Dillon, Superintendent of Nurses | |
| Ralf Harolde | ... | Dr. Milton A. Ranger | |
| Walter McGrail | ... | Mack, the Drunk | |
| rest of cast listed alphabetically: | |||
| Robert Allen | ... | Party Guest (uncredited) | |
| James Bradbury Jr. | ... | Wounded Prisoner (uncredited) | |
| Jim Farley | ... | Policeman (uncredited) | |
| Willie Fung | ... | Hospital Patient (uncredited) | |
| Betty Jane Graham | ... | Desney Ritchey (uncredited) | |
| Marcia Mae Jones | ... | Nanny Ritchey (uncredited) | |
| Allan Lane | ... | Intern (uncredited) | |
| Betty May | ... | Nurse Bryan (uncredited) | |
| Bob Perry | ... | Mortie's Pal (uncredited) | |
| Jed Prouty | ... | Archie, Father-to-Be (uncredited) | |
| Lucille Ward | ... | Woman Wanting Screen for Son's Bed (uncredited) | |
| Davina Whitehouse | ... | Teenager (uncredited) | |
Directed by | |||
| William A. Wellman | |||
Writing credits | ||
| Grace Perkins | (novel) (as Dora Macy) | |
| Oliver H.P. Garrett | (screenplay) | |
| Charles Kenyon | (additional dialogue) | |
Cinematography by | |||
| Barney McGill | |||
Film Editing by | |||
| Edward M. McDermott | (as Edw. M. McDermott) | ||
Art Direction by | |||
| Max Parker | |||
Costume Design by | |||
| Earl Luick | (gowns) | ||
Second Unit Director or Assistant Director | |||
| Frank Shaw | .... | assistant director (uncredited) | |
Camera and Electrical Department | |||
| Owen Compton | .... | key grip (uncredited) | |
| Harry Davis | .... | camera operator: second unit (uncredited) | |
| Kenneth Green | .... | second assistant camera (uncredited) | |
| Aaron Hower | .... | dolly grip (uncredited) | |
| Leo Hughes | .... | director of photography: second unit (uncredited) | |
| Claude Hutchinson | .... | gaffer (uncredited) | |
| Bobby Robinson | .... | first assistant camera (uncredited) | |
| Homer Van Pelt | .... | still photographer (uncredited) | |
| William P. Whitley | .... | camera operator (uncredited) | |
Music Department | |||
| Leo F. Forbstein | .... | conductor: Vitaphone orchestra | |
Other crew | |||
| Dr. Harry Martin | .... | technical director | |
| Sabine Baring-Gould | .... | hymnist: "Onward Christian Soldiers" (uncredited) | |
| Hanlin | .... | production assistant (uncredited) | |
| Hegarty | .... | production assistant (uncredited) | |
| Sorenson | .... | production assistant (uncredited) | |
| Recent Posts (updated daily) | User |
|---|---|
| Where is Night Nurse on DVD? | Mister_logan5 |
| certainly was pre-code wasnt it?? | ksf-2 |
| Missing child? | frankgaipa |
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| Full cast and crew | Company credits | External reviews |
| IMDb Crime section | IMDb USA section | Add this title to MyMovies |
Gritty depression era flick, showing why Warner Bros. was the studio of record. It's tough broads here that get the leads. There's Stanwyck (before her teeth were fixed) and Blondell (gum-popping her way through the Nurse's Oath), both trying to survive grabby interns, unscrupulous doctors, murderous families, and no money. No, this isn't Young Doctor Kildare. Just compare Night Nurse with that sappy 1940's series for insight into what the Production Code did to social realism. Here nurses break the law, doctors violate their oath, and unless you go along, you don't work. Not exactly the professional AMA image. Sure, it's contrived melodrama. But there are elements of the real world here that would disappear from the screen for 35 years, courtesy the PC. Also included are gamey one-liners, mild strip scenes, and a really sardonic look at motherhood, along with a very scary Clark Gable. For a brief period from around 1930-34, Hollywood operated with the lid off, pressed by audiences with no work, no money and no prospects. Movies like NN reflect that reality, which was, of course, too unvarnished to survive. So catch up with this neglected period when you can, especially if the movie's from Warner Bros., like this little gem.