| Photos (see all 5 | slideshow) |
| Norma Shearer | ... | Jan Ashe | |
| Leslie Howard | ... | Dwight Winthrop | |
| Lionel Barrymore | ... | Stephen Ashe | |
| James Gleason | ... | Eddie | |
| Clark Gable | ... | Ace Wilfong | |
| Lucy Beaumont | ... | Grandma Ashe | |
| rest of cast listed alphabetically: | |||
| Roscoe Ates | ... | Man Shot at in Men's Room (uncredited) | |
| Ann Brody | ... | Hamburger Saleslady (uncredited) | |
| Edward Brophy | ... | Slouch (uncredited) | |
| James Donlan | ... | Reporter (uncredited) | |
| Bess Flowers | ... | Birthday Party Guest (uncredited) | |
| Francis Ford | ... | Skid Row Drunk (uncredited) | |
| Henry Hall | ... | Detective in Raid (uncredited) | |
| George Irving | ... | Johnson - Defense Attorney (uncredited) | |
| Edward LeSaint | ... | Judge (uncredited) | |
| Sam McDaniel | ... | Casino Valet (uncredited) | |
| Lee Phelps | ... | Court Clerk (uncredited) | |
| Frank Sheridan | ... | Prosecuting Attorney (uncredited) | |
| Phillips Smalley | ... | Birthday Party Guest (uncredited) | |
| William Stack | ... | Dick Roland (uncredited) | |
| Larry Steers | ... | Ed - Casino Official (uncredited) | |
| Carl Stockdale | ... | Drug Store Proprietor (uncredited) | |
| Charles Sullivan | ... | One of Ace's Gang (uncredited) | |
| E. Alyn Warren | ... | Bottomley - Ace's Chinese Butler (uncredited) | |
| Claire Whitney | ... | Aunt Helen (uncredited) | |
Directed by | |||
| Clarence Brown | |||
Writing credits | ||
| Adela Rogers St. Johns | (book) | |
| John Meehan | (dialogue continuity) | |
| Becky Gardiner | (adaptation) | |
| Willard Mack | play (uncredited) | |
Produced by | |||
| Clarence Brown | .... | producer | |
| Irving Thalberg | .... | executive producer (uncredited) | |
Original Music by | |||
| William Axt | (uncredited) | ||
Cinematography by | |||
| William H. Daniels | (as William Daniels) | ||
Film Editing by | |||
| Hugh Wynn | |||
Art Direction by | |||
| Cedric Gibbons | |||
Costume Design by | |||
| Adrian | (gowns) | ||
Second Unit Director or Assistant Director | |||
| Charles Dorian | .... | assistant director (uncredited) | |
Sound Department | |||
| Douglas Shearer | .... | recording director | |
| Anstruther MacDonald | .... | sound recording engineer (uncredited) | |
Camera and Electrical Department | |||
| Milton Brown | .... | still photographer (uncredited) | |
| Al Lane | .... | second camera operator (uncredited) | |
| Nelson McEdwards | .... | assistant camera (uncredited) | |
| William Riley | .... | assistant camera (uncredited) | |
Other crew | |||
| Howard Dietz | .... | press representative (uncredited) | |
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| Midnight Court | Special Agent K-7 | Too Much Beef | Call Northside 777 | Monte Carlo Nights |
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| News articles | IMDb Crime section | IMDb USA section |
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Yeah, yeah, it's Gable and Howard 8 years before Gone With the Wind, and even then the former makes the latter look like a eunuch. A number of posters seem flummoxed by this little coincidence and by the early-talkie theatricality of this movie. But for its time it really moves and breathes, particularly in the impressive scenes of Norma Shearer and Lionel Barrymore camping in the Sierras, trying and failing to leave their addictions behind and repair their broken relationship.
Technically, this movie may be primitive, but in terms of content and meaning you couldn't get it made today: it's the story of a woman who uses a thug only for her own sexual pleasure, and the baffled and violent way the men in her life react. All three of them are outwardly brilliant and successful -- the lawyer, the gangster, and the rich polo player -- but have their vanity and weakness exposed when confronted with a powerful woman making her own choices. Some of the quieter moments of this movie are pretty devastating.
p.s. strange how the myth that Gable "slaps" Shearer persists... are people really watching this movie? He shoves her back onto a couch twice, and that's it. The real violence is what she does to him by treating him as a boy toy.