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| Colin Clive | ... | Dr. Henry Frankenstein | |
| Mae Clarke | ... | Elizabeth | |
| John Boles | ... | Victor Moritz | |
| Boris Karloff | ... | The Monster (as ?) | |
| Edward Van Sloan | ... | Dr. Waldman | |
| Frederick Kerr | ... | Baron Frankenstein | |
| Dwight Frye | ... | Fritz | |
| Lionel Belmore | ... | Herr Vogel | |
| Marilyn Harris | ... | Little Maria | |
| rest of cast listed alphabetically: | |||
| Ted Billings | ... | Villager (uncredited) | |
| Mae Bruce | ... | Screaming Maid (uncredited) | |
| Arletta Duncan | ... | Bridesmaid (uncredited) | |
| Francis Ford | ... | Hans (uncredited) | |
| Mary Gordon | ... | Mourner (uncredited) | |
| Soledad Jiménez | ... | Mourner (uncredited) | |
| Michael Mark | ... | Ludwig (uncredited) | |
| Pauline Moore | ... | Bridesmaid (uncredited) | |
| Inez Palange | ... | Villager (uncredited) | |
| Paul Panzer | ... | Mourner at gravesite (uncredited) | |
| Cecilia Parker | ... | Maid (uncredited) | |
| Rose Plumer | ... | Villager (uncredited) | |
| Cecil Reynolds | ... | Waldman's secretary (uncredited) | |
| Ellinor Vanderveer | ... | Medical student (uncredited) | |
Directed by | |||
| James Whale | |||
Writing credits | ||
| Mary Shelley | (novel) (as Mrs. Percy B. Shelley) | |
| Peggy Webling | (play) | |
| John L. Balderston | (adaptation) | |
| Francis Edward Faragoh | (writer) & | |
| Garrett Fort | (writer) | |
| Robert Florey | uncredited & | |
| John Russell | uncredited | |
Produced by | |||
| E.M. Asher | .... | associate producer | |
| Carl Laemmle Jr. | .... | producer | |
Original Music by | |||
| Bernhard Kaun | (uncredited) | ||
Cinematography by | |||
| Arthur Edeson | |||
| Paul Ivano | (uncredited) | ||
Film Editing by | |||
| Clarence Kolster | |||
Art Direction by | |||
| Charles D. Hall | |||
Makeup Department | |||
| Pauline Eells | .... | wig maker (uncredited) | |
| Jack P. Pierce | .... | makeup artist (uncredited) | |
| Jack P. Pierce | .... | makeup designer (uncredited) | |
Second Unit Director or Assistant Director | |||
| Joseph A. McDonough | .... | assistant director (uncredited) | |
Art Department | |||
| Ed Keyes | .... | property master (uncredited) | |
| Herman Rosse | .... | set designer (uncredited) | |
Sound Department | |||
| C. Roy Hunter | .... | recording supervisor | |
| William Hedgcock | .... | sound recordist (uncredited) | |
Special Effects by | |||
| Franz Dallons | .... | props | |
| Oscar Dallons | .... | props | |
| Paul Dallons | .... | props | |
| John P. Fulton | .... | special effects (uncredited) | |
| Ken Strickfaden | .... | electrical effects (uncredited) | |
Camera and Electrical Department | |||
| Sherman Clark | .... | still photographer (uncredited) | |
| Jack Freulich | .... | still photographer (uncredited) | |
Costume and Wardrobe Department | |||
| Mae Bruce | .... | wardrobe assistant (uncredited) | |
Editorial Department | |||
| Maurice Pivar | .... | supervising editor | |
Music Department | |||
| Giuseppe Becce | .... | composer: stock music (uncredited) | |
| David Broekman | .... | musical director (uncredited) | |
Other crew | |||
| Carl Laemmle | .... | presenter | |
| Richard Schayer | .... | scenario editor | |
| Frank Graves | .... | electrical effects assistant (uncredited) | |
| Raymond Lindsay | .... | electrical effects assistant (uncredited) | |
| Robert Livingston | .... | double: Colin Clive, closing distant shot (uncredited) | |
| Cecil Reynolds | .... | medical consultant (uncredited) | |
| Gerald L.G. Sampson | .... | technical advisor (uncredited) | |
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| Bride of Frankenstein | The Curse of Frankenstein | Young Frankenstein | Frankenstein | House of Frankenstein |
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| Full cast and crew | Company credits | External reviews |
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Although I have seen better prints of the film, this DVD issue of Universal Studio's famous FRANKENSTEIN is a magnificent package that is sure to delight any fan of classic horror. The film itself has been restored for content, and the Skal-hosted documentary--which traces the story from Mary Shelly's famous novel through its numerous film incarnations--is a delight, including numerous interviews with various historians, critics, and Karloff's daughter. The bonus audio track by Rudy Behlmer is also quite interesting, as are the various biographies and notes, and although the short film BOO is a spurious mix of footage from NOSFERATU, Dracula, THE CAT AND THE CANARY, and FRANKENSTEIN, it is an enjoyable little throw-away. All in all, it doesn't get much better than this.
As for the film itself, the production of FRANKENSTEIN was prompted by the incredible success of the earlier Dracula--but where Dracula is a rather problematic and significantly dated film, FRANKENSTEIN was and remains one of the most original horror films to ever emerge from Hollywood. Much of the credit for this goes to director James Whale, who by all accounts was deeply influenced by silent German film and his own traumatic experiences during World War I--and who mixed those elements with occasional flourishes of macabre humor to create a remarkably consistent vision of Mary Shelly's original novel.
Whale was extremely, extremely fortunate in his cast. Colin Clive was a difficult actor, but Whale not only managed to get him through the film but to draw from him his finest screen performance; Mae Clarke is a memorable Elizabeth; and Dwight Frye, so memorable in Dracula, tops himself as Fritz. But all eyes here are on Boris Karloff as the monster. Karloff had been kicking around Hollywood for a decade, and although he appeared in quite a few films before FRANKENSTEIN he never really registered with the public. But in this role, acting under heavy make-up, weighed down by lead weights in his shoes and struts around his legs, and without a line of intelligible dialogue he offered a performance that transcended the word "monster." This is a suffering being, dangerous mainly through innocence of his own power and the way of the world, goaded from disaster to disaster to disaster. Even some seventy-plus years later, it is difficult to imagine any other actor in the part.
Karloff would play the monster again in two later films, one of them directed by Whale, but although THE BRIDE OF FRANKENSTEIN is a remarkable film in its own right, this is the original combination of talents and the original vision. Truly a national treasure, to be enjoyed over and over again. Strongly recommended.
Gary F. Taylor, aka GFT, Amazon Reviewer