Five Star Final (1931)

User Rating:

7.5/10   

Director:

Mervyn LeRoy

Writers:

Louis Weitzenkorn (play)
Byron Morgan (screenplay) ...

Release Date:

26 September 1931 (USA)

Genre:

Crime | Drama

Plot:

Editor Hinchecliffe wants to boost circulation for his "New York Gazette" and city editor Randall puts...

Plot Keywords:

Editor | Murder | Reporter | Newspaper | Publisher

Awards:

Nominated for Oscar.

Cast

Edward G. Robinson	...	Joseph W. Randall
Marian Marsh	...	Jenny Townsend
H.B. Warner	...	Michael Townsend
Anthony Bushell	...	Phillip Weeks
George E. Stone	...	Ziggie Feinstein
Frances Starr	...	Nancy (Voorhees) Townsend
Ona Munson	...	Kitty Carmody
Boris Karloff	...	Rev. T. Vernon Isopod
Aline MacMahon	...	Miss Taylor
Oscar Apfel	...	Bernard Hinchecliffe
Purnell Pratt	...	Robert French
Robert Elliott	...	R.J. Brannegan

Runtime:

89 min

Country:

USA

Language:

English

Color:

Black and White

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono (Western Electric Sound System)

Certification:

Australia:G

Company:

First National Pictures

Trivia:

The Evening Gazette is based on the real-life New York Evening Graphic, the most sensational of all the Front Page-era tabloid papers. (Critics called it the Porno-Graphic.) The paper, owned by Bernarr Macfadden, published from 1924 to 1932. At the time this film was made, the Graphic had been losing circulation, because its new editor had been trying to make it a more respectable paper, just like in the film. The paper was best known for its "composographs," composite photographs used to create an otherwise unobtainable illustration.

Quotes:

Joseph W. Randall: I've been here three hours and not a member of my staff’s been here. No wonder the paper is rotten. We need more drunkards.

Movie Connections:

Featured in When the Talkies Were Young (1955)

Soundtrack:

One More Time

Five Star Final (1931) ***

A powerful, uncompromising early look at "Yellow Journalism" which made a great enough impact at the time to be counted among the year's best films at the Academy Awards – to say nothing of the rush of similar pictures which followed in its wake, culminating in Howard Hawks' masterpiece, HIS GIRL Friday (1940).

Edward G. Robinson is re-united here with the director of LITTLE CAESAR (1930), the film that made him a star, and delivers another great performance which is sufficiently nuanced to anchor the somewhat melodramatic plot in reality. Supporting him, among many others, are Aline MacMahon as his long-suffering secretary who's secretly in love with him and Boris Karloff in a marvelous turn as the most shamelessly hypocritical reporter on the newspaper's payroll. The cynical, rapid-fire dialogue gives it an edge and an authenticity that's almost impossible to recapture these days and, needless to say, became one of the key elements in this type of film.

The film features a number of good scenes but the highlights would have to be: the split-screen technique introduced to shut out the former convict, who is now being hounded by "The Gazette", from having a conversation with either the owner of the paper or its news editor (Robinson); the lengthy and heart-breaking scene in which the female ex-convict's husband (played by the ever-reliable H.B. Warner) bids farewell to their daughter and her soon-to-be husband without letting them in on the fact that the woman has committed suicide and that he intends to join her soon after; the hysterical tirade at the end by the daughter when she finally confronts the men who have destroyed her life, a brave tour-de-force moment for Marian Marsh (familiar to horror aficionados from SVENGALI [1931], THE MAD GENIUS [1931] and THE BLACK ROOM [1935]) who had so far only rather blandly served the romantic interest of the plot; the final shot of the picture, with the latest issue of "The Gazette" being swept into the gutter by street-cleaners along with the rest of the garbage, thus leaving no doubt whatsoever as to where the film-makers' true sentiments lay.