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| Bela Lugosi | ... | Count Dracula | |
| Helen Chandler | ... | Mina Harker | |
| David Manners | ... | John Harker | |
| Dwight Frye | ... | Renfield | |
| Edward Van Sloan | ... | Prof. Abraham Van Helsing | |
| Herbert Bunston | ... | Dr. Jack Seward | |
| Frances Dade | ... | Lucy Weston | |
| Joan Standing | ... | Briggs (a nurse) | |
| Charles K. Gerrard | ... | Martin (as Charles Gerrard) | |
| rest of cast listed alphabetically: | |||
| Anna Bakacs | ... | Innkeeper's daughter (uncredited) | |
| Nicholas Bela | ... | Coach passenger (uncredited) | |
| Daisy Belmore | ... | Coach passenger (uncredited) | |
| Barbara Bozoky | ... | Innkeepers wife (uncredited) | |
| Tod Browning | ... | Voice of Harbormaster (uncredited) | |
| Moon Carroll | ... | Maid (uncredited) | |
| Geraldine Dvorak | ... | Dracula's wife (uncredited) | |
| Anita Harder | ... | Flower Girl (uncredited) | |
| Carla Laemmle | ... | Coach passenger (uncredited) | |
| Donald Murphy | ... | Coach passenger (uncredited) | |
| Cornelia Thaw | ... | Dracula's wife (uncredited) | |
| Dorothy Tree | ... | Dracula's wife (uncredited) | |
| Josephine Velez | ... | Grace (English nurse) (uncredited) | |
| Michael Visaroff | ... | Innkeeper (uncredited) | |
Directed by | |||
| Tod Browning | |||
| Karl Freund | (uncredited) | ||
Writing credits | ||
| Bram Stoker | (novel) | |
| Hamilton Deane | (play) & | |
| John L. Balderston | (play) | |
| Garrett Fort | (play script) | |
| Dudley Murphy | (additional dialogue) uncredited | |
| Louis Bromfield | uncredited | |
| Tod Browning | uncredited | |
| Max Cohen | titles (uncredited) | |
| Louis Stevens | uncredited | |
Produced by | |||
| E.M. Asher | .... | associate producer | |
| Tod Browning | .... | producer | |
| Carl Laemmle Jr. | .... | producer | |
Original Music by | |||
| Philip Glass | (1999) | ||
Cinematography by | |||
| Karl Freund | |||
Film Editing by | |||
| Milton Carruth | |||
| Maurice Pivar | |||
Production Design by | |||
| John Hoffman | (uncredited) | ||
| Herman Rosse | (uncredited) | ||
Art Direction by | |||
| Charles D. Hall | |||
Set Decoration by | |||
| Russell A. Gausman | (uncredited) | ||
Costume Design by | |||
| Ed Ware | (uncredited) | ||
| Vera West | (uncredited) | ||
Makeup Department | |||
| Jack P. Pierce | .... | makeup artist (uncredited) | |
Second Unit Director or Assistant Director | |||
| Scott R. Beal | .... | first assistant director (uncredited) | |
| Herman Schlom | .... | second assistant director (uncredited) | |
Art Department | |||
| John Hoffman | .... | set designer (uncredited) | |
| Charles A. Logue | .... | scenic artist (uncredited) | |
| Herman Rosse | .... | set designer (uncredited) | |
Sound Department | |||
| C. Roy Hunter | .... | recording supervisor | |
| Jack Bolger | .... | boom operator (uncredited) | |
| Jack Foley | .... | foley artist (uncredited) | |
| William Hedgcock | .... | sound mixer (uncredited) | |
Visual Effects by | |||
| Frank H. Booth | .... | photographic effects | |
| William Davidson | .... | miniatures (uncredited) | |
| John P. Fulton | .... | matte artist (uncredited) | |
Camera and Electrical Department | |||
| Frank H. Booth | .... | second assistant camera (uncredited) | |
| Joseph Brotherton | .... | director of photography: second unit (uncredited) | |
| Roman Freulich | .... | still photographer (uncredited) | |
| King D. Gray | .... | first assistant camera (uncredited) | |
Editorial Department | |||
| Maurice Pivar | .... | supervising editor (uncredited) | |
Music Department | |||
| Heinz Roemheld | .... | conductor (uncredited) | |
| Heinz Roemheld | .... | music supervisor (uncredited) | |
Other crew | |||
| Carl Laemmle | .... | presenter | |
| Max Cohen | .... | title designer (uncredited) | |
| Nan Grant | .... | researcher (uncredited) | |
| Charles Logue | .... | scenario supervisor (uncredited) | |
| Dudley Murphy | .... | continuity (uncredited) | |
| Aileen Webster | .... | script supervisor (uncredited) | |
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| Drácula | Dracula | Nosferatu: Phantom der Nacht | Dracula | Nosferatu, eine Symphonie des Grauens |
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This is the movie that set the horror genre into action. Sure there may be a few campy scenes that look like they might be out of some high school play production (the rubber bats and armadillos in Dracula's castle come to mind), but there is an unmistakable suspense and eerieness about the film. If you are lucky enough to find the DVD reissue from 1999, you have three great versions: the original 1931 version with basically no background music, the 1999 rescoring of the movie by composer Philip Glass, and the extremely interesting Spanish version, made at the same time as the original (with totally different actors). If you have this DVD, watch the movie twice: once with no soundtrack and once with the Glass rescoring.... totally different movie. Glass' score is great, but it doesn't really help the movie at all (it actually hurts it in many cases). But the utter silence in Browning's original just makes my skin crawl! The acting is actually quite great (Lugosi is, of course, phenomenal as is Dwight Frye as Renfield). The fear, the suspense, and, believe it or not, the sexuality, combines for a great movie that was an unbelievable success in its first release ($700,000 in it first US release, $1.2 million worldwide). Not bad for a movie made 72 years ago!