IMDb > Whoopee! (1930)

Overview

User Rating:
8.0/10   558 votes
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Director:
Thornton Freeland
Writers:
William Anthony McGuire (story)
Owen Davis (play)
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Contact:
View company contact information for Whoopee! on IMDbPro.
Release Date:
5 October 1930 (USA) more
Genre:
Comedy | Musical more
Plot:
Western sheriff Bob Wells is preparing to marry Sally Morgan; she loves part-Indian Wanenis, whose race is an obstacle... more | add synopsis
Plot Keywords:
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Awards:
Nominated for Oscar. more
NewsDesk:
The Big Story Behind a Little Song
 (From Huffington Post. 14 May 2009, 2:07 PM, PDT)

User Comments:
Square One For Screen Legends more (16 total)

Cast

  (Complete credited cast)
Eddie Cantor ... Henry Williams
Ethel Shutta ... Mary Custer
Paul Gregory ... Wanenis
Eleanor Hunt ... Sally Morgan
Jack Rutherford ... Sheriff Bob Wells
Walter Law ... Jud Morgan
Spencer Charters ... Jerome Underwood
Albert Hackett ... Chester Underwood
Chief Caupolican ... Black Eagle
Lou-Scha-Enya ... Matafay
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Additional Details

Also Known As:
Whoopee (USA) (alternative spelling)
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Runtime:
93 min (copyright length)
Country:
USA
Language:
English
Color:
Color (2-strip Technicolor)
Aspect Ratio:
1.37 : 1 more
Sound Mix:
Mono (Western Electric Sound System)
Certification:
USA:TV-G (TV rating)
Filming Locations:
Palm Springs, California, USA

Fun Stuff

Trivia:
Eddie Cantor reprises his role from the original 1928 Broadway show. Many film cast members were also in the original show, including Eleanor Hunt, Ethel Shutta, Paul Gregory, Jack Rutherford, Spencer Charters, Albert Hackett and Chief Caupolican. Appearing in the original play, but not the film, was Buddy Ebsen, best known to today's audiences as a cast member of TV's "The Beverly Hillbillies" (1962) and "Barnaby Jones" (1973). more
Quotes:
Henry Williams: [to Mary] Why do you make overtures to me when I need intermissions so badly? more
Movie Connections:
Featured in "Broadway: The American Musical" (2004) more
Soundtrack:
My Baby Just Cares for Me more

FAQ

This FAQ is empty. Add the first question.
10 out of 10 people found the following comment useful.
Square One For Screen Legends, 4 July 2003
10/10
Author: Ron Oliver (revilorest@juno.com) from Forest Ranch, CA

An eccentric hypochondriac staying at an Arizona dude ranch finds the time - when not popping pills - to make a little WHOOPEE!

The emergence of two diverse talents make watching this film special. Banjo-eyed Eddie Cantor, already the darling of the Ziegfeld Follies, became a fully fledged movie star in this tale of utter lunacy, his own special brand of innocent insanity completely at home in these surroundings. Never still for long, legs & hands constantly flittering about, he punctuates every double entendre with eyes rolled up as if in mild shock at his own dialogue. His handful of songs, including his signature tune ‘Making Whoopee,' only further showcase his abundant talent.

This was also the first significant assignment for choreographer Busby Berkeley. He displays his genius in embryo with his precision movements (greatly influenced by his exposure to military drills) and initial examples of his trademark overhead shots. The film's production entirely in early Technicolor gave Berkeley a rich palette with which to work and he acquits himself well, even if his Indian maiden costumes near the end of the picture exhibit rather dubious taste.

Cantor dominates the cast, but Ethel Shutta has a few good moments as Eddie's stern nurse and elderly Spencer Charters, playing the ranch's owner, has a hilariously bizarre sequence in which he & Cantor examine each other's surgical scars. Movie mavens will recognize a young, uncredited Betty Grable as the chorus girl with the lasso in the first song.

A glance down the credits shows a couple of names of note: Nacio Herb Brown was among the foremost movie songwriters of the era; Greg Toland would later be hailed as one of Hollywood's finest cinematographers.

The film makes a point of dealing with bias against Native Americans. Cantor's blackface comedy sequence will then perhaps be a bit of a surprise to some, but it should be remembered that this sort of racial insensitivity was not unusual in the movie industry of 1930.

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