| Marie Dressler | ... | Min Divot | |
| Wallace Beery | ... | Bill, a fisherman | |
| Dorothy Jordan | ... | Nancy Smith | |
| Marjorie Rambeau | ... | Bella Pringle | |
| Don Dillaway | ... | Dick Cameron (as Donald Dillaway) | |
| DeWitt Jennings | ... | Mr. Groot | |
| Russell Hopton | ... | Alec Johnson | |
| Frank McGlynn Sr. | ... | Mr. Southard (as Frank McGlynn) | |
| Gretta Gould | ... | Mrs. Southard | |
| rest of cast listed alphabetically: | |||
| Hank Bell | ... | Sailor in barbershop (uncredited) | |
| Jack Pennick | ... | Merchant seaman checking in at hotel (uncredited) | |
| Henry Roquemore | ... | Bella's lover aboard ship (uncredited) | |
| Miss Vanessi | ... | Woman (uncredited) | |
Directed by | |||
| George W. Hill | (as George Hill) | ||
Writing credits | ||
| Lorna Moon | (novel "Dark Star") | |
| Frances Marion | (scenario) and | |
| Marion Jackson | (scenario) | |
| Frances Marion | (dialogue) and | |
| Marion Jackson | (dialogue) | |
Produced by | |||
| George W. Hill | .... | producer (as George Hill) | |
| Harry Rapf | .... | producer (uncredited) | |
Cinematography by | |||
| Harold Wenstrom | |||
Film Editing by | |||
| Basil Wrangell | |||
Art Direction by | |||
| Cedric Gibbons | |||
Second Unit Director or Assistant Director | |||
| Harry Sharrock | .... | assistant director (uncredited) | |
Sound Department | |||
| Douglas Shearer | .... | sound recording engineer | |
Costume and Wardrobe Department | |||
| René Hubert | .... | wardrobe | |
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| Marie Galante | Touch of Evil | The Secret of Treasure Island | Lethal Weapon 2 | The Spider Returns |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb USA section | Add this title to MyMovies |
The good leading performances of Wallace Beery and Marie Dressler, plus the well-crafted dockside atmosphere, combine to make "Min and Bill" well worth seeing. Both Beery and Dressler have roles well-suited to them, and the two of them are thoroughly convincing in their relationship with each other. The actual story works all right, but mainly thanks to the leads and the settings. In itself, the story contains some worthwhile ideas, but some of the developments are too contrived to make it fully satisfying.
The main characters are interesting in their personalities, their imperfections, and in their relationships with each other and with the other characters. It's a pleasure to see Dressler and Beery in their scenes together, because with apparent ease they make use of - in ways subtle and not-so-subtle - the full range of possibilities in the way that Min and Bill relate to each other. Then too, the characters fit in seamlessly with the settings, which are also nicely done in themselves.
There's almost no need for much of a story, since it would be interesting just to see more of their daily lives. Most of the developments in the movie revolve around Dorothy Jordan's character, a young woman who has been brought up by Min. There are some thoughtful moments showing how she and Min feel about each other at different times, but at other times the script seems to miss some better possibilities. Dressler makes everything that Min does seem natural, but at times her skill is the only reason why it works. Thanks to her and Beery, it does work pretty well overall, and it is one of the better movies from the earliest years of sound films.