| Photos (see all 11 | slideshow) |
| Edward G. Robinson | ... | Little Caesar / 'Rico' | |
| Douglas Fairbanks Jr. | ... | Joe Massara | |
| Glenda Farrell | ... | Olga Stassoff | |
| William Collier Jr. | ... | Tony Passa | |
| Sidney Blackmer | ... | Big Boy | |
| Ralph Ince | ... | Pete Montana | |
| Thomas E. Jackson | ... | Sergeant Flaherty (as Thomas Jackson) | |
| Stanley Fields | ... | Sam Vettori | |
| Maurice Black | ... | Little Arnie Lorch | |
| George E. Stone | ... | Otero | |
| Armand Kaliz | ... | De Voss | |
| Nicholas Bela | ... | Ritz Colonna (as Nick Bela) | |
| rest of cast listed alphabetically: | |||
| Ernie Adams | ... | Cashier (uncredited) | |
| Elmer Ballard | ... | Undetermined Role (uncredited) | |
| Ferike Boros | ... | Mrs. Passa (uncredited) | |
| Kernan Cripps | ... | Detective (uncredited) | |
| George Daly | ... | Machine-gunner (uncredited) | |
| Adolph Faylauer | ... | New Year's Celebrant (uncredited) | |
| Ben Hendricks Jr. | ... | Kid Bean (uncredited) | |
| Al Hill | ... | Rico's 'Butler' (uncredited) | |
| Lucille La Verne | ... | Ma Magdalena (uncredited) | |
| Gladys Lloyd | ... | McClure Guest (uncredited) | |
| Noel Madison | ... | Killer Peppi (uncredited) | |
| Tom McGuire | ... | Detective on Phone (uncredited) | |
| Louis Natheaux | ... | Hood (uncredited) | |
| Henry Sedley | ... | Scabby (uncredited) | |
| Gay Sheridan | ... | Nightclub Extra (uncredited) | |
| Larry Steers | ... | McClure Guest (uncredited) | |
| Landers Stevens | ... | Crime Commissioner Alvin McClure (uncredited) | |
| Robert Walker | ... | Lorch Henchman (uncredited) | |
Directed by | |||
| Mervyn LeRoy | |||
Writing credits | ||
| W.R. Burnett | (novel) | |
| Robert N. Lee | (continuity) | |
| Francis Edward Faragoh | (screen version) (as Francis Edwards Faragoh) | |
| Francis Edward Faragoh | (dialogue) (as Francis Edwards Faragoh) | |
| Robert Lord | uncredited | |
| Darryl F. Zanuck | uncredited | |
Produced by | |||
| Hal B. Wallis | .... | producer (uncredited) | |
| Darryl F. Zanuck | .... | producer (uncredited) | |
Original Music by | |||
| David Mendoza | (uncredited) | ||
Cinematography by | |||
| Tony Gaudio | (photographed by) | ||
Film Editing by | |||
| Ray Curtiss | |||
Art Direction by | |||
| Anton Grot | |||
Set Decoration by | |||
| Ray Moyer | (uncredited) | ||
Costume Design by | |||
| Earl Luick | (uncredited) | ||
Music Department | |||
| Erno Rapee | .... | general musical director | |
| Leo F. Forbstein | .... | conductor: Vitaphone Orchestra (uncredited) | |
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| Miller's Crossing | Black Caesar | Scarface | Scarface | Underworld U.S.A. |
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Little Caesar is probably the critically least highly regarded of the trio of films,--Scarface and The Public Enemy being the other two--that kicked off the gangster cycle of the early thirties. I don't know why. The script is sharp, to the point, and hasn't an ounce of fat, and Mervyn LeRoy's direction is energetic and at times highly imaginative. The movie is best-remembered today for the dynamic, no holds barred performance of Edward G. Robinson in the title role of Rico, the little gutter rat who climbs his way to the top of Chicago's mobdom.
Rico scarcely has a personal life. Even women don't seem to interest him. His one true friend, Joe Masara, played by Douglas Fairbanks, Jr., is a good deal younger than Rico, and a lot better looking. The script hints at a homosexual attachment on Rico's part, but this is never fully developed. What he really lusts for is power. Since we are never told anything of Rico's earlier life his power hunger seems unmotivated,--the one major flaw of the film--but there's so much to appreciate in this tidy little classic there's really no cause for complaint.