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Tagebuch einer Verlorenen (1929)
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Overview
Release Date:
24 April 1930 (Japan) morePlot:
Thymiane is a beautiful young girl who is not having a storybook life. Her governess, Elizabeth, is thrown out of her home when she is pregnant... more | add synopsisPlot Keywords:
moreUser Comments:
Pabst/Brooks' best collaboration moreCast
(Cast overview, first billed only)| Louise Brooks | ... | Thymiane | |
| André Roanne | ... | Count Nicolas Osdorff | |
| Josef Rovenský | ... | Robert Henning | |
| Fritz Rasp | ... | Meinert | |
| Vera Pawlowa | ... | Aunt Frieda | |
| Franziska Kinz | ... | Meta | |
| Arnold Korff | ... | Elder Count Osdorff | |
| Andrews Engelmann | ... | The director of the establishment | |
| Valeska Gert | ... | The director's wife | |
| Edith Meinhard | ... | Erika | |
| Sybille Schmitz | ... | Elisabeth | |
| Sig Arno | ... | Guest (as Siegfried Arno) | |
| Kurt Gerron | ... | Dr. Vitalis | |
| Hedwig Schlichter | |||
| Hans Casparius |
Additional Details
Parents Guide:
Add content advisory for parentsRuntime:
104 min | 115 min (Kino Print) | Germany:100 min (restored version) (24 fps) | USA:79 minCountry:
GermanyLanguage:
GermanColor:
Black and WhiteAspect Ratio:
1.33 : 1 moreSound Mix:
SilentMOVIEmeter: 
Fun Stuff
Goofs:
Revealing mistakes: When the sheet is removed from the face of the "corpse", she reacts slightly. moreFAQ
This FAQ is empty. Add the first question.more
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Discuss this title with other users on IMDb message board for Tagebuch einer Verlorenen (1929)| Recent Posts (updated daily) | User |
|---|---|
| The book | Ladyvero-1 |
| The dance pupil | zwot |
| Problems with the Kino DVD | lagal |
| Baby Erika | Prix_de_Beaute |
| Multiple versions of this film? | babatjie |
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| IMDb Drama section | IMDb Germany section | Add this title to MyMovies |















Who would have guessed that these two collaborated in a film superior to Pandora's Box. Pabst and Brooks were a rare combination indeed, and must serve as another decisive exception to the auteur theory. Having just viewed both, I think a case can be made that the Lost Girl film is actually superior to the admittedly better known film. How Krackhaeur could have ignored the value of these two films in his "Caligari to Hitler" book is indeed baffling. The scenes in the "foster" home are fascinating and may indeed say something about the authoritarian mindset of 20s Germany. (The Cabinet of Dr. Caligari is another good example)