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Overview
User Rating:
Director:
Writers:
J. Keirn Brennan (writer)
Frank Fay (writer)
more
Release Date:
29 December 1929 (USA) more
User Comments:
Mainly of interest to students of early sound films more (9 total)
Cast
(Complete credited cast)| Frank Fay | ... | Master of Ceremonies | |
| William Courtenay | ... | The Minister - Guillotine sequence | |
| H.B. Warner | ... | The Victim - Guillotine sequence | |
| Hobart Bosworth | ... | Executioner - Guillotine Sequence | |
| John Barrymore | ... | Richard III in 'Henry VI Part III' | |
| rest of cast listed alphabetically: | |||
| Harry Akst | ... | Pianist - accompanying Irene Bordoni | |
| Armida | ... | Dancer | |
| Johnny Arthur | ... | Hero (song "The Pirate") | |
| Mary Astor | ... | Herself (unconfirmed) (scenes deleted) | |
| William Bakewell | ... | 'Bicycle Built for Two' number | |
| Richard Barthelmess | ... | Himself - 'Meet My Sister' presenter | |
| Noah Beery | ... | (song "The Pirate") / Soldier (segment "Rifle Execution") | |
| Sally Blane | ... | 'Meet My Sister' number | |
| Monte Blue | ... | Condemned man (segment "Rifle Execution") | |
| Irène Bordoni | ... | Herself (song "Just for One Hour of Love") | |
| Jack Buchanan | ... | Himself | |
| Joseph Burke | (as Joe Burke) | ||
| Marion Byron | ... | 'Meet My Sister' number | |
| Georges Carpentier | ... | Boulevardier (song "If I Could Learn to Love") | |
| Ethlyne Clair | ... | (song "Ladies of the Ensemble") | |
| James Clemens | (as Jimmy Clemons) | ||
| Ruth Clifford | ... | (song "Ladies of the Ensemble") | |
| William Collier Jr. | ... | 'Bicycle Built for Two' number | |
| Betty Compson | ... | (songs "The Pirate Number" / "Lady Luck") | |
| Chester Conklin | ... | Traffic Cop (song "Bicycle Built for Two") | |
| Heinie Conklin | ... | Ice Man (song "What Became of the Floradora Boys") | |
| Dolores Costello | ... | 'Meet My Sister' number | |
| Helene Costello | ... | 'Meet My Sister' number | |
| Jack Curtis | ... | 'The Pirate' number | |
| Viola Dana | ... | (songs "The Pirate" / "Meet My Sister" / "Ladies of the Ensemble") | |
| Alice Day | ... | (songs "What Became of the Floradora Boys" / "Meet My Sister") | |
| Marceline Day | ... | 'Meet My Sister' number | |
| Sally Eilers | ... | (song "Ladies of the Ensemble") | |
| Douglas Fairbanks Jr. | ... | Ambrose (song "Bicycle Built for Two") | |
| Louise Fazenda | ... | 'Recitations' sketch | |
| Pauline Garon | ... | 'Bicycle Built for Two' number | |
| Albert Gran | ... | Soldier (segment "Rifle Execution") | |
| Alexander Gray | ... | (song "Lady Luck") | |
| Lloyd Hamilton | ... | Hansom Cabby (song "What Became of the Floradora Boys number" / (segment "Recitations") / Soldier (segment "Rifle Execution") | |
| Julanne Johnston | ... | (song "Ladies of the Ensemble") | |
| Lupino Lane | ... | Street Cleaner (songs "What Became of the Floradora Boys") / 'Tramp' ballet | |
| Frances Lee | ... | (song "Ladies of the Ensemble") | |
| Lila Lee | ... | (song "What Became of the Floradora Boys") | |
| Ted Lewis | ... | Himself (song "The Pirate") (as Ted Lewis & His Orchestra) | |
| Winnie Lightner | ... | (songs "Pingo Pongo" / "Singing in the Bathtub") | |
| Beatrice Lillie | ... | (segment "Recitations") | |
| Jacqueline Logan | ... | (songs "The Pirate" / "Bicycle Built for Two") | |
| Myrna Loy | ... | (songs "What Became of the Floradora Boys" / "Chinese Fantasy") | |
| Nick Lucas | ... | Lady Luck' solo (songs "The Only Song I Know" / "Chinese Fantasy") | |
| Tully Marshall | ... | (song "The Pirate") / Soldier (segment "Rifle Execution") | |
| Shirley Mason | ... | (songs "Meet My Sister" / "Ladies of the Ensemble") | |
| Otto Matieson | ... | 'The Pirate' number | |
| Philo McCullough | ... | 'The Pirate' number | |
| Patsy Ruth Miller | ... | (songs "What Became of the Floradora Boys" / "If I Could Learn to Love") | |
| Bull Montana | ... | 'The Pirate' number | |
| Lee Moran | ... | Plumber (song "What Became of the Floradora Boys") / Soldier (segment "Rifle Execution") | |
| Chester Morris | ... | $20 bet sketch and 'Bicycle Built for Two' number | |
| Jack Mulhall | ... | 'Bicycle Built for Two' number | |
| Edna Murphy | ... | 'Bicycle Built for Two' number | |
| Carmel Myers | ... | (song "Ladies of the Ensemble") | |
| Marian Nixon | ... | (song "What Became of the Floradora Boys") | |
| Molly O'Day | ... | 'Meet My Sister' number | |
| Gertrude Olmstead | ... | 'Bicycle Built for Two' number | |
| Sally O'Neil | ... | (songs "What Became of the Floradora Boys" / "Meet My Sister") | |
| Kalla Pasha | ... | (song "The Pirate") / Soldier (segment "Rifle Execution") | |
| Anders Randolf | ... | 'The Pirate' number | |
| Rin Tin Tin | ... | Himself - introducing "An Oriental Fantasy" | |
| Sid Silvers | |||
| Sojin | |||
| Ann Sothern | ... | (songs "Meet My Sister" / "Bicycle Built for Two") (as Harriet Byron) | |
| Ben Turpin | ... | Waiter (song "What Became of the Floradora Boys") | |
| Ada Mae Vaughn | ... | 'Meet My Sister' number | |
| Alberta Vaughn | ... | 'Meet My Sister' number | |
| Lolita Vendrell | ... | Dancer (as Lola Vendrell) | |
| Edward Ward | (as Eddie Ward) | ||
| Alice White | ... | (song "If I Could Learn to Love") | |
| Ted Williams | ... | Himself (as Ted Williams Adagio Dancers) | |
| Lois Wilson | ... | 'Bicycle Built for Two' number | |
| Grant Withers | ... | 'Bicycle Built for Two' number | |
| Loretta Young | ... | 'Meet My Sister' number | |
Additional Details
Parents Guide:
Runtime:
USA:128 min
Country:
Language:
Color:
Black and White | Color (Technicolor)
Aspect Ratio:
1.33 : 1 more
Sound Mix:
Mono (Western Electric)
Company:
Fun Stuff
Trivia:
The film contains John Barrymore's only screen appearance as Richard III, one of his greatest stage successes. However, the excerpt is not from the play "Richard III", but from William Shakespeare's "Henry VI: Part III", a "prequel" to "Richard III" in which he also appears. more
Movie Connections:
Featured in The Voice That Thrilled the World (1943) more
Soundtrack:
Just an Hour of Love more
FAQ
This FAQ is empty. Add the first question.more (9 total)
Message Boards
Discuss this movie with other users on IMDb message board for The Show of Shows (1929)Recommendations
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| Hit the Deck | Ye Olden Days | The Hollywood Revue of 1929 | The Nightmare Before Christmas | Paramount on Parade |
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Related Links
| Full cast and crew | Company credits | IMDb Musical section |
| IMDb USA section | Add this title to MyMovies |


It is very hard to rate this film. As entertainment value for 21st century viewers, it fails miserably. However, for the student of early sound films and history, it is a jewel. "Show of Shows" was a revue filmed to compete with MGM's successful "Hollywood Revue of 1929", which still survives intact complete with its Technicolor scenes.
The purpose of the all-star revue was to showcase a particular studio's silent stars in speaking roles, and show that they could make the transition. However, Warner Bros. seems to have forgotten this and employs many acts and stars that they didn't even have under long-term contract such as Ben Turpin, Lloyd Hamilton, Beatrice Lillie, and even a marching band. Meanwhile, their biggest talent - Al Jolson - is noticeably absent. Even at a high salary he could not be compelled to join in. Almost every act is overly long and the film plays like a dozen or so Vitaphone shorts strung together with no continuity. The finale is also overly long, but it is really enjoyable with all of its dance numbers.
The highlights of the film are two numbers from Winnie Lightner - "Pingo Pongo" and "Singin in the Bathtub", a couple of numbers with Nick Lucas, John Barrymore performing Shakespeare, and the Chinese Fantasy "Li Po Li" with Nick Lucas and Myrna Loy. This last number is the only part of the film that survives in Technicolor, and it really is quite attractive. Reasonably enough, the players in these good acts were long-term Warner Bros. stars so perhaps the director knew how to play to their strengths since he was familiar with them.
This film acts as a snapshot at an odd point in film history - the year 1929, which was the bridge year between two eras - the silent and sound eras, and the roaring 20's and the Great Depression. Just two years later this same film would have had an entirely different cast, as Warner Bros. would abandon its silent era stars and the stars they hired just to produce the early musicals in favor of those stars that gave Warner Bros. its distinctive urban look and feel - James Cagney, Joan Blondell, Edward G. Robinson, and others.