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Coquette (1929)
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Overview
User Rating:
Release Date:
6 April 1929 (USA) morePlot:
A flirtatious southern belle is compromised with one of her beaus. full summary | add synopsisAwards:
Won Oscar. moreNewsDesk:
(5 articles)
Gold Derby nuggets: Mary Pickford's Oscar is not for sale, but you can buy Johnny Cash's Grammy for $125,000 | Sean Penn and Anne Hathaway romp through critics' awards (From Gold Derby. 17 December 2008, 7:24 AM, PST)
Academy Award Sale To Be Banned
(From WENN. 16 December 2008, 4:07 AM, PST)
User Comments:
Mary Pickford's great concern--that future generations would laugh openly at the outdated style of her old movies--is borne out in full fruition in this absolutely miserable film. moreCast
(Complete credited cast)| Mary Pickford | ... | Norma Besant | |
| Johnny Mack Brown | ... | Michael Jeffery (as John Mack Brown) | |
| Matt Moore | ... | Stanley 'Stan' Wentworth | |
| John St. Polis | ... | Dr. John M. Besant | |
| William Janney | ... | James 'Jimmy' Besant | |
| Henry Kolker | ... | Dist. Atty. Jasper Carter | |
| George Irving | ... | Robert 'Bob' Wentworth | |
| Louise Beavers | ... | Julia (the maid) |
Additional Details
Parents Guide:
Add content advisory for parentsRuntime:
76 minCountry:
USALanguage:
EnglishColor:
Black and WhiteAspect Ratio:
1.20 : 1 moreSound Mix:
Mono (MovieTone)Certification:
USA:UnratedFilming Locations:
Samuel Goldwyn/Warner Hollywood Studios - 1041 N. Formosa Avenue, Hollywood, Los Angeles, California, USAFun Stuff
Trivia:
The play originally opened in New York on 8 November 1927 at Maxine Elliott's Theatre, with Helen Hayes in the title role and ran for 366 performances. moreSoundtrack:
OLD FOLKS AT HOME (SWANEE RIVER) moreFAQ
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The irony is that the most obvious problem facing director Sam Taylor, that of convincing the audience that our heroine is not middle-aged society matron Mary Pickford, but the youthful and titular Norma Besant, is sufficiently disguised so that the camera and film technology available in 1929 do not betray that much of Mary's true appearance. Older actresses have pulled off such deceptions, to great success, in stage performances; unfortunately this, essentially "filmed play," never does raise itself cinematically above the credibility level of the rotten, arthritic showboat melodrama it is. Admittedly a 1929 talkie probably had to double as a silent movie in theatres yet unequipped for sound, but many silent movies were better than this. Mary Pickford's and co.'s performances are so overripe as to leave a modern audience in tears--from laughter. George Abbott, co-author of the original stage drama, would do far better in his book for the classic Rodgers and Hart musical Boys from Syracuse a few years hence, and as director for such memorable goodies as Damn Yankees and Pajama Game. The fact that Pickford won a Best Actress nod for this spleen-fest is one for the What Were They Thinking? file.