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IMDb > The Battle of Paris (1929)

The Battle of Paris (1929) More at IMDbPro »


Overview

User Rating:
6.0/10   5 votes
MOVIEmeter: ?
Down 7% in popularity this week. See rank & trends on IMDbPro.
Director:
Robert Florey
Writer:
Gene Markey (writer)
Contact:
View company contact information for The Battle of Paris on IMDbPro.
Release Date:
30 November 1929 (USA) more
Genre:
Musical
User Comments:
A pretty good glimpse of Gertie more

Cast

  (Credited cast)
Gertrude Lawrence ... Georgie
Charles Ruggles ... Zizi
Walter Petrie ... Tony
Gladys DuBois ... Suzanne
Arthur Treacher ... Harry
Joe King ... Jack
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Additional Details

Also Known As:
The Gay Lady
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Runtime:
80 min
Country:
USA
Language:
English
Aspect Ratio:
1.20 : 1 more
Sound Mix:
Mono

Fun Stuff

Trivia:
Gertrude Lawrence's talking picture debut. more
Soundtrack:
They All Fall In Love more

FAQ

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5 out of 5 people found the following comment useful:-
A pretty good glimpse of Gertie, 15 February 2007
6/10
Author: marcslope from New York, NY

Gertrude Lawrence didn't make many movies, and the one that's most widely circulated, "The Glass Menagerie," doesn't show her off to her best advantage. So it's worth seeking out this obscure early Paramount musical to get a glimpse of her at the peak of her powers. As a World War I pickpocket-turned-Army-nurse-turned-cabaret-performer (which will serve as an indication of the loose dramaturgy), she wears clothes marvelously, bats her enormous eyes, oozes energy and idiosyncrasy, and is the center of attention every moment she's on screen, and knows it. She also gets to deliver a whole bouquet of early Cole Porter songs, including the saucy "They All Fall in Love." It's neither great acting nor great singing (nor is she a great beauty), but it's an instantly accessible and engaging personality, and you get to see why she was a star. The story's ridiculous, and it's particularly annoying that her leading man (Walter Petrie?) would be allowed to mistreat her horribly and get off scot-free for it. There's also a wincingly bad comic French accent offered by Charles Ruggles; he's usually an asset, but not here. And the wrap-up includes probably the most convenient arrival of the Armistice in the history of movies. But don't look at it as the clumsy early talkie it is; look at it as a study in star quality.

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