The Wind (1928)

Director:

Victor Sjöström

Writers:

Dorothy Scarborough (novel)
Frances Marion (scenario)

Release Date:

23 November 1928 (USA)

Genre:

Drama | Western

Plot:

Letty moves to West Texas from the East and it seems that the wind always blows and the sand gets everywhere...

Plot Keywords:

Wind | Storm | Marriage | Cowboy | Isolation

Awards:

1 win

Cast

Lillian Gish	...	Letty
Lars Hanson	...	Lige
Montagu Love	...	Roddy
Dorothy Cumming	...	Cora
Edward Earle	...	Beverly
William Orlamond	...	Sourdough
Carmencita Johnson	...	Cora's Child
Leon Janney	...	Cora's Child (as Laon Ramon)
Billy Kent Schaefer	...	Cora's Child

Runtime:

Sweden:95 min | 79 min (TCM print)

Country:

USA

Language:

English

Color:

Black and White

Aspect Ratio:

1.33 : 1

Sound Mix:

Silent

Certification:

Iceland:L | Portugal:17 (director's cut) | Spain:13 | Sweden:15

Filming Locations:

Bakersfield, California, USA

Company:

Metro-Goldwyn-Mayer (MGM)

Trivia:

The film's artificially happy ending was insisted upon by the studio after test audiences balked at the original ending, where the insane Letty wanders into the desert, certain to die. This more appropriate ending reportedly still exists in Europe.

Movie Connections:

Referenced in Chocolat (2000)

Outstanding Atmosphere

The outstanding atmosphere makes this classic melodrama especially memorable. The story and the acting would have made a pretty good movie by themselves, but it is "The Wind" itself that makes it something more. Not only is the constant presence of the wind a well-conceived figurative parallel to the events in the characters' lives, but making it work on the screen was also a remarkable technical achievement for its era.

Lillian Gish is deservedly praised for her role as Letty, a young woman from the east who travels to a strange and unforgiving region. This is the kind of role that Gish always seemed born to play. But Lars Hanson also does an excellent job in an even more difficult role. In order for the story to work, Hanson has to make his character fully sympathetic to the audience, while at the same time making it plausible that Gish's character does not care for him very much.

It's still very impressive the way that the powerful prairie winds are made such an indispensable part of the movie. It must have involved a great deal of work and sacrifice to achieve such realism without fancy technology. And it is masterful the way that the howling, never-ceasing winds are used to parallel the conflicts among the characters. This is one of the fine classics of the silent era that should not be missed.