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Directed by | |||
| Frank Capra | (as Frank R. Capra) | ||
Writing credits | ||
| Robert Lord | (story "Come Back to Aaron") and | |
| Ernest Pagano | (story "Come Back to Aaron") (as Ernest S. Pagano) | |
| Elmer Harris | (adaptation) | |
| Peter Milne | (continuity) | |
| Bessie Love | ... | Ginger Bolivar | |
| Johnnie Walker | ... | Don Wilson - aka Harry Mann | |
| Ernest Hilliard | ... | Arnold Wingate | |
| Lionel Belmore | ... | Jasper Bolivar | |
| David Mir | ... | Eric Barrymaine | |
| rest of cast listed alphabetically: | |||
| Joe Bordeaux | ... | Auditoning Actor (uncredited) | |
| Sidney Bracey | ... | Don's Valet (uncredited) | |
| Sidney D'Albrook | ... | J. Madison Wilberforce (uncredited) | |
| Mary Gordon | ... | Woman in Audience (uncredited) | |
Produced by | |||
| Frank Capra | .... | producer (as A Frank R. Capra Production) | |
| Harry Cohn | .... | producer | |
Original Music by | |||
| Robert Israel | (1999) (uncredited) | ||
Cinematography by | |||
| Philip Tannura | (photography) | ||
Film Editing by | |||
| Arthur Roberts | |||
Art Direction by | |||
| Robert E. Lee | (uncredited) | ||
Second Unit Director or Assistant Director | |||
| Eugene De Rue | .... | assistant director (uncredited) | |
Visual Effects by | |||
| Rafael Adame | .... | engineering: Sony Pictures High Definition Center (1997 alternate version) | |
| Edwin Armstrong | .... | electron beam recording: Sony Pictures High Definition Center (1997 alternate version) | |
| Michael Bonnville | .... | digital artist: Sony Pictures High Definition Center (1997 alternate version) | |
| Steve Borden | .... | online editor: Sony Pictures High Definition Center (1997 alternate version) | |
| Patrick Byrne | .... | additional digital artist: Sony Pictures High Definition Center (1997 alternate version) | |
| Patrick Byrne | .... | online editor: Sony Pictures High Definition Center (1997 alternate version) | |
| Christopher Ewing | .... | digital artist: Sony Pictures High Definition Center (1997 alternate version) | |
| Christopher Ewing | .... | titles: Sony Pictures High Definition Center (1997 alternate version) | |
| Joseph Grimm | .... | producer: Sony Pictures High Definition Center (1997 alternate version) | |
| Ron Harris | .... | color correction: Sony Pictures High Definition Center (1997 alternate version) | |
| Heather Hoyland | .... | digital artist: Sony Pictures High Definition Center (1997 alternate version) | |
| Melissa Kampschroer | .... | online editor: Sony Pictures High Definition Center (1997 alternate version) | |
| James Pearman | .... | software designer: Sony Pictures High Definition Center (1997 alternate version) | |
| John Persichetti | .... | color correction: Sony Pictures High Definition Center (1997 alternate version) | |
| Matthew Plec | .... | software designer: Sony Pictures High Definition Center (1997 alternate version) | |
| Daniel Post | .... | additional digital artist: Sony Pictures High Definition Center (1997 alternate version) | |
| David Price | .... | digital artist: Sony Pictures High Definition Center (1997 alternate version) | |
| Les Vary | .... | electron beam recording: Sony Pictures High Definition Center (1997 alternate version) | |
Music Department | |||
| Robert Israel | .... | musical score arranged by (1997 alternate version) | |
| Robert Israel | .... | musical score conducted by (1997 alternate version) | |
| Company credits | Box office and business | Technical specifications |
| Main details |