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IMDb > Die Büchse der Pandora (1929)
Die Büchse der Pandora
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Die Büchse der Pandora (1929) More at IMDbPro »

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Overview

User Rating:
8.0/10   3,032 votes
MOVIEmeter: ?
Down 14% in popularity this week. See why on IMDbPro.
Writers:
Contact:
View company contact information for Pandora's Box on IMDbPro.
Release Date:
22 February 1930 (Japan) more
Genre:
Plot:
The rise and inevitable fall of an amoral but naive young woman whose insouciant eroticism inspires lust and violence in those around her. full summary | full synopsis
Plot Keywords:
Awards:
1 nomination more
NewsDesk:
(26 articles)
Top Cow unveils 'Pandora's Box'
 (From digitalspy. 14 December 2009, 11:14 PM, PST)

Sundance 2010 Film Lineup *Updated*
 (From LatinoReview. 3 December 2009, 1:00 PM, PST)

User Reviews:
Downbeat But Engrossing, Sordid Yet Artistic more (61 total)

Cast

  (in credits order) (complete, awaiting verification)

Louise Brooks ... Lulu
Fritz Kortner ... Dr. Ludwig Schön
Francis Lederer ... Alwa Schön (as Franz Lederer)
Carl Goetz ... Schigolch
Krafft-Raschig ... Rodrigo Quast
Alice Roberts ... Gräfin Geschwitz - Countess Anna Geschwitz
Daisy D'Ora ... Charlotte Marie Adelaide v. Zarnikow - braut Dr. Schöns - Dr. Schön's Bride (as Daisy d'Ora)
Gustav Diessl ... Jack the Ripper (as Gustav Diesel)
Michael von Newlinsky ... Marquis Casti-Piani (as Michael v. Newlinsky)
Sig Arno ... Der inspizient - the instructor (as Siegfried Arno)
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Directed by
Georg Wilhelm Pabst 
 
Writing credits
Frank Wedekind (plays "Erdgeist" and "Die Büchse der Pandora")

Ladislaus Vajda (scenario)

Joseph Fleisler  titles (uncredited)
Georg Wilhelm Pabst  uncredited

Produced by
Heinz Landsmann .... producer
Seymour Nebenzal .... producer (uncredited)
 
Original Music by
Stuart Oderman (uncredited)
William P. Perry (uncredited)
 
Cinematography by
Günther Krampf 
 
Film Editing by
Joseph Fleisler (uncredited)
 
Art Direction by
Andrej Andrejew  (as Andrejew)
Gottlieb Hesch  (as Hesch)
Ernö Metzner (uncredited)
 
Costume Design by
Gottlieb Hesch (uncredited)
 
Production Management
Georg C. Horetsky .... production manager (as Georg C. Horsetzky)
 
Second Unit Director or Assistant Director
Marc Sorkin .... assistant director
Paul Falkenberg .... assistant director (uncredited)
 
Art Department
Marcel Tuszkay .... graphic designer
 

Production CompaniesDistributors
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Additional Details

Also Known As:
Pandora's Box (UK) (USA)
Lulu
The Box of Pandora (International: English title)
more
Runtime:
Germany:133 min (restored version) | USA:109 min | Belgium:152 min (Copy with French titles at Brussels Musée du Cinéma) | 131 min (original version) (21.4 fps) | 110 min (VHS version)
Country:
Language:
Aspect Ratio:
1.33 : 1 more
Sound Mix:
Certification:
Germany:(Banned) (1933-1945) | Portugal:17 (original release) | Portugal:(Banned) (1936-1945) | Portugal:M/12 (DVD rating) | Norway:(Banned) (1929) | UK:A (1929) | UK:PG (1993) | Australia:PG | USA:TV-PG (TV rating) | Argentina:13 | Finland:(Banned) (1929) | Sweden:(Banned)
Company:

Fun Stuff

Trivia:
Countess Anna is considered by historians to be cinema's first lesbian character. more
Goofs:
Revealing mistakes: The poster warning Londoners of Jack the Ripper is in German instead of English. more
Quotes:
Lulu: You'll have to kill me to get rid of me. more
Movie Connections:

FAQ

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19 out of 20 people found the following review useful.
Downbeat But Engrossing, Sordid Yet Artistic, 13 April 2004
Author: Snow Leopard from Ohio

This feature has quite an unusual feel to it - generally downbeat, but engrossing, and filled with sordid characters and settings, yet somehow artistic. Moreover, it's not downbeat or sordid in the pretentious, empty way that characterizes so many recent movies. Rather, despite portraying its characters in a largely unfavorable light, it neither exploits them nor glorifies them. These persons are shown simply to be what they are, and while there is a certain inevitability about many of the things that befall them, there is a thoughtfulness as well. You would not want to be like, or perhaps even meet, most of these characters, and yet you want to wish them better luck.

Louise Brooks gets most of the attention (both in the movie itself and from those who discuss it). The "Pandora's Box" image for her character is appropriate, in that Lulu is never ill-intentioned nor malicious, and yet she often puts the other characters in difficult situations, just by being who she is and acting naturally. All of the other significant characters are defined largely in terms of their responses to her and relationships with her, and all of the characters (including Lulu) have very evident faults and make some very preventable blunders. The result is an unusual and very interesting movie. Director G.W. Pabst deserves the credit most of all for creating the atmosphere, putting everything together, and making it work so well.

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