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Buster Keaton (written by) and
Clyde Bruckman (written by) ...
(more)
5 February 1927 (USA) more
Love, Locomotives and Laughs
When Union spies steal an engineer's beloved locomotive, he pursues it single handedly and straight through enemy lines. full summary | full synopsis
1 win more
New On DVD This Week
(From The Flickcast. 10 November 2009, 4:15 PM, PST)
This Week In DVD: November 10th
(From FilmSchoolRejects. 10 November 2009, 8:08 AM, PST)
Loco and Motive more (131 total)
| Marion Mack | ... | Annabelle Lee | |
| Glen Cavender | ... | Captain Anderson | |
| Jim Farley | ... | General Thatcher | |
| Frederick Vroom | ... | A Southern General | |
| Charles Henry Smith | ... | Annabelle's Father (as Charles Smith) | |
| Frank Barnes | ... | Annabelle's Brother | |
| Joe Keaton | ... | Union General | |
| Mike Donlin | ... | Union General | |
| Tom Nawn | ... | Union General | |
| Buster Keaton | ... | Johnny Gray | |
| rest of cast listed alphabetically: | |||
| Henry Baird | ... | Soldier (uncredited) | |
| Joe Bricher | ... | Soldier (uncredited) | |
| Jimmy Bryant | ... | Raider (uncredited) | |
| Sergeant Bukowski | ... | Officer (uncredited) | |
| Capt. C.C. Cruson | ... | Officer (uncredited) | |
| Jack Dempster | ... | Raider (uncredited) | |
| Keith Fennell | ... | Soldier (uncredited) | |
| Budd Fine | ... | Raider (uncredited) | |
| Eddie Foster | ... | Union Railroad Fireman (uncredited) | |
| Ronald Gilstrap | ... | Union Soldier (uncredited) | |
| Frank Hagney | ... | Confederate Recruiter (uncredited) | |
| Ray Hanford | ... | Raider (uncredited) | |
| Jackie Hanlon | ... | Boy Who Follows Johnny (uncredited) | |
| Al Hanson | ... | Raider (uncredited) | |
| Anthony Harvey | ... | Raider (uncredited) | |
| Edward Hearn | ... | Union Officer (uncredited) | |
| Boris Karloff | ... | Union General (uncredited) (unconfirmed) | |
| Hilliard Karr | ... | Soldier (uncredited) | |
| Elgin Lessley | ... | Union General Who Gives Command to Cross Bridge (uncredited) | |
| Louis Lewyn | ... | Soldier (uncredited) | |
| Jackie Lowe | ... | Boy Who Follows Johnny (uncredited) | |
| Billy Lynn | ... | Soldier (uncredited) | |
| Ross McCutcheon | ... | Raider (uncredited) | |
| Tom Moran | ... | Raider (uncredited) | |
| Charles Phillips | ... | Raider (uncredited) | |
| Red Rial | ... | Raider (uncredited) | |
| Al St. John | ... | Officer on Horseback (uncredited) | |
| Harold Terry | ... | Union Soldier (uncredited) | |
| Ray Thomas | ... | Raider (uncredited) | |
| Red Thompson | ... | Raider (uncredited) | |
| James Walsh | ... | Soldier (uncredited) | |
| John Wilson | ... | Union Soldier (uncredited) | |
| Jean Woodward | ... | Undetermined Role (uncredited) | |
Directed by | |||
| Clyde Bruckman | |||
| Buster Keaton | |||
Writing credits | ||
| Buster Keaton | (written by) and | |
| Clyde Bruckman | (written by) | |
| Al Boasberg | (adaptation) and | |
| Charles Henry Smith | (adaptation) (as Charles Smith) | |
| William Pittenger | book "Daring and Suffering: a History of the Great Railroad Adventure" (uncredited) | |
| William Pittenger | memoir "The Great Locomotive Chase" (uncredited) | |
| Paul Girard Smith | writer (uncredited) | |
Produced by | |||
| David H. Shepard | .... | video producer (2003 alternate version) (as David Shepard) | |
| Buster Keaton | .... | producer (uncredited) | |
| Joseph M. Schenck | .... | executive producer (uncredited) | |
| Joseph M. Schenck | .... | producer (uncredited) | |
Original Music by | |||
| The Alloy Orchestra | (2003 alternate version) | ||
| Carl Davis | (1987) | ||
| Joe Hisaishi | |||
| Robert Israel | (1995 alternate version) (uncredited) | ||
Cinematography by | |||
| Bert Haines | (photographed by) | ||
| Devereaux Jennings | (photographed by) (as Dev Jennings) | ||
Film Editing by | |||
| Buster Keaton | (uncredited) | ||
| Sherman Kell | (uncredited) | ||
Art Direction by | |||
| Fred Gabourie | (uncredited) | ||
Set Decoration by | |||
| Harry Roselotte | (uncredited) | ||
Makeup Department | |||
| Bennie Hubbel | .... | assistant makeup artist (uncredited) | |
| J.K. Pitcarin | .... | makeup artist (uncredited) | |
| Fred C. Ryle | .... | makeup artist (uncredited) | |
Production Management | |||
| Lou Anger | .... | production supervisor (uncredited) | |
| Fred Gabourie | .... | production manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| Harry Barnes | .... | first assistant director (uncredited) | |
| Glen Cavender | .... | second unit director (uncredited) | |
| Edward Hearn | .... | assistant director: Oregon (uncredited) | |
Art Department | |||
| Frank Barnes | .... | construction foreman (uncredited) | |
| Jack Coyle | .... | carpenter (uncredited) | |
| William Ernshaw | .... | bridge timber crew (uncredited) | |
| Al Gilmour | .... | production buyer (uncredited) | |
| Mike Graves | .... | assistant property master (uncredited) | |
| Bert Jackson | .... | property master (uncredited) | |
| H.L. Jennings | .... | bridge and dam construction (uncredited) | |
| George E. Potter | .... | bridge timber contractor (uncredited) | |
| Billy Wood | .... | chief draughtsman (uncredited) | |
Special Effects by | |||
| Jack Little | .... | special effects (uncredited) | |
Stunts | |||
| Buster Keaton | .... | stunts (uncredited) | |
| Earl Mohan | .... | stunt double: Tom Moran (uncredited) | |
Camera and Electrical Department | |||
| Denver Harmon | .... | lighting effects | |
| Frank Barnes | .... | grip (uncredited) | |
| Dal Clawson | .... | still photographer (uncredited) | |
| Elmer Ellsworth | .... | camera operator (uncredited) | |
| Denver Harmon | .... | chief lighting technician (uncredited) | |
| Byron Houck | .... | camera operator (uncredited) | |
| Byron Houck | .... | still photographer (uncredited) | |
| Ed Levy | .... | assistant chief lighting technician (uncredited) | |
| William Piltz | .... | still photographer (uncredited) | |
| Melbourne Spurr | .... | publicity photographer (uncredited) | |
| Harry J. Wild | .... | assistant camera (uncredited) | |
Costume and Wardrobe Department | |||
| Bennie Hubbel | .... | assistant wardrobe (uncredited) | |
| J.K. Pitcarin | .... | wardrobe (uncredited) | |
| Fred C. Ryle | .... | assistant wardrobe (uncredited) | |
Editorial Department | |||
| Harry Barnes | .... | assistant editor (uncredited) | |
| Sherman Kell | .... | assistant editor (uncredited) | |
Music Department | |||
| Robert Israel | .... | music arranger: 1995 alternate version | |
| Robert Israel | .... | music director: 1995 alternate version | |
| William P. Perry | .... | composer: new piano score | |
| James C. Bradford | .... | music compiler (uncredited) | |
| Nic Raine | .... | orchestrator: Carl Davis (uncredited) | |
Other crew | |||
| Fred Gabourie | .... | technical director | |
| Joseph M. Schenck | .... | presenter | |
| Lou Anger | .... | production accountant: Los Angeles (uncredited) | |
| Dr. Axley | .... | first aid (uncredited) | |
| Harry Brand | .... | production coordinator (uncredited) | |
| Harry Brand | .... | unit publicist (uncredited) | |
| Betty Cavender | .... | production secretary (uncredited) | |
| Glen Cavender | .... | technical advisor (uncredited) | |
| John W. Considine Jr. | .... | assistant production coordinator (uncredited) | |
| Jack Dempster | .... | engineer (uncredited) | |
| Christine Francis | .... | script supervisor (uncredited) | |
| Dr. Frost | .... | first aid (uncredited) | |
| Wesley G. Gilmour | .... | production accountant: Oregon (uncredited) | |
| L.L. Graham | .... | production assistant: Oregon (uncredited) | |
| Bob Holmes | .... | production assistant: Oregon (uncredited) | |
| Bert Jackson | .... | location manager (uncredited) | |
| Ralph Land | .... | chef (uncredited) | |
| Fred A. Lowry | .... | brakeman (uncredited) | |
| George E. Potter | .... | caterer (uncredited) | |
| Viola Riddle | .... | cook: Mr. Keaton (uncredited) | |
| Willie Riddle | .... | assistant: Mr. Keaton (uncredited) | |
| Dee Wright | .... | wrangler (uncredited) | |
| Fred Wright | .... | chief mechanic (uncredited) | |
| Fred Wright | .... | fire fighter (uncredited) | |
Australia:107 min | Spain:80 min (1982 version) | Spain:83 min (1962 version) | USA:75 min (2003 alternate version)
Black and White (Sepiatone)
1.33 : 1 more
Portugal:M/6 (DVD rating) | UK:U | South Korea:All (2002) | USA:TV-G (TV rating) | Australia:G | Norway:7 (original rating) | Norway:A (re-rating) (2004) | Portugal:17 (director's cut) | Sweden:Btl | USA:Unrated | West Germany:6 | Finland:S
In the train crash a dummy was used as engineer. It looks so realistic that the townspeople who had come to watch screamed in horror. more
Revealing mistakes: When Johnny is running through the woods to escape the Union soldiers, his hat drops from the tree before his head hits the hat to dislodge it. more
[first lines]
Annabelle's brother:
Fort Sumter has been fired upon.
Mr. Lee:
Then the war is here.
Annabelle's brother:
Yes, dad, and I'm going to be one of the first to enlist.
more
Featured in Boffo! Tinseltown's Bombs and Blockbusters (2006) more
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb top 250 movies | IMDb Comedy section |
| IMDb USA section | Add this title to MyMovies |
No one will top Keaton for physical risk, and risk is what deep film experiences are all about. This might be classed as a comedy, but for me it touches deeply enough. Its about a man who needs to prove himself by taking risks and being true. And its by a man who takes even greater risks and is more true. True to the spirit of the social compact, here displayed as the chummy south.
He's always done stunts that amaze. Many of his other films have things in them that if the timing were only a little off, he'd be seriously injured, or die. But this takes the cake. Its almost as if he started with the idea that he'd have three locos to play with and had a year to think up stunts.
And the stunts are so physical! And so dangerous. And so, so very effective.
His trademark is the deadpan face placed as a sort of innocent cluelessness. Its particularly funny when you see the physical movements and you know that 1) they take incredible preparation and timing to pull off and 2) the fellow you see that looks so puzzled by the reality you see is the guy that devised and directed those stunts.
Ted's Evaluation -- 3 of 3: Worth watching.