The Little Colonel (1935)

Director:

David Butler

Writers:

William M. Conselman (writer)
Anne Fellows Johnston (novel)

Release Date:

22 February 1935 (USA)

Genre:

Comedy | Crime | Drama | Family

Tagline:

Hail to the conquerer of ten million hearts.

Plot:

After Southern belle Elizabeth Lloyd runs off to marry Yankee Jack Sherman, her father, a former Confederate colonel during the Civil War...

Plot Keywords:

Civil War | Colonel | Grandfather | Yankee | Racial Stereotype

Cast

Shirley Temple	...	Lloyd Sherman
Lionel Barrymore	...	Col. Lloyd
Evelyn Venable	...	Elizabeth Lloyd Sherman
John Lodge	...	Jack Sherman
Sidney Blackmer	...	Swazey
Alden 'Stephen' Chase	...	Hull
William Burress	...	Dr. Scott
Frank Darien	...	Nebler
Robert Warwick	...	Col. Gray
Hattie McDaniel	...	Becky ('Mom Beck') Porter
Geneva Williams	...	Maria
Avonnie Jackson	...	May Lily
Nyanza Potts	...	Henry Clay
Bill Robinson	...	Walker
rest of cast listed alphabetically:
Edward Earle	...	Colonel's Aide (scenes deleted)

Runtime:

80 min

Country:

USA

Language:

English

Color:

Black and White | Color (Technicolor)

Sound Mix:

Mono (Western Electric Noiseless Recording)

Certification:

Canada:G (Manitoba/Nova Scotia/Quebec) | USA:PG (1994) | Australia:G

Company:

Fox Film Corporation

Trivia:

Shirley Temple memorized every line of dialogue in this movie, and while filming a scene with Lionel Barrymore, the veteran actor forgot a line. When Temple prompted him, Barrymore flew into a such a rage that one crew member took Temple away for fear that Barrymore might harm her. He later apologized to her, and they remained friends for many years.

Goofs:

Continuity: When Lloyd returns home after making a mud pie, the amount of mud on her arms and dress changes between shots.

Quotes:

Miss Lloyd Sherman: Mom Beck, why do they dunk them in the water that way?
Becky Porter: That's to save their souls and wash their sins away.
Miss Lloyd Sherman: Would it wash my sins away?
Becky Porter: Why honey, you ain't got no sins. You a little angel.
Miss Lloyd Sherman: Well, would it wash my sins away if I had any?
Becky Porter: Sure would, child, if you believed in it.
Miss Lloyd Sherman: Were you ever dunked, Mom Beck?
Walker: A little river like that wouldn't do her no good, child. She need the Mississippi!

Movie Connections:

Featured in 100 Years at the Movies (1994) (TV)

Soundtrack:

The Sun Shines Brighter (When You Go Singing Along)

Another Shirley Classic -- Enjoyable but Overrated.

With all of her usual show-stealing spark, Shirley Temple delivers another fun family classic as Lloyd Sherman in "The Little Colonel." Proving yet again that there's no problem she can't solve, Shirley reconciles an old grudge between her young mother (played by Evelyn Venable) and her crusty southern grandfather (played by Lionel Barrymore), who disowned his daughter for marrying a Yankee. Shirley's classic tap dance up the staircase with Bojangles Robinson will remind all of her fans of what a true dancing prodigy she really was. And a few scenes later, her song "Love's Young Dream" will show you why her singing is not as well remembered as her dancing. Don't get me wrong: Shirley shines in fast, snappy songs, but her voice was not made for slow numbers like this one.

"The Little Colonel" is a nice family film, but except for the iconic staircase dance, there is little to distinguish it from most of Shirley's childhood flicks. The claim that this film smashed through racial barriers by placing Shirley Temple opposite African-American screen legends Bojangles Robinson and Hattie McDaniel is almost laughable. Rather, Robinson and McDaniel play complete racial stereotypes: Robinson is the clichéd childish, comical servant ("The stereotyped picture of gay song-singing cotton pickers," to quote Maya Angelou). Watch him stand idly by while Barrymore fusses and fumes at him, because he knows "the old colonel don't mean no harm." Meanwhile McDaniel is a Mammy figure, loyal, caring, and always glad to serve the white folks (McDaniel later won an Oscar for playing the same Mammy figure in "Gone With the Wind"). In her famous novel, "The Bluest Eye," Toni Morrison writes, "I hated Shirley. Not because she was cute, but because she danced with Bojangles, who was my friend, my uncle, my daddy, and who ought to have been soft-shoeing it and chuckling with me. Instead he was enjoying, sharing, giving a lovely dance thing with one of those little white girls whose socks never slid down under their heels."

But one cannot really expect better from a film made in 1935, when America was, unfortunately, still in the Dark Ages as far as African-Americans and their rights were concerned. Such clichéd roles were the only acting jobs available for African-Americans at the time, and so Robinson's and McDaniel's talents are largely untapped as their characters completely lack the depth given to white actors. For example, Lionel Barrymore's Colonel Lloyd has both positive and negative characteristics: He is a temperamental hothead who remains bitter over the Civil War, but he is also a southern gentleman who immediately brings his new neighbors a bouquet of flowers to welcome them.