The Eagle (1925)

User Rating:

7.7/10   

Director:

Clarence Brown

Writers:

George Marion Jr. (titles)
Alexander Pushkin (story)

Release Date:

8 November 1925 (USA)

Genre:

Comedy | Drama | Romance

Plot:

Vladimir Dubrouvsky, a lieutenant in the Russian army, catches the eye of Czarina Catherine II. He spurns her advances and flees...

Plot Keywords:

Mask | Land Rights | Deception | Prison | Revenge

Cast

Rudolph Valentino	...	Lt. Vladimir Dubrovsky, aka The Black Eagle and Marcel Le Blanc
Vilma Bánky	...	Miss Mascha Troekouroff (as Vilma Banky)
Louise Dresser	...	The Czarina, Catherine II
Albert Conti	...	Capt. Kuschka
James A. Marcus	...	Kyrilla Troekouroff (as James Marcus)
George Nichols	...	Judge
Carrie Clark Ward	...	Aunt Aurelia
rest of cast listed alphabetically:
Michael Pleschkoff	...	Capt. Kuschka of the Cossack Guard

Runtime:

73 min | UK:80 min | Canada:71 min (Ontario)

Country:

USA

Language:

English

Color:

Black and White

Aspect Ratio:

1.33 : 1

Sound Mix:

Silent

Certification:

Brazil:Livre | USA:Unrated

Company:

Art Finance Corporation

Trivia:

The film was originally titled "The Black Eagle", but was changed when it was discovered that Douglas Fairbanks was producing the similarly-titled The Black Pirate (1926).

Movie Connections:

Version of Aquila Nera (1946)

Silent film-making at its best!

This is an astonishing film, breathtakingly shot by George Barnes, which reveals how powerful the silent film could be. Like many silents this film is not about its plot but about the minutia of human behaviour and emotion. The moment when Valentino touches Banky's neck you can feel her thrill - her eyes moisten with passion. This is the kind of moment that the talkies had trouble with - words spoil the ecstasy of first touch - as many of the silent screen's great lovers found when they entered talkies. But Valentino did not live to make a talkie - and his legend is probably grateful.

He is exceptional in this period romp through the Russia of Catherine the Great. Vilma Banky matches him superbly - she has the ethereal beauty of Garbo. James Marcus is fun as the baddie, but Louise Dresser is brilliant as Catherine the Great. The scene where she attempts to "take advantage" of Valentino is extraordinary - and a great step forward for female liberation.

Combine these performances with the genius of Clarence Brown, the costumes of Adrian (which are intentionally not quite of the right period having a distinctive 1920's feel), and the production design of William Cameron Menzies and you have a masterpiece. It will surprise you at every turn, and the tracking shots are truly magnificent - especially that banquet scene! Don't miss it - and if you get the version with Carl Davis' score you are in for a real treat.