| Photos (see all 13 | slideshow) |
| Maksim Shtraukh | ... | Police Spy | |
| Grigori Aleksandrov | ... | Factory Foreman | |
| Mikhail Gomorov | ... | Worker | |
| I. Ivanov | ... | Chief of Police | |
| Ivan Klyukvin | ... | Revolutionary | |
| Aleksandr Antonov | ... | Member of Strike Committee | |
| Yudif Glizer | ... | Queen of Thieves | |
| Anatoli Kuznetsov | |||
| Vera Yanukova | |||
| Vladimir Uralsky | (as V. Uralsky) | ||
| M. Mamin | |||
| rest of cast listed alphabetically: | |||
| Boris Yurtsev | ... | King of Thieves | |
Directed by | |||
| Sergei M. Eisenstein | |||
Writing credits(in alphabetical order) | ||
| Grigori Aleksandrov | writer | |
| Sergei M. Eisenstein | writer | |
| Ilya Kravchunovsky | writer | |
| Valeryan Pletnyov | writer | |
Produced by | |||
| Boris Mikhin | .... | producer | |
Cinematography by | |||
| Vasili Khvatov | |||
| Vladimir Popov | |||
| Eduard Tisse | |||
Art Direction by | |||
| Vasili Rakhals | |||
Second Unit Director or Assistant Director | |||
| Grigori Aleksandrov | .... | assistant director | |
| Ilya Kravchunovsky | .... | assistant director | |
| Aleksandr Levshin | .... | assistant director (as A. Levshin) | |
Camera and Electrical Department | |||
| U. Khuatov | .... | assistant camera | |
| Vladimir Popov | .... | assistant camera | |
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| Bronenosets Potyomkin | Across the Universe | Intolerance: Love's Struggle Throughout the Ages | The Holy Mountain | Tout va bien |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb Soviet Union section | Add this title to MyMovies |
This film came out in 1925, not yet a decade into the newly-minted Bolshevik Revolution; therefore, Stalin was there to make sure Eisenstein would make a film that would glorify the worker and vilify the capitalist. As far as that goes, no film is better. As far as a film with more complexity, or any sort of real story, however, this is not a film to see.
But Strike! is superbly directed, a visual masterpiece. All through the film, you see bodies. Bodies running, jumping, moving, falling, fighting, climbing. Those are the workers. The fat bodies and the grotesque faces stuffing themselves on caviar--those are the capitalists. There is much action and fast movement. Eisenstein does not insult your intelligence either; his direction is fast, but economical: nod off for a bit and you'll miss a lot.
Eisenstein, not encumbered with scripts or actors flubbing their lines, or even much of a plot, does an amazing job doing split-second cinematographic cuts throughout this 93 minute gem. Many "artsy" shots are used: upside-down; mirror; invisibility & fades; shadow/profiles;and interesting point-of-view perspective shots. The action is constant, the facial expressions human and disturbing. There is also humor, earthiness, and clever scenes and motifs.
This film is a must-see for any film student. Eisenstein squeezes every last ounce of cinematic art from his lens to produce a lasting gem of a film.