Overview
User Comments:
Good Movie Disagree on Other's View
more
|
| Neal Kurz | .... | music compiler (2004 alternate version) |
| Neal Kurz | .... | musician (2004 alternate version) |
| |
|
| David H. Shepard | .... | video producer (2004 alternate version) (as David Shepard) |
| |
|
| Bret Hampton | .... | with appreciation to (2004 alternate version) |
| Monica Paulsen | .... | with appreciation to (2004 alternate version) |
| Ulrich Ruedel | .... | with appreciation to (2004 alternate version) |
| Bret Wood | .... | with appreciation to (2004 alternate version) |
| |
Additional Details
Also Known As:
Chained (USA)
Chained: The Story of the Third Sex (USA)
Heart's Desire (UK)
more
Runtime:
90 min (20 fps, 2006 restored version) | USA:86 min (2004 alternate version) | Canada:93 min
Aspect Ratio:
1.33 : 1
more
MOVIEmeter: 
23% since last week
why?
Fun Stuff
Goofs:
Continuity: When the painter Claude Zoret is talking to Mikael's creditor he switches from standing up to sitting down back to standing up between shots.
more
Quotes:
[
first lines]
Motto (titlecard):
Motto: Now I can die in peace for I have known a great love.
more
FAQ
This FAQ is empty. Add the first question.
more
Message Boards
Discuss this title with other users on
IMDb message board for Michael (1924)
more
Recommendations
Related Links
People in the modern era always seem to want to interpret older movies as having an entirely homosexual undertone, whether they do or they don't. It's clear that Zoret was definitely in love with Michael, but that Michael was heterosexual.
In the beginning, when Adelsskjold remarks that Michael has a "monopoly" on modeling for Zoret, Michael is obviously shaken, even angry/horrified. There are also two references to Michael in that first scene as Zoret's "adopted son." Michael doesn't even live with Zoret. Also, in the second scene, Michael is reported as having an obsession with a ballerina at the theater, and then falls head over heels for the "Princess." Michael was not a young hustler in this movie, but a penniless man who was taken in by a successful and older mentor whom he viewed more as a father, not a lover.