Der letzte Mann (1924)

Director:

F.W. Murnau

Writer:

Carl Mayer (writer)

Release Date:

5 January 1925 (USA)

Genre:

Drama

Plot:

An aging doorman, after being fired from his prestigious job at a luxurious Hotel is forced to face the scorn of his friends, neighbours and society.

Plot Keywords:

Hotel | Uniform | Rain | Neighbor | Shadow

Cast

Emil Jannings	...	Hotelportier [hotel porter]
Maly Delschaft	...	Seine Nichte
Max Hiller	...	Ihr Bräutigam
Emilie Kurz	...	Tante des Bräutigams
Hans Unterkircher	...	Geschäftsführer [hotel manager]
Olaf Storm	...	Junger Gast
Hermann Vallentin	...	Spitzbäuchiger Gast
Georg John	...	Nachtwächter [night watchman]
Emmy Wyda	...	Dünne Nachbarin
rest of cast listed alphabetically:
O.E. Hasse

Also Known As:

The Last Laugh (USA)

Runtime:

77 min | Germany:101 min | Spain:90 min (DVD edition) | USA:90 min

Country:

Germany

Color:

Black and White

Aspect Ratio:

1.33 : 1

Sound Mix:

Silent

Certification:

Portugal:M/6 (DVD rating) | Finland:S (1967) | Spain:T

Filming Locations:

Berlin, Germany

Company:

Universum Film (UFA)

Trivia:

The first "dolly" (a device that allows a camera to move during a shot) was created for this film. According to Edgar Ulmer the idea to make the first dolly came from the desire to focus on Jannings face during the first shot of the movie, as he moved through the hotel. They obviously didn't know how to make a dolly technically, so they created the first one out of a baby's carriage.They then pulled the carriage on a sort of railway that was built on the studio.

Goofs:

Continuity: When the porter comes home with the stolen coat, the third button down (which fell off earlier) is still there until a close-up of him at the door.

Movie Connections:

Featured in Los 5 Faust de F.W. Murnau (2002) (V)

A Distinctive Classic

This classic is distinctive in several respects. The expressionistic style and creative camera work, along with a noteworthy leading performance by Emil Jannings, turn a simple story into a thought-provoking experience. It is also very interesting for its almost complete lack of title cards, demonstrating how a skilled practitioner of the art of silent cinema can convey all kinds of attitudes and emotions without employing dialogue of any kind.

The actual story is very simple. Jannings portrays a doorman at a fine hotel, who takes enormous pride in his position, his work, and especially his uniform. One day the hotel manager passes by, misunderstands what he sees, and decides that the doorman is too old for the job. The next day, a new doorman takes his place, and he is relegated to working in the washroom. The rest of the film then shows the effect of this change on the doorman and on the way that others view him and treat him. The plot developments themselves are conveyed efficiently and succinctly, so that the emphasis is on the feelings and perceptions of the characters. The acting, camera work, and settings are all used very carefully to emphasize the changes that take place inside Jannings' character and in the attitudes of others towards him as a result of his demotion.

These changes are often very (deliberately) exaggerated, and there are times when they honestly strain credibility a bit too much. And it is not always easy to watch the doorman's anguish, but it gives you plenty to think about - part of his suffering comes from the foolish attitudes of others, but much of it also comes from his own over-dependence on his position for his happiness. It is remarkable how much is expressed without even using title cards - there is just one in the entire movie, a note that introduces the last part of the film, when further developments occur that introduce a new set of themes.

"The Last Laugh" is worth seeing for anyone who likes silent films, for its thought-provoking story and perhaps even more so for its creative and masterful use of silent film techniques.