Amazon.com reviews for
Our Hospitality (1923) More at IMDbPro »

Our Hospitality/Sherlock, Jr. (dvd):

Amazon.com video review: Buster Keaton's second feature, Our Hospitality is his first masterpiece. He plays a New York city boy who travels south to receive his inheritance, only to discover he's in the center of a generations-old feud. While his sworn enemies (the family of the girl he has fallen in love with, naturally) vow to gun him down, Southern hospitality forbids them from harming him as long as he's a guest in their home. Plenty of comic mileage is mined from Buster's desperate attempts to prolong his stay, and highlights include a deliriously surreal train (run by Keaton's father, Joe) and a heroic rescue involving a rope, a log, and a mighty waterfall.

Sherlock Jr. is a delightfully surreal fantasy of a film projectionist and amateur detective who climbs into his movie screen. Like Daffy Duck in the famous cartoon "Duck Amuck," Buster is at the mercy of sudden scene changes, sent from desert to snowstorm to lake in simple cuts while he remains helplessly fixed onscreen. (Even more astounding is that he accomplished this engineering marvel with nothing more than surveyor's tools and an exacting eye.) Settling into his dream role as a master detective and society bon vivant Sherlock Jr., he chases the dastardly villains in a world as wild and unpredictable as the French serial Les Vampires: bombs are hidden in billiard balls and Keaton leaps through the torso of a peddler woman and into nothingness! No other silent film turns logic on its head with such grace and comic hilarity. --Sean Axmaker

The Art of Buster Keaton (The General / Sherlock, Jr. / Our Hospitality / The Navigator / Steamboat Bill Jr. / College / Three Ages / Battling Butler / Go West / The Saphead / Seven Chances / 21 Short Films) (dvd):

Amazon.com video review: Buster Keaton was arguably the cinema's first modernist, an old-fashioned romantic with a 20th-century mind behind a deadpan visage. His films brim with some of the most breathtaking stunts and ingenious gags ever put on film, all perfectly engineered to look effortless. And, as Kino's magnificent 11-disc box set The Art of Buster Keaton conclusively shows, they are among the funniest ever made. Keaton warped gags until they left the plane of reality in such shorts as The Playhouse (1921) and The Frozen North (1922), and takes a logic-defying leap into the very nature of cinema itself in his hilarious Sherlock Jr. (1924). He takes on the mechanical world with Rube Golberg ingenuity in The Navigator (1924) and perfects his match between man and massive machine in Steamboat Bill Jr. (1928), which features the funniest hurricane scene ever put to film, and The General (1927), one of the greatest comedies of all time.

In addition to the previously released 11 features and 19 shorts from the peak of Keaton's career, this set boasts the exclusive Keaton Plus, a collection of rarities and tributes. The greatest find is the long-lost ending to Hard Luck (1921), now restored to complete the film's final inspired gag. Other highlights include newly discovered scenes from Daydreams (1922) and The Love Nest (1923), entertaining excerpts from Keaton's 1951 TV show Life with Buster Keaton (he's still got it!), and his rare dramatic turn in the 1954 television play The Awakening. --Sean Axmaker